Rural Fiction

Eighteen-year-old Debbie was raised on her family’s rural dairy farm, 40 minutes and a world away from Dublin. She lives with her mother, Maeve, a skittish woman who takes to her bed for days on end, claims not to know who Debbie’s father is, and believes her dreams are prophecies. Rounding out their small family is Maeve’s brother, Billy, who lives in a caravan behind their house, drinks too much, and likes to impersonate famous dead writers online. Though they may have their quirks, the Whites’ fierce love for one another is never in doubt. But Debbie’s life is changing.

Asle is an aging painter and widower who lives alone on the west coast of Norway. His only friends are his neighbor, Åsleik, a traditional fisherman-farmer, and Beyer, a gallerist who lives in the city. There, in Bjørgvin, lives another Asle, also a painter but lonely and consumed by alcohol. Asle and Asle are doppelgängers—two versions of the same person, two versions of the same life. Written in melodious and hypnotic "slow prose," A New Name is the final installment of Jon Fosse's Septology.

Hillbilly, una elegía rural es un relato apasionado y apasionante de una clase social en decadencia, la de la clase trabajadora blanca en Estados Unidos. Los hillbillies, término peyorativo que hace referencia a los habitantes de la cordillera de los Apalaches, forman parte de este grupo social cada vez más empobrecido y radicalizado del país. J.D. Vance cuenta la historia de unos habitantes que se han ido degradando lentamente durante más de cuarenta años y cuyo declive ejemplifica a la perfección su disfuncional familia.

It’s 1951 in Blowing Rock, North Carolina. Blackburn Gant, his life irrevocably altered by a childhood case of polio, seems condemned to spend his life among the dead as the sole caretaker of a hilltop cemetery. It suits his withdrawn personality, and the inexplicable occurrences that happen from time to time rattle him less than interaction with the living. But when his best and only friend, the kind but impulsive Jacob Hampton, is conscripted to serve overseas, Blackburn is charged with caring for Jacob’s wife, Naomi, as well.

In 2014, in Lookout Mountain, Alabama, the Prophet—a seventy-year-old man who paints his visions—lives off the grid in a cabin near the Georgia border. While scrounging for materials at the local scrapyard, the Prophet sees a car pull up to an abandoned gas station. In the back seat is a teenage girl with zip ties on her wrists, a girl he realizes he must rescue from her current life. Her name is Michael, and the Prophet feels certain that she is a messenger sent by God to take his end-time warnings to the White House.

Completely exhausted, Raven Marigold is doing everything she can to keep her cool after the quaint Connecticut coastal town of Paramour Bay mysteriously loses power. No electricity means no coffee. No coffee means that Raven's nerves are more than a bit frayed. After a bit of investigating, Raven discovers evidence that witchcraft might have been involved in causing the power outage that has puzzled the residents and left them a little bit cranky. Their irritability turns into panic when a possible murder victim is discovered smack dab in the middle of the town's cobblestone square.

Middlemarch is a novel by the English author Mary Anne Evans, who wrote as George Eliot. It first appeared in eight installments in 1871 and 1872. Set in Middlemarch, a fictional English Midland town, from 1829 to 1832, it follows distinct, intersecting stories with many characters. Issues include the status of women, the nature of marriage, idealism, self-interest, religion, hypocrisy, political reform, and education. Despite comic elements, Middlemarch uses realism to encompass historical events.

Ten-year-old Grace is in search of a subject for her fifth-grade history project when she learns that her four times-great grandfather once stabbed his lover to death. His grisly act was memorialized in a murder ballad, her aunt tells her, so it must be true. But the lessons of that revelation—to be careful of men and desire—are not just Grace’s to learn. Her family’s tangled past is part of a dark legacy in which the lives of generations of women are affected by the violence immortalized in folk songs like “Knoxville Girl” and “Pretty Polly” reminding them always to know their place.

A single visit to a West Virginia prison can't resolve the tragic pasts of convicted child-killer Will Hatfield and his former sweetheart Karin. While she struggles with haunting regrets, Will vows to wait for her, no matter how long it takes.

