Satire Comedy

Out of work for months, Lussi Meyer is desperate to work anywhere in publishing. Prestigious Blackwood-Patterson isn’t the perfect fit, but a bizarre set of circumstances leads to her hire and a firm mandate: Lussi must find the next horror superstar to compete with Stephen King, Anne Rice, and Peter Straub. It’s the ’80s, after all, and horror is the hottest genre. But as soon as she arrives, Lussi finds herself the target of her coworkers’ mean-spirited pranks.

Seventh Seltzer has done everything he can to break from the past, but in his overbearing, narcissistic mother's last moments he is drawn back into the life he left behind. At her deathbed, she whispers in his ear the two words he always knew she would: "Eat me." This is not unusual, as the Seltzers are Cannibal-Americans, a once proud and thriving ethnic group, but for Seventh, it raises some serious questions, both practical and emotional.

Hailed in his lifetime as one of Latin America’s greatest writers, Machado de Assis (1839-1908) was a storyteller known for his wholly innovative narrative techniques and uncanny talent for unraveling the social and political milieu of nineteenth-century Brazil. These signature traits are on full display in Quincas Borba, a novel that sees Machado satirize a rapidly changing Rio de Janeiro. Originally published in 1891, the story begins with the death of its titular character, a mad philosopher infamous for spouting pessimistic theories of “Humanitism”.

The new book censor hasn't slept soundly in weeks. By day he combs through manuscripts at a government office, looking for anything that would make a book unfit to publish-allusions to queerness, unapproved religions, any mention of life before the Revolution. By night the characters of literary classics crowd his dreams, and pilfered novels pile up in the house he shares with his wife and daughter. As the siren song of forbidden reading continues to beckon, he descends into a netherworld of resistance fighters, undercover booksellers, and outlaw librarians.

I was an out-of-work rugby coach who was soon to be divorced. My old dear was sliding away in a nursing home in a certain suburb of West Dublin. And my old man had brought the country to the verge of, like, nuclear annihilation. And if that wasn’t bad enough, my teenage daughter was in love again. My sister-in-law was about to give birth to a baby that was possibly mine. And Castlerock College was about to go – I can’t even say the word – co-ed.

Numero Zero is the feverish and delightfully readable tale of a ghostwriter in Milan whose work pulls him into an underworld of media politics and murderous conspiracies (involving the cadaver of Mussolini's double, naturally). This novel is vintage Eco - corrupt newspapers, clandestine plots, imaginary histories - and will appeal to his many readers and earn him legions of new ones.

Being immortal is not all it once was. Yes, the 12 Greek gods of Olympus are alive and well in the 21st century, but they are crammed together in a London town house: and are none too happy about it. Even more disturbing, their powers are waning.

After too many glasses of champers, Ruby takes her moment in the spotlight to reveal what she really thinks of every one of her friends, family and colleagues. She accuses her husband of having an affair and lambasts her mother for a lifetime of playing her three daughters against each other. As the stunned gathering gawks at Ruby, the birthday girl reveals that she has terminal cancer, and has cashed in her life savings to take her two estranged sisters cruising into the sunset for a dose of HRT – Husband Replacement Therapy. But is Ruby being courageous or ruthlessly selfish?

A member of the landed gentry, with a seemingly guaranteed income from his estate in the country, Oblomov lives in Petersburg, uninterested in the business that provides his living and barely aware that the revenue is diminishing. Not that he leads a dissolute life of extravagance, balls and entertainment. Instead he is a dreamer, a sybarite, content above all to spend most of the day supine, in bed. The novel opens with Oblomov thus ensconced, attended only by his dirty, grumbling, indolent servant Zahar, who has looked after him since childhood, catering to his every need.

Adrian Mole is middle-aged but still scribbling. Working as a bookseller and living in Leicester's Rat Wharf; finding time to write letters of advice to Tim Henman and Tony Blair; locked in mortal combat with a vicious swan called Gielgud; measuring his expanding bald spot; and trying to win-over the voluptuous Daisy.... Adrian yearns for a better more meaningful world. But he's not ready to surrender his pen yet.

