Rural Fiction

For Grace Dalton, her sister, Sarah, and her cousin Macy, the Devine Doughnut Shop is a sweet family legacy and a landmark in their Texas town. As the fourth generation to run the Double D, they keep their great-grandmother’s recipe secret and uphold the shop’s tradition as a coffee klatch for sharing local gossip, advice, and woes. But drama brews behind the counter, too.

Agathe and Réjean Lapointe are about to celebrate their 20th wedding anniversary when Réjean's beloved Chevy Silverado is found abandoned at the side of the road - with no trace of Réjean. Agathe handles her grief by fondling the shirts in the Big and Tall department at Hickey's Family Apparel and carrying on a relationship with a cigarette survey. As her hope dwindles, Agathe falls in with her spirited coworker, Debbie, who teaches Agathe about rock and roll, and with Martin Bureau, the one man who might know the truth about Réjean's fate.

Ivy Gover, a curmudgeonly middle-aged charwoman with some slightly witchy talents, inherits a rural cottage in Buckinghamshire and takes up residence near the tiny village of Little Warby. Having settled in with a rescued dog and a pet pigeon, she manages, despite her anti-social instincts, to have surprising effects on her new neighbors. But her biggest challenge will likely be the twelve-year-old runaway who shows up at her door.

Wesley Crocker is accused of the murder of young Maria Ibarra, who was found near the "camping place" of the drifter. Crocker's account of the previous night leads Undersheriff Bill Gastner to more troubling questions.

It's time for Blue Plum's annual historical festival, and everyone-including Kath and her spunky fiber and needlework group, TGIF-is getting in on the action. Expert spinners are being gathered, and a businessman has approached Kath about using the second-floor windows of her store for part of a reenactment. But the reenactment ends in real-life bloodshed when local baker Reva Louise Snapp is shot-with a bullet from a modern-day gun.

When Detective Karen Hart hears a scream echoing out of beautiful Lincoln Cathedral one snowy evening, she is the first officer on the scene. In the chapel a man lies murdered, a bloody cross carved into his forehead. A note to the police from the murderer, signed by "The Cleanser", confirms their worst fears: this sadistic slaying is the first of many. When early leads become dead ends, Karen starts to wonder if there’s a link to a rumoured conspiracy within police ranks - particularly when an abrasive new officer is assigned to the case.

There are plenty of people in Avonlea and out of it, who can attend closely to their neighbor's business by dint of neglecting their own; but Mrs. Rachel Lynde was one of those capable creatures who can manage their own concerns and those of other folks into the bargain. She was a notable housewife; her work was always done and well done; she "ran" the Sewing Circle, helped run the Sunday-school, and was the strongest prop of the Church Aid Society and Foreign Missions Auxiliary. Yet with all this Mrs. Rachel found abundant time to sit for hours at her kitchen window, knitting quilts.

After being cleared of his wife’s murder, Todd Norman returns to her small Connecticut hometown in order to finish building their dream house by the lake. He is eager to restart his life and cast aside any remaining suspicions, but all of that is dashed when a young woman’s body washes up on the beach next door. The Lakehouse is a domestic psychological thriller about the wayward and marginalized, the lies we tell those closest to us, and the price of forbidden love in an insular community, where it seems everyone has a story to tell.

The area surrounding Cashiers, North Carolina, is home to people of all kinds, but the world that Jacob McNeely lives in is crueler than most. His father runs a methodically organized meth ring, with local authorities on the dime to turn a blind eye to his dealings. Having dropped out of high school and cut himself off from his peers, Jacob has been working for this father for years, all on the promise that his payday will come eventually.

In 1910, while hiking through the wild lavender in a wind-swept, desolate valley in Provence, a man comes across a shepherd called Elzéard Bouffier. Staying with him, he watches Elzéard sorting and then planting hundreds of acorns as he walks through the wilderness.

