Rock Music Memoirs

I Was There is a memoir by Alan Edwards, the godfather of modern music PR, whose stellar list of clients has ranged over the years from the Rolling Stones to the Spice Girls via the Stranglers, Blondie, Prince, Britney Spears, Amy Winehouse and, outside of music, David Beckham and Naomi Campbell. Edwards describes getting his break in the mid-1970s as a scruffy 20-year-old back from the hippy trail; his encounter with London’s thriving punk scene, which inspired him to set up his own PR company; finding success as his work with the likes of Blondie and Bowie takes him to the US and beyond.

A fitting tribute to the troubled genius who revolutionized electric bass playing and bridged the gaps between jazz, R&B, rock, and funk. From his early days in R&B club bands through his international stardom with fusion group Weather Report and on to his solo career and tragic death at age 35, this book portrays the life and music of Jaco Pastorius, the self-proclaimed "world's greatest bass player".

Take a tour behind the scenes at the NBC television special that relaunched Elvis Presley’s career as a stage musician. Author Steve Binder—who directed the TV special—provides exclusive “backstage” access that gives fans even more insight into the performance that many see as a high point in the King of Rock’s reign of American music. Learn how Binder gave us in this Comeback Special, the first MTV Unplugged with Elvis performing in an intimate acoustic musical setting.

In 1974, at the age of 17, author Glenn Berger served as "schlepper" and apprentice to the legendary recording engineer Phil Ramone at New York City's A&R Studios, and was witness to music history on an almost daily and nightly basis as pop and rock icons such as Paul Simon, Bob Dylan, Mick Jagger, Frank Sinatra, Burt Bacharach, Bette Midler, and James Brown performed their hit-making magic, honed their sound, strutted their stuff, bared their souls, and threw epic tantrums.

The authorized biography of the most notorious rock manager of all time, Peter Grant, best known for his work with Led Zeppelin. Often acknowledged as the "fifth member of Led Zeppelin", Grant's story has appeared in fragments across countless Zeppelin biographies, but none has explored who this brilliant and intuitive manager yet flawed and sometimes dangerous man truly was. No one has successfully captured the scope of his personality or his long-lasting impact on the music business. Acclaimed author and journalist Mark Blake seeks to rectify that.

From the Stooges and MC to Grand Funk Railroad and Ted Nugent, to the White Stripes, Eminem, and Kid Rock, and whole casts of other great bands and performers, Detroit has always produced louder, more rumbling, more subversive rock music than any city in the world. In Detroit Rock City, listeners get to hear the stories straight from the participants themselves: the singers, the guitar slingers, the fans, the reporters, the promoters, even the guys who hand-made amps to be louder and crunchier than the competition’s.

If you were a fan of popular music in the 1960s and early '70s, you were a fan of the Wrecking Crew - whether you knew it or not. On hit record after hit record by everyone from the Byrds, the Beach Boys, and the Monkees to the Grass Roots, the 5th Dimension, Sonny & Cher, and Simon & Garfunkel, this collection of West Coast studio musicians from diverse backgrounds established themselves as the driving sound of pop music - sometimes over the objection of actual band members....

The age of the rock star, like the age of the cowboy, has passed. Like the cowboy, the idea of the rock star lives on in our imaginations. What did we see in them? Swagger. Recklessness. Sexual charisma. Damn-the-torpedoes self-belief. A certain way of carrying themselves. Good hair. Interesting shoes. Talent we wished we had. What did we want of them? To be larger than life but also like us. To live out their songs. To stay young forever. No wonder many didn't stay the course.

Phil Spector, born in the Bronx in 1940, grew up an outsider despised by his peers. But he formed a band, and had a number-one hit with "To Know Him Is to Love Him". He quickly became the top producer of early rock and roll and the originator of such girl groups as the Ronettes. Hit followed hit, and for all of them he used a new recording style called the "wall of sound". But the reign of the boy-man who owned pop music was doomed, and Spector spiraled into paranoid isolation and peculiar behavior.

Revised and expanded, with a new afterword by the author, this is the definitive biography of Duane Allman, one of the most revered guitarists of his generation. Skydog reveals the complete story of the legendary guitarist: his childhood and musical awakening; his struggling first bands; his hard-won mastery of the slide guitar; his emergence as a successful session musician; his creation of the Allman Brothers Band; his tragic death at age 24; and his thriving musical legacy.