Author Jennifer Chiaverini’s beloved, heartwarming series continues with this celebration of family and friendship. As the wedding day of Sarah McClure’s daughter Caroline approaches, Sarah’s thoughts are filled with brides of Elm Creek Manor past and present. A wedding quilt is a powerful metaphor, and Sarah is determined that the blocks in her daughter’s quilt will display a vivid pastiche of love in all its varieties.

Along with her husband, a ghostwriter for a famous thriller author returns to her mother's house in the Florida town where she grew up. As the summer heat sets in, she wrestles with family secrets and memories of her own troubled youth. Her mercurial sister spends a growing amount of time using MIND’S EYE, a virtual reality device provided to citizens of the town by ELECTRA during the doldrums of a recent pandemic. But it’s not just the ominous cats, her mother’s burgeoning cult, or the fact that her belly button has become an increasingly deep cavern—something is off in the town.

All Marnie wants is somewhere to call home. Mourning lost years spent in a marriage that has finally come to an end, she needs a fresh start and time to heal. Things she hopes to find in the rural west Lancashire village her mother always told her about. With nothing but her two green thumbs, Marnie takes a job as a gardener, which comes with a little cottage to make her own. The garden is beautiful - filled with roses, lavender and honeysuckle - and only a little rough around the edges. Which is more than can be said for her next-door neighbour, Ned Mars.

Beekeeper Holly McNee Kensen quietly lives in a world of her own on Sullivan’s Island, tending her hives and working at the local island library. Holly calls her mother "The Queen Bee" because she’s a demanding hulk of a woman. Her mother, a devoted hypochondriac, might be unaware she’s quite ill, but that doesn’t stop her from tormenting Holly. To escape the drama, Holly’s sister, Leslie, married and moved away, wanting little to do with island life. Holly’s escape is to submerge herself in the lives of the two young boys next door and their widowed father, Archie.

Willow Tree Hall, the proud ancestral home of the Earl and Countess of Cranley for centuries, has seen better days. Annie Rogers takes the job as housekeeper at Willow Tree Hall, having to work with a reluctant heir Sam Harris to renovate the failing estate. With Sam running from his past and Annie hiding from hers, just maybe together they can bring Willow Tree Hall back to life.

Since her husband died seven years ago, Leanna Wengerd has done her best — caring for her son, Chester, and running her Jam and Jelly Nook at the Amish market. Though she enjoys seeing her cousins and customers at the marketplace, she wishes she could find more time for her rebellious teenage boy.

The second book in what would become known as Booth Tarkington's "growth trilogy" is about a small Midwestern town rapidly transforming into a modern industrial city. The Ambersons, once the town's most glamorous old-money family, is unable to adapt to the changing environment and is slowly declining toward oblivion, while Eugene Morgan and his newly invented motorcar are the future.

Tara Hooper is at breaking point. With two young children, a business in a town struggling under an unexpected crime wave and her husband more interested in his cricket team than their marriage, life is a juggling act. Then, when new neighbours arrive and they are exactly the sort of people the town doesn't want or need, things get worse.

A village that is abandoned on every 14th of June. Legend has it that deadly witches, or churels, visit it on that cursed night. A kund where demons are exorcised out of the possessed people. Legend has it that if a pandit of the kund dies an unnatural death, he comes back unless he is beheaded. A jungle in which no one dares to step on a full-moon night. Legend has it that it is haunted by women from a nearby village who turn into blood-thirsty human bats, or chamgadarni, and eat their prey alive.

In the tiny timber town of Cordelia, Idaho, 99-year-old Weldon Applegate recounts his life in all its glory, filled with tall tales writ large with murder, mayhem, avalanches, and bootlegging. It’s the story of dark pine forests brewing with ancient magic, and Weldon’s struggle as a boy to keep his father’s inherited timber claim, the Lost Lot, from the ravenous clutches of Linden Laughlin.

Katie’s divorce was, in a word, humiliating. So when her friend Bess offers a fresh start—a resident caretaking job at a nature preserve—Katie accepts. No matter that she’s not exactly a “nature person.” How hard can it be? But from day one, something feels off. Katie’s new farmhouse looks as if the last caretaker barely moved out at all. When a frantic, terrified woman arrives late at night, expecting a safe place to hide, it’s clear caretaking involves way more than Katie bargained for.