Satire Comedy

In a perfect world where everyone destroys everything and eats human flesh, one zombie has had enough: Buck Burger. When he rebels at the natural disorder, his marriage starts deteriorating and a doctor prescribes him an anti-depressant. Buck meets a beautiful green-haired pharmacist fairy named Fairy_26 and quickly becomes a pawn in a cold war between zombies and supernatural creatures.

Perhaps the most autobiographical (and deliberately least disciplined) of Vonnegut's novels, Slapstick (1976) is in the form of a broken family odyssey and is surely a demonstration of its eponymous title. The story centers on brother and sister twins, children of Wilbur Swain, who are in sympathetic and (possibly) telepathic communication and who represent Vonnegut's relationship with his own sister who died young of cancer almost two decades before the book's publication.

Anthony Award-winning author Charlaine Harris has earned a devoted fan base with her USA Today and New York Times best-selling Sookie Stackhouse mystery series. All Together Dead features more dark but frequently hilarious adventures of buxom, blonde, beautiful, and telepathic cocktail waitress Sookie, who prefers the company of vampires to that of the living.

Welcome to Chromatacia, where life is strictly regulated by one’s limited color perception. Civilization has been rebuilt after an unspoken “Something that Happened” five hundred years before. Society is now color vision—segregated, everything dictated by an individual’s visual ability, and governed by the shadowy National Color in far-off Emerald City. Twenty-year-old Eddie Russett, a Red, is about to go on trial for a murder he didn’t commit, and he’s pretty certain to be sent on a one-way trip to the Green Room for execution by soporific color exposure.

Set in the 26th century A.D., Yevgeny Zamyatin's masterpiece describes life under the regimented totalitarian society of OneState, ruled over by the all-powerful "Benefactor." Recognized as the inspiration for George Orwell's 1984, We is the archetype of the modern dystopia, or anti-Utopia: a great prose poem detailing the fate that might befall us all if we surrender our individual selves to some collective dream of technology and fail in the vigilance that is the price of freedom.

A workhouse orphan, Oliver experiences the terror and brutality of the criminal underworld. His companions, a thief, a whore, a pickpocket, and a fence, are destined for gruesome ends, but Oliver emerges unscathed from the darkness of the underworld.

Anisa Ellahi dreams of being a translator of “great works of literature,” but instead mostly spends her days subtitling Bollywood movies, living off her parents’ generous allowance, and discussing the “underside of life” with her best friend, Naima. Anisa’s mediocre white boyfriend, Adam, only adds to her growing sense of inadequacy with his savant-level aptitude for languages, successfully leveraging his expansive knowledge into an enviable career. But when Adam learns to speak Urdu with native fluency practically overnight, Anisa forces him to reveal his secret.

The future is blue - endless blue...except for a few small places that float across the hot, drowned world left behind by long-gone fossil fuel-guzzlers. One of those patches is a magical place called Garbagetown. Tetley Abednego is the most beloved girl in Garbagetown, but she’s the only one who knows it. She’s the only one who knows a lot of things: that Garbagetown is the most wonderful place in the world, that it’s full of hope, that you can love someone and 66% hate them all at the same time.

Bergdorf Blondes are a thing, you know, a New York craze. Absolutely everyone wants to be one, but it’s très difficult. Honestly, it requires a level of commitment comparable to, say, learning Hebrew or quitting cigarettes. But first, a little bit about moi. The gossips call me a champagne bubble of a girl. I’m fluent in French, intermittently. I gave up England for Princeton to my mother’s horror. By day, I write articles for a fashion magazine. By night, I’m on the prowl for the ultimate accessory a Bergdorf Blonde must have: an impossibly rich man with a very large diamond ring.

This is the story of Jim Dixon, a hapless lecturer in medieval history at a provincial university who knows better than most that “there was no end to the ways in which nice things are nicer than nasty ones.” Kingsley Amis’s scabrous debut leads the audience through a gallery of emphatically English bores, cranks, frauds, and neurotics with whom Dixon must contend in one way or another in order to hold on to his cushy academic perch and win the girl of his fancy.