Can comedy be taught? Someone, at some point, seemed to think so. The Chicago Stand-Up MFA program has enrolled young comedians for nearly a decade. Its teachers and students all know how bits work—in theory, at least. They know that there’s a line between sharp and cruel, that sad becomes funny at the right angle, that the worst is the best, the truth is the worst, and any moment of your life that isn’t a punch line will either get you to a punch line or force you to be one. They’re all afraid to be one.

JIMMY “JIMBO” DOYLE, is a trailer-trash Floridian, on the road to obscurity. His politically incorrect comments and sexual escapades make him one of the most reckless protagonists of our morally and ethically-twisted times. Desperate and broke, he devises a plan to rent rooms in repossessed mobile-homes to the nation’s unwanted registered sex offenders. Despite his bi-polar, serial marrying mother’s every attempt to sabotage his success, Jimbo’s brainchild sparks an industry that makes him one of the richest and most hated men in America.

Julian Barnes pens a kind of detective story, relating a cranky amateur scholar’s search for the truth about Gustave Flaubert and the obsession of this detective, whose life seems to oddly mirror those of Flaubert’s characters.

New York Times best-selling author Bruce Wagner is also a PEN/Faulkner Award finalist and a notable contributor to the New Yorker and Vanity Fair. With Dead Stars, Wagner delivers uproarious and sharply critical views on the sex- and money-obsessed world of Hollywood through the story of Telma, a 13-year-old girl who’s also the world’s youngest breast cancer survivor. A regular at pink-tie charity events and private lunches, Telma has come to enjoy her fame—so she’s not pleased to learn another young girl is about to break her record.

Zero Gravity is the fifth collection of comic pieces by Woody Allen, a hilarious prose stylist whose enduring appeal has been savored since his classics Getting Even, Without Feathers, Side Effects, and Mere Anarchy. This new work combines pieces that have appeared in The New Yorker along with 11 written exclusively for this book, each a comic inspiration.

Praising Tim Dorsey’s tongue-in-cheek humor, the Miami Herald wrote, “Nobody, but nobody, writes like this guy.” Here Florida politics take the main stage in a rollicking satire that proves Dorsey’s at the top of his game. When a traumatic experience forever changes Florida gubernatorial race candidate Marlon Conrad’s life, he hits the road in a Winnebago to find the “real” Florida. But his odyssey is plagued with would-be assassins and cutthroat journalists.

Following the best-selling success of Dave's novel, Big Trouble, here is a hilarious new collection of columns from the writer critics have called "the funniest man in America."

When you take the most absurd parts of history, science, economics, and geography, you end up with a pretty confusing picture of humanity. Why do we have borders? What's the furthest you can get from the ocean? And why did Vikings wear those silly helmets? These are just a few of the strange questions that bounce around the head of Joseph Pisenti. In his YouTube channel, Pisenti presents illogical truths in a logical manner. Here, he builds on this nonsensical humor of the universe with in-depth analysis of empires, economies, and ecosystems as he helps answer the ridiculous.

No good deed goes unpunished in a willfully blind, technocratic society. Gordon Gray, a retired librarian, only wishes to chain smoke, read twentieth-century novels by dead white men, and at the time of his choosing, shuffle off his mortal coil. Everyone from his thanatophobic doctor to his New Age neighbor has an opinion on what Gordon should want and how he should be treated.

Wickedly narrated by David Stifel, and written in 1729, this satiric essay on how to solve Ireland's chronic poverty is perhaps more shocking today than when it was written. In the 1960s, when Peter O'Toole did a public reading of this piece in Dublin, he very nearly started a riot. Newspapers the following day lambasted O'Toole's "shocking bad taste." Whether shocking satire, or Monty-Pythonesque surrealism, this essay has continually managed to offend people for well over 3 centuries. Enjoy! (and Thank You!)