Satire Comedy

Fox 8 has always been known as the daydreamer in his pack, the one his fellow foxes regarded with a knowing snort and a roll of the eyes. That is, until Fox 8 develops a unique skill: He teaches himself to speak Yuman by hiding in the bushes outside a house and listening to children’s bedtime stories. The power of language fuels his abundant curiosity about people - even after danjer arrives in the form of a new shopping mall that cuts off his food supply, sending Fox 8 on a harrowing quest to help save his pack.

I was an out-of-work rugby coach who was soon to be divorced. My old dear was sliding away in a nursing home in a certain suburb of West Dublin. And my old man had brought the country to the verge of, like, nuclear annihilation. And if that wasn’t bad enough, my teenage daughter was in love again. My sister-in-law was about to give birth to a baby that was possibly mine. And Castlerock College was about to go – I can’t even say the word – co-ed.

Mustaq Ahmed Yusufi Urdu ke jaane-maane lekhak the, jinki vyang rachnaayein apna ek alag sthaan rakhti hai. 1990 mein likhe unke upanyaas aabe-gum ka yeh Hindi anuvaad hai. Tufail Chaturvedi ne iska anuvaad aisi sehaj bhasha mein kiya hai ki padhte hue lagta hai maano yeh hindi ki hee moolkriti ho.

One of America's most acclaimed sportswriters, Dan Jenkins has won countless fans with his bawdy sense of humor. Bubba Talks is a series of reflections from the quintessential American redneck - a lover of hot ladies, football, cheeseburgers, and Firebirds.

Dans la vie... personne n'est à l'abri des GAFFES. On en a tous fait dans le passé et si on est tous assurés de continuer à en faire dans l'avenir c'est parce que l'étourderie et la maladresse sont inhérentes à la nature humaine. Grand amateur de l'humour involontaire, Alain Stanké, (créateur des émissions de la caméra cachée "Les insolences d'une caméra") s'est donné pour tâche de trouver les meilleures bourdes, impairs, dérapages, lapsus, faux-pas, boulettes, bévues et autres défis à la raison, afin de les réunir dans le vaste bêtisier que voici.

Manhattan’s East Village, 1993. Dive bars, DIY music venues, shady weirdos, and hard drugs are plentiful. Crime is high, but rent is low, luring hopeful, creative kids from sleepy suburbs around the country. One of these is Jack S., a young New Jersey rock musician. Just a few days before his band’s biggest gig, their lead singer goes missing with Jack’s prized bass, presumably to hock it to feed his junk habit. Jack’s search for his buddy uncovers a sinister entanglement of crimes tied to local real estate barons looking to remake New York City.

From the bestselling author of Thank You for Smoking and Make Russia Great Again comes a comic tour de force, the story of one man’s “lively and funny” (New York Journal of Books) journey through lockdown during the Covid-19 pandemic.

More than a quarter of a century ago, Leo Rosten presented the first comprehensive and hilariously entertaining lexicon of the colorful and deeply expressive language of Yiddish. Said to "give body and soul to the Yiddish language," The Joys of Yiddish went on to become an indispensable tool for writers, journalists, politicians and students, as well as a perennial best seller for three decades.

Valentine disparue... Qui la cherche vraiment ? Entre satire sociale, polar contemporain et romance lesbienne, le nouveau roman de Virginie Despentes est un road-book qui promène l'auditeur entre Paris et Barcelone, sur les traces de tous ceux qui ont connu Valentine, l'adolescente égarée... Les différents personnages se croisent sans forcément se rencontrer, et finissent par composer, sur un ton tendre et puissant, le portrait d'une époque.

Brought up in Switzerland, the only son of well-to-do parents, Charles Fryerne is somewhat unprepared for the world he meets when he goes up to Oxford University in the early 1980s. There he meets a fascinating social set, including a stellar young playwright, a student dubbed 'the future leader of the Conservative party' and a mercurial figure with ambitions to become the youngest prime minister since Pitt. When they leave university, the characters go their separate ways.