When Avery Beckett is proposed to by Jude Masters, a widowed father and the man she loves, it should be a time of great joy. Instead, Avery is on edge. She’s wary of the idea of family, doubtful of happy endings, and too afraid to take the leap. It’s the kind of fear that comes from having secrets. Before Avery commits to a new life, she must reconcile with the one she left behind.

In late-1980s rural Ohio, bright but mostly friendless Barry Nadler begins his freshman year of high school with the goal of going unnoticed as much as possible. But his world is upended by the arrival of Gurbaksh, Gary for short, a Sikh teenager who moves to his small town and instantly befriends Barry and, in Gatsby-esque fashion, pulls him into a series of increasingly unlikely adventures. As their friendship deepens, Barry’s world begins to unravel, and his classmates and neighbors react to the presence of a family so different from theirs.

Florence Stanville is a woman with a past. When she moves to Guisethorpe on the east coast of England, the townsfolk are intrigued by the glamorous and mysterious stranger, with her flame-red hair and abrupt manners. Florence doesn’t care about the gossips—she’s drawn to the peaceful seaside town by the pull of her childhood, when she lived for a brief but happy time with her beloved late mother. The riddle of those days remains, and now Florence can only snatch at half-remembered memories and shadowy figures in her dreams.

Trudy works nights in a linen factory, avoiding romance and sharing the care of her four-year-old niece with Trudy’s mother, Claire. Claire still pines for Trudy’s father, a St. Lawrence Seaway construction worker who left her 20 years ago. Claire believes in true love. Trudy does not. She’s keeping herself to herself. But when Jules Tremblay, aspiring daredevil, walks into the Jubilee restaurant, Trudy’s a goner.

Now in her early teens, Laura moves to the village of Candleford Green to work in the post office under the tutelage of her cousin Dorcas Lane, and grow into womanhood. In Candleford Green, new ideas and new ways are coming in from the outside world, from Dorcas' famous telegraph machine to the scandalous sight of ladies riding bicycles. There are also new people entering Laura's life: the curmudgeonly old servant Zillah, the grand Sir Thomas, the Irish Harvesters and the ardent young gamekeeper Philip White.

Jaded from her years in the music business, perpetually hungover, and diagnosed with career-ending vocal problems, Lillian cobbles together a nationwide farewell tour featuring some old hands from her early days playing honky-tonk bars in Washington State and Nashville, plus a few new ones. She yearns to feel the rush of making live music one more time and bask in the glow of a packed house before she makes the last, and most important, stop on the tour: the farm she left behind at age ten and the sister she is finally ready to confront about an agonizing betrayal in their childhood.

August is an average 12-year-old. He likes dogs and fishing and doesn’t mind early-morning chores on his family’s Michigan dairy farm. But following his parents’ messy divorce, his mother decides that she and August need to start over in a new town. There, he tries to be an average teen—playing football and doing homework—but when his role in a shocking act of violence throws him off course once more, he flees to a ranch in rural Montana, where he learns that even the smallest communities have dark secrets.

After a sudden, devastating loss, Mara flees her family and ends up adrift in a wealthy seaside town with a dead cellphone and barely any money. Mired in her grief, Mara detaches from the outside world and spends her days of self-imposed exile scrounging for food and swimming in the night ocean. In her state of emotional extremis, the sea at the town's edge is rendered bleak, luminous, implacable.

A first novel with all the assurance of a mature writer at the peak of form and ambition, Mohawk is set in upstate New York and chronicles more than a dozen lives in a leather town, long after the tanneries have started closing down. Ranging over three generations - and clustered mainly in two clans, the Grouses and the Gaffneys - these remarkably various lives share only the common human dilemmas and the awesome physical and emotional presence of Mohawk itself.

When she was still a child, Lucy Nelson had her alcoholic failure of a father thrown in jail. Ever since then she has been trying to reform the men around her, even if that ultimately means destroying herself in the process. With his unerring portraits of Lucy and her hapless, childlike husband, Roy, Roth has created an uncompromising work of fictional realism, a vision of provincial American piety, yearning, and discontent that is at once pitiless and compassionate.