Rural Fiction

Running my sister's bed-and-breakfast in our small town should have been a piece of cake. Until I opened the door to our new guest and came face to face with the man I had a one-night stand with a year ago—and he was looking at me like I was a total stranger. Nate Sullivan was fourteen years older than me and my brother's best friend. Not to mention a billionaire CEO who looked just as good in well-worn jeans and a T-shirt as he did in a suit. And when he was with his girls? There was no way I couldn't fall for him.

Hurtling past the downtrodden communities of Depression-era America, painter Val Welch travels westward to the rural town of Dawes, Wyoming. Through a stroke of luck, he’s landed a New Deal assignment to create a mural representing the region for their new Post Office.

Middlemarch is a novel by the English author Mary Anne Evans, who wrote as George Eliot. It first appeared in eight installments in 1871 and 1872. Set in Middlemarch, a fictional English Midland town, from 1829 to 1832, it follows distinct, intersecting stories with many characters. Issues include the status of women, the nature of marriage, idealism, self-interest, religion, hypocrisy, political reform, and education. Despite comic elements, Middlemarch uses realism to encompass historical events.

The job at Sunday Orchard was supposed to be temporary. A chance to gain some work experience, to have some fun. I had not expected to be welcomed into a family of gorgeous and weirdly efficient lumberjack-types, or to find purpose in the tiny Vermont town whose claim to fame seemed to be apple-based products and copious amounts of charm. And I most definitely hadn’t expected to fall for Knox Sunday, my grumpy, burly, fifteen-years-older, reluctant roommate, with his infuriating lectures, his hot-as-fire body, his superior attitude - I’ve never been one to put down roots.

Best-selling author Martin Walker’s previous two novels starring Chief of Police Bruno Courrèges became hits with fans and critics around the globe. In this thrilling third mystery, Bruno has his hands full with trouble in the truffle trade in St. Denis’ marketplace. And when a friend is murdered, things really start heating up.

Nashquitten, MA, is a decaying coastal enclave that not even tourist season can revive, full of locals who have run the town’s industries for generations. When a young woman dies at a house party, the circumstances around her death suspiciously unclear, the tight-knit community is shaken. As a mother grieves her daughter, a teacher her student, a best friend her confidante, the events around the tragedy become a lightning rod: blame is cast, secrets are buried deeper.

Spring should bring renewal, but Maura McKnight-Parker cannot escape the past. Still reeling from the loss of one daughter, the former free spirit is thrown for a loop by the return of her older daughter, Sage, and the reappearance of her first love, Sage’s father. Jackson Lange never knew his daughter—never even knew that he’d left the love of his life pregnant when he fled their small town—but he has never forgotten Maura.

As long as Carmel stays in London, nothing can happen to shatter her perfect life. She has a wonderful marriage, a rewarding career and a great bunch of friends. As far as she's concerned, the sadness of her past can stay back in Ireland, where it belongs. For Carmel, Ireland only means misery, loneliness and fear and she never wants to return. The new, confident and happy Carmel only exists on the cosmopolitan streets of Britain's capital. If she ever was forced to return, she fears she would revert to the mousey downtrodden woman she once was.

Mattie Fisher's three daughters know that she's been keeping a secret from them. With each item pulled from the beloved family hope chest, they've discovered a new clue about their mother's past. But there's a reason Mattie has been keeping her history hidden, and she's not sure she's ready to reopen old wounds. Will dredging up the past change the way her children view her? Or her marriage to their father? And can she handle the pain of revisiting the memories that preceded the last few happy decades?

Candy shop owner Charlotte Caine knows temptation. To reboot her life, shed weight and gain perspective, she’s passing up sweet enticements left and right. But willpower doesn’t come so easily when hell-raiser Spencer Gregory comes back to Hope’s Crossing, bringing with him memories of broken promises and teen angst. A retired pro baseball player on the mend from injury—and a damaging scandal—he’s interested in his own brand of reinvention.