No good deed goes unpunished in a willfully blind, technocratic society. Gordon Gray, a retired librarian, only wishes to chain smoke, read twentieth-century novels by dead white men, and at the time of his choosing, shuffle off his mortal coil. Everyone from his thanatophobic doctor to his New Age neighbor has an opinion on what Gordon should want and how he should be treated.

When Palmer Stoat notices the black pickup truck following him on the highway, he fears his precious Range Rover is about to be carjacked. But Twilly Spree, the man tailing Stoat, has vengeance, not sport-utility vehicles, on his mind. Idealistic, independently wealthy, and pathologically short-tempered, Twilly has dedicated himself to saving Florida's wilderness from runaway destruction. He favors unambiguous political statements - such as torching Jet-Skis or blowing up banks - that leave his human targets shaken but re-educated.

A member of the landed gentry, with a seemingly guaranteed income from his estate in the country, Oblomov lives in Petersburg, uninterested in the business that provides his living and barely aware that the revenue is diminishing. Not that he leads a dissolute life of extravagance, balls and entertainment. Instead he is a dreamer, a sybarite, content above all to spend most of the day supine, in bed. The novel opens with Oblomov thus ensconced, attended only by his dirty, grumbling, indolent servant Zahar, who has looked after him since childhood, catering to his every need.

O. Henry wove several stories together into this highly episodic narrative, taking his title and inspiration from Lewis Carroll's ballad of the walrus and the carpenter in Through the Looking-Glass. The stories are set in the fictional country of Anchuria in Central America, a banana republic where larceny is rampant and revolution lurking in every impoverished back alley. O. Henry offers a cutting satire of contemporary politics and prejudices.

We guarantee this is the only tool you need to survive the zombie apocalypse. Okay, that's not really true. But when the SHTF, you're going to want a survival guide that's not just geared toward day-to-day survival. You'll need one that addresses the essential skills for true nourishment of the human spirit.

Don entered the workforce as a young man barely out of high school, full of enthusiasm and idealism. He soon received a reality check about corporate America. Raised in the middle class, he believed in the value system of an honest day's work for an honest wage. That by doing what was "right" and working hard, he would succeed. The Company Store, however, had other plans for him and his coworkers - the American working class.

The Importance of Being Earnest is a very popular play written by Oscar Wilde. In the satire, Algernon and Jack are two young members of the English gentry who pursue their romantic desires dishonestly. Both men want to adopt the name "Ernest," who is Jack's imaginary younger brother. The idea of name changing comes about when Algernon wants to marry Cecily, and Jack wants to marry Gwendolen. However, it just so happens that Cecily and Gwendolen are only interested in marrying men named Ernest!

Clive Hapgood is feeling stuck. The private school he teaches at is consuming his life, no thanks to wretched headteacher Julian Crouch. The gentle country life Clive envisaged has stifled him and left his marriage on the brink. What he needs is a holiday - something to remind him and Helen what life used to be like. But when things don't go to plan, and an incident at school begins to weigh heavy on his head, Clive's life starts to unravel in front of him. Has he got it in him to turn things around, whatever the cost? After all, it's his own time he's wasting....

Be(com)ing Nigerian: A Guide is a satirical collection that takes a searing look at how different forms of power are abused, negotiated, and performed both in the private and public realm. Through attempting to satirise those who abuse privilege or power, it recognises that power can be found everywhere: in politics, business, religious institutions, and in homes. From the exploration of religious hypocrisy in How to Worship the Nigerian God, to A Letter to My Future Kidnapper, the collection is a jab at Nigerian society and what it means to be a Nigerian.

Dennis Miller is back, and he means to shake the nation by its lapels. Miller respects no boundaries. Whether the subject is dope-addled baseball players who can no longer swing their bats, do-nothing politicians who devote their careers to creating meaningful sound bites, or the nation's resigned acceptance of violence as a way of American life, these thematically arranged monologues are funny and angry. More significantly, they shatter the conventions of comedy by simultaneously making us laugh, think, and seethe.