Rural Town Mystery

Documentary filmmaker Alice Lindstedt has been obsessed with the vanishing residents of the old mining town, dubbed “The Lost Village”, since she was a little girl. In 1959, her grandmother’s entire family disappeared in this mysterious tragedy, and ever since, the unanswered questions surrounding the only two people who were left - a woman stoned to death in the town center and an abandoned newborn - have plagued her. She’s gathered a small crew of friends in the remote village to make a film about what really happened.

A body is found on a quiet lane in Exmoor, victim of a hit and run. He has no ID, no wallet, no phone, and - after being dragged along the road - no recognisable face. Meanwhile, fresh from his last case, DCI Craig Gillard is unexpectedly called away to Devon on family business. Gillard is soon embroiled when the car in question is traced to his aunt. As he delves deeper, a dark mystery reveals itself, haunted by family secrets, with repercussions Gillard could never have imagined. The past has never been deadlier.

None of us ever agreed on the exact beginning. Was it when we started drawing the chalk figures, or when they started to appear on their own? Was it the terrible accident? Or when they found the first body?

Judith Kratt inherited all the Kratt family had to offer - the pie safe, the copper clock, the murder that no one talks about - and she knows in her old bones that it's time to make an inventory of her household and its valuables. But she finds that cataloging the family belongings - as well as their misfortunes - won't contain her family's secrets, not when her wayward sister suddenly returns, determined to expose skeletons that the Kratts had hoped to take to their grave.

Cecil Younger is a man who takes comfort in the absurdity of the universe, and the universe is obliging him when he gets a call from his lawyer and psychiatrist, who offers him a job. A client wants to hire Younger to kill someone. Though common sense tells him murder just isn't a good career move, his finances tell him it can't hurt to meet his potential client, hoping he can succeed in appeasing him - without a dead body.

Three years ago, someone brutally killed four people on the scow Mygirl. In a crowded courtroom, Cecil Younger helped the accused go free. Now the man charged with the Mygirl murders has disappeared. As a new father, Cecil just wants to move on from the Mygirl killings, but finds he can't just walk away when more and more people associated with the case end up dead. Younger is certain someone is trying to finish the grisly job begun on the Mygirl. He must discover the truth behind what happened three years ago before he can settle what's happening now.

Cujo est un saint-bernard de cent kilos. C'est aussi le chien de la famille Camber et le meilleur ami de Brett Camber, qui a dix ans. Un jour, Cujo chasse un lapin qui se réfugie dans un trou - une petite grotte souterraine habitée par quelques chauves-souris atteintes d'une horrible maladie. Ce qui va arriver à Cujo et à ceux qui auront le malheur de l'approcher constitue le sujet du roman le plus palpitant que Stephen King ait jamais écrit.

In the third entry to the series, Alaska P.I. Cecil Younger is fresh out of rehab, sporting a fresh head wound, with a child custody case from hell, and with the clients to match. Confrontational and obsessed, Priscilla DeAngelo is sure her ex is conspiring with a state senator to wrest her son from her, and thus, hires Cecil Younger to investigate. This is the first time Younger has to deal with lawyers in flashy suits and overused paper shredders. When she storms off to Juneau for a showdown, Younger's custody case swiftly turns into a murder.

Oxford, 1960. There's a murderer on the loose, and two unlikely heroes are poised to solve the case. Meet Probationary WPC Trudy Loveday - smart, enthusiastic and always underestimated. In the hope of getting her out of the way, Trudy’s senior officer assigns her to help coroner Clement Ryder as he re-opens the case of a young woman's death. She can't believe her luck – she is actually going to be working on a real murder case.

In a small Arizona town, a man counts his blessings: a loving wife, two teenage daughters, and a job that allows him to work at home. Then "The Store" announces plans to open a local outlet, which will surely finish off the small downtown shops. His concerns grow when "The Store's" builders ignore all the town's zoning laws during its construction. Then dead animals are found on "The Store's" grounds. Inside, customers are hounded by obnoxious sales people, and strange products appear on the shelves.