From 1969 to 1971, as the United States convulsed with political upheaval and transformative social movements, no band was bigger than Creedence Clearwater Revival. They managed a two-year barrage of top-10 singles and LPs that doubled as an ubiquitous soundtrack to one of the most volatile periods in modern American history, and they remain a staple of classic rock radio and films about the era. Yet despite their enduring popularity, no book has ever sought to understand Creedence in conversation with their time. A Song for Everyone finally tells that story.

When Pete Shelley, lead singer of legendary punk band Buzzcocks, passed away in 2018, we lost one of music's brightest stars - as well as the chance to hear his story. Or so it seemed. Recordings have surfaced of a series of remarkable interviews in which Pete tells the story of his life, his band and his place at the beating heart of the punk explosion in fascinating detail. These remarkable recordings have now been brought back to life by professional actors in this audio edition of Ever Fallen in Love: The Lost Buzzcocks Tapes.

PEN/Hemingway Award-winner Bobbie Ann Mason turns her acumen on one of 20th-century America's most mysterious icons, The King himself. This new biography eschews sensational speculation to paint a thoughtfully researched but wholly felt portrait of the man-child, simultaneously naive and shrewd, who metamorphosed into a hero, one of the most popular and least supported characters in American history.

For almost 30 years as label boss, producer and talent conductor at XL Recordings, Richard Russell has discovered, shaped and nurtured the artists who have rewritten the musical dictionary of the 21st century, artists like The Prodigy, The White Stripes, Adele, M.I.A., Dizzee Rascal and Giggs. Growing up in north London in thrall to the raw energy of 80's US hip hop, Russell emerged as one part of rave outfit Kicks Like a Mule in 1991 at a moment when new technology enabled a truly punk aesthetic on the fledgling free party scene.

From the author's first glimpse of a magical recording studio in the mid-1960s up through a busy career that continues to the present day, this rollicking story can only be told by those that were there. As the young tape operator on sessions for the Rolling Stones, Jimi Hendrix, and Joe Cocker at the famed Olympic Sound Studios in London, Phill learned the ropes from experienced engineers and producers such as Glyn Johns and Eddie Kramer.

"Surely make you lose your mind . . ." So the Eagles warn us about the outrageous and ruthless lifestyle of the ambitious rock-n-roller. In fact, Don Henley could barely listen to the track "Life in the Fast Lane" when they were recording it. He was so high that it made him sick. The band that embodied the American dream with globe-straddling success, impossibly luxurious lives, and almost supernatural talent also descended into nightmare with betrayal, hate-filled hubris, the skeletons of perceived enemies, brutally discarded lovers and former band mates left unburied in the road behind them.

Jon Fine spent nearly 30 years performing and recording with bands that played various forms of aggressive and challenging underground rock music. And, as he writes in this memoir, at no point were any of those bands "ever threatened, even distantly, by actual fame". Yet when members of his first band, Bitch Magnet, reunited after 21 years to tour Europe, Asia, and America, diehard longtime fans traveled from far and wide to attend those shows.

One of America’s finest historians shows us how Bob Dylan, one of the country’s greatest and most enduring artists, still surprises and moves us after all these years. Growing up in Greenwich Village, Sean Wilentz discov­ered the music of Bob Dylan as a young teenager; almost half a century later, he revisits Dylan’s work with the skills of an eminent American historian as well as the passion of a fan.

The most compelling figures in the Warner Bros. story are the sagacious Mo Ostin and the unlikely crew of hippies, eccentrics, and enlightened execs who were the first in the music business to read the generational writing on the wall in the mid-1960s. By recruiting outsider artists and allowing them to make the music they wanted, Ostin and his staff transformed an out-of-touch company into the voice of a generation. Along the way, they revolutionized the music industry and, within just a few years, created the most successful record label in the history of the American music industry.

How can so many people pledge allegiance to punk, something with no fixed identity? Depending on who and where you are, punk can be an outlet, excuse, lifestyle, escapism, conversation, community, ideology, sales category, social movement, punishable offense, badge of authenticity, reason to drink beer forever, or an aesthetic of belligerent incompetence. Sam McPheeters championed many different versions. Over the course of two decades, he fronted Born Against, released dozens of records and fanzines, and toured 17 times across the northern hemisphere.