Out of work for months, Lussi Meyer is desperate to work anywhere in publishing. Prestigious Blackwood-Patterson isn’t the perfect fit, but a bizarre set of circumstances leads to her hire and a firm mandate: Lussi must find the next horror superstar to compete with Stephen King, Anne Rice, and Peter Straub. It’s the ’80s, after all, and horror is the hottest genre. But as soon as she arrives, Lussi finds herself the target of her coworkers’ mean-spirited pranks.

When Sally kills her husband with a cast-iron skillet, she’s more fearful of losing her kids than of disposing of a fresh corpse. That just wouldn’t be fair—not after twenty years of marriage to a truly terrible man. But Sally isn’t the only woman in town reaching the brink. Soon, Sally finds herself leading an extremely unusual self-help group, and among them there are four bodies to hide. Can they all figure out the perfect way to bury their husbands . . . and get away with it?

Ryan Fleming is a young agnostic reeling from his brother’s death. Though he is deeply angry with God, he makes good on a promise he made to his brother in the final moments of his life: to visit a church at least once. But shortly after his arrival, the slick megachurch’s shoddily installed video projector falls on his head—sending Ryan through a wormhole into another world. To make it back to his own universe, he must partner with a woman named Faith to awaken a long-sleeping King—the World-Maker who can make all things new.

Set at a small, affluent liberal-arts college in New England at the height of the Reagan '80s, The Rules of Attraction is a startlingly funny, kaleidoscopic novel about three students with no plans for the future - or even the present - who become entangled in a curious romantic triangle.

Campbell Flynn, art historian, professor, and fêted fixture of the literati, always knew that when his life came crashing down, it would happen in public—yet he never imagined that a single year in London would expose so much. He’s never taken other people half as seriously as they take themselves, which is the first of his mistakes. The second is a new project: opportunistic and precisely calibrated to rake in a fortune.

Oreo is raised by her maternal grandparents in Philadelphia. Her black mother tours with a theatrical troupe, and her Jewish deadbeat dad disappeared when she was an infant, leaving behind a mysterious note that triggers her quest to find him. What ensues is a playful, modernized parody of the classical odyssey of Theseus with a feminist twist, immersed in seventies pop culture, and mixing standard English, black vernacular, and Yiddish with wisecracking aplomb.

From his first novel – Less Than Zero – published when he was still a college student – to his most recent – the fierce American Psycho, Bret Easton Ellis has been a powerful and original presence in contemporary literature, whether giving voice to a previously inchoate generation or provoking a controversy that raged throughout the culture. Now he takes a quantum leap forward: an awesome reckoning of the American Century at endgame. In Glamorama, a young man in what is recognizably fashion and celebrity-obsessed Manhattan is gradually, imperceptibly drawn into a shadowy looking-glass of that society, there and in London and Paris, and then finds himself trapped on the other side, in a much darker place where fame and terrorism and family and politics are inextricably linked and sometimes indistinguishable. At once implicated and horror-stricken, his ways of escape blocked at every turn, he ultimately discovers – back on the other, familiar side – that there was no mirror, no escape, no world but this one in which hotels implode and planes fall from the sky.

D’abord présentées sur les ondes d’Énergie puis de Rouge FM, les chroniques de Rosalie Bonenfant ont conquis des dizaines de milliers d’auditeurs. Tantôt mordantes et cyniques, tantôt intimistes et sensibles, les « humeurs » de Rosalie ne rejoignent pas que les gens de sa génération mais tous les Québécois, de l’adolescent au boomer… à l’exception de quelques « matantes » indignées par son ton direct ou la crudité d’un thème ou d’un mot.

After the death of his fiancee due to medical errors, hospital pharmacist Daniel O'Dwyer escapes to Oak Island, North Carolina. The only things on his mind are fresh sea air, fresh seafood, Fat Tire Amber Ale, and the avoidance of any type of healthcare institution. But fate and jellyfish draw him back, and reluctantly, he agrees to go undercover to combat narcotic drug diversion at nearby Boiling Grove Community Hospital.

Eliot Rosewater, a drunk volunteer fireman and president of the fabulously rich Rosewater Foundation, is about to attempt a noble experiment with human nature, with a little help from writer Kilgore Trout. The result is Kurt Vonnegut's funniest satire, an etched-in-acid portrayal of the greed, hypocrisy, and follies of the flesh we are all heir to.