The fire may be out, but smoke and suspicion still linger in Santa Lucia. Though the townspeople still gather for espresso at the town cafe and swap recipes at the butcher shop, their iridescent blue sky is clouded by a veil of uncertainty and mistrust. The statue of the Madonna, set in a wall outside the cafe, watches it all in collected silence. But when New Yorker Alessandro arrives to claim his inheritance - the derelict castle and the charred olive trees that surround it - it unearths secrets thought long buried.

It's 1998. Varg Veum sits by the hospital bedside of his long-term girlfriend, Karin, whose life-threatening injuries provide a deeply painful reminder of the mistakes he's made. Investigating the seemingly innocent disappearance of a wind-farm inspector, Varg Veum is thrust into one of the most challenging cases of his career, riddled with conflicts, environmental terrorism, religious fanaticism, unsolved mysteries and dubious business ethics.

Jeremy works at the Video Hut in Nevada, Iowa. It's a small town in the center of the state - the first a in Nevada pronounced ay. This is the late 1990s, and even if the Hollywood Video in Ames poses an existential threat to Video Hut, there are still regular customers, a rush in the late afternoon. It's good enough for Jeremy: It's a job, quiet and predictable, and it gets him out of the house, where he lives with his dad and where they both try to avoid missing Mom, who died six years ago in a car wreck.

When a body turned up at her last catering gig it certainly put people off the hors d’oeuvres. With a reputation to salvage, Jodie’s determined that her next job for the village’s festival will go off without a hitch. But when chaos breaks out, Jodie Parker somehow always finds herself caught up in the picture. The body of a writer from the festival is discovered at the bottom of a cliff, and the prime suspect turns out to be the guest of honour, the esteemed painter Duncan Stovall.

Rice Moore is just beginning to think his troubles are behind him. He’s found a job protecting a remote forest preserve in Virginian Appalachia where his main responsibilities include tracking wildlife and refurbishing cabins. It’s hard work, and totally solitary - perfect to hide away from the Mexican drug cartels he betrayed back in Arizona. But when Rice finds the carcass of a bear killed on the grounds, the quiet solitude he’s so desperately sought is suddenly at risk.

A woman vanishes in the fog up on "the Hill", an area locally known for its tranquillity and peace. The police are not alarmed; people usually disappear for their own reasons. But when a young girl, an old man, and even a dog disappear, no one can deny that something untoward is happening in this quiet cathedral town.

The Lost Country centers on Edgewater, who's recently been discharged from the navy, and a one-armed con man named Roosterfish who takes him under his wing as they both search desperately for a forgotten past and a future that may never come. The Lost Country cements Gay as one of the strongest voices in Southern literature, alongside Cormac McCarthy, Flannery O'Connor, and William Faulkner.

Ren Ishida is nearly finished with graduate school when he receives news of his sister Keiko's sudden death. She was viciously stabbed one rainy night on her way home, and there are no leads. Ren heads to Akakawa to conclude his sister's affairs, still failing to understand why she chose to abandon the family and Tokyo for this desolate town years ago. Haunted in his dreams by a young girl who is desperately trying to tell him something, Ren struggles to find solace in the void his sister has left behind.

Recovering from a terrible auto accident just before the turn of the millennium, college dropout and hobbyist computer-game programmer Lucien Swenson becomes the caretaker of a house in Northern Minnesota. Shortly after moving in, Lucien sets out to find a woman with whom he had an affair, who vanished along with money stolen from the bank where they had worked together. His search will take him to Rose of Sharon, a white supremacist church deep in the wilderness, where a cabal of outcasts await the end of the world at a place they call The Land.

The lead homicide investigator in a rural town, Detective Sergeant Gemma Woodstock is deeply unnerved when a high school classmate is found strangled, her body floating in a lake. And not just any classmate, but Rosalind Ryan, whose beauty and inscrutability exerted a magnetic pull on Smithson High School, first during Rosalind's student years and then again when she returned to teach drama. As much as Rosalind's life was a mystery to Gemma when they were students together, her death presents even more of a puzzle.