An inheritance has reunited three estranged cousins. Their grandmother Lucy left Nessa, Flynn, and April her cabin nestled in the woods near Blossom, Texas, as well as a hope chest to be unlocked after they complete a special task. Together, they must hand stitch a cherished quilt Lucy left unfinished. It meant everything to her. And now, to three people struggling with their own patchwork pasts.

The first time I met the grumpy lumberjack next door, I almost burnt down his cabin. The second time, I was throwing tampons at a moose (don't ask). The third time, I was naked. Henri Gagnon is not just my neighbor and landlord but a pain in my optimistic, plus-sized ass. He's got a protective streak under his grumpy exterior, and he's convinced I won't make it through the Maine winter.

When larger-than-life cattle rancher Jordan "Bick" Benedict arrives at the family home of sharp-witted but genteel Virginia socialite Leslie Lynnton to purchase a racehorse, the two are instantly drawn to each other. But for Leslie, falling in love with a Texan was a lot simpler than falling in love with Texas. Upon their arrival at Bick's ranch, Leslie is confronted not only with the oppressive heat and vastness of Texas but also by the disturbing inequity between runaway riches and the poverty and racism suffered by the Mexican workers on the ranch.

Hildy Good is a townie. A lifelong resident of a small community on the rocky coast of Boston's North Shore, she knows pretty much everything about everyone. And she's good at lots of things, too. A successful real-estate broker, mother, and grandmother, her days are full. But her nights have become lonely ever since her daughters, convinced their mother was drinking too much, sent her off to rehab. Now she's in recovery—more or less.

Paisley Ratchford is trying to keep it together, but in eight weeks, the Toronto apartment building she lives in will be demolished. A last-ditch effort to reclaim her abandoned childhood home on Amherst Island plunges Paisley into memories of growing up in the tight-knit community, and into the obsessive compulsive disorder that has only ever offered a semblance of control. Her compulsion to count in sets of eight had little effect on thwarting bullies, her father’s bad luck, and her mother’s mental illness—all of which return to haunt her.

After everything she worked for is destroyed, Pediatrician Natasha Gray is determined to build a new life. Divorced, bankrupt, and suddenly a single mom, she’s ready to start over in Silver Springs - on her own. She certainly doesn’t need help from Mack Amos, the man who’s already broken her heart twice. Although Mack has had feelings for Tash since they first met, too many things have stood in the way. He’s always given her the support she needs, though, and he’ll do the same now. Even if the desire he wrestles with threatens to undermine his intentions....

Three separate women, living in different locations and eras, are linked by their passion for Virginia Woolf's novel Mrs Dalloway. As they each live through a Tuesday in June, their thoughts and experiences mirror each other and become interwoven. In Richmond in 1923, Virginia Woolf struggles to write a novel whose protagonist is Mrs Dalloway. In Los Angeles in 1949, Laura ignores her chores and small son to sit in bed reading Mrs Dalloway. In 1990s New York, Clarissa goes to buy flowers for a party, mirroring the start of the fictional Mrs Dalloway’s day.

A woman vanishes in the fog up on "the Hill", an area locally known for its tranquillity and peace. The police are not alarmed; people usually disappear for their own reasons. But when a young girl, an old man, and even a dog disappear, no one can deny that something untoward is happening in this quiet cathedral town.

When Sheriff Cody Banks’s wife died, he blamed Abby Brennan for the illness he's sure killed Deborah and, in his grief, made sure she knew it. Looking back now, he knows that his behavior was likely the reason Abby left town years ago. So when he sees her—and the child she’s raising—at her great-uncle's funeral, Cody attempts to apologize, ashamed to see the fear he puts in her beautiful eyes and determined to show her he's no longer that same angry man.

Shari has discovered that being a single mom is one of the hardest things she has ever done. With her job, strained relationship with Tag, and trying to keep her household from falling apart, she barely has time for herself, much less dating. One night, and out of an act of sheer stupidity, she allows Fiona, the new, young move-in, to convince her to go to a club across the bridge.