Satire Comedy

Deadeye Dick is Kurt Vonnegut's funny, chillingly satirical look at the death of innocence. Amid a true Vonnegutian host of horrors - a double murder, a fatal dose of radioactivity, a decapitation, an annihilation of a city by a neutron bomb - Rudy Waltz, aka Deadeye Dick, takes us along on a zany search for absolution and happiness. Here is a tale of crime and punishment that makes us rethink what we believe...and who we say we are.

Jason Fitger may be the last faculty member the dean wants for the job, but he’s the only professor available to chaperone Payne University’s annual “Experience: Abroad” (he has long been on the record objecting to the absurd and gratuitous colon between the words) occurring during the three weeks of winter term. Among his charges are a claustrophobe with a juvenile detention record, a student who erroneously believes he is headed for the Caribbean, a pair of unreconciled lovers, a set of undifferentiated twins, and one young woman who has never been away from her cat before.

A young boy comes of age within the confines of post-civil-war Beirut, with conflict and comedy lurking round every corner. Adam dreams of becoming an astronaut, but who has ever heard of an Arab on the moon? He battles with his father, a book-hoarding journalist with a penchant for writing eulogies, his closest friend, Basil, a Druze who is said to worship goats and believe in reincarnation, and a host of other misfits and miscreants in a city attempting recover from years of political and military violence.

A genderless alien from Ellipsia, a planet whose inhabitants have no concept of individuality, comes to Earth on an intergalactic exchange program to learn how to become human. To live here, the traveler must study and understand our inclinations for seeing people as distinct beings - the nature of gender, and at the heart of identity, the word I. At once funny and serious, Journal from Ellipsia offers a starkly objective view on our own humanity.

A savage and hilarious satire, Gulliver's Travels sees Lemuel Gulliver shipwrecked and adrift, subject to bizarre and unnerving encounters with - among others - quarrelling Lilliputians, philosophising horses, and the brutish Yahoo tribe that change his view of humanity - and himself - forever. Swift's classic of 1726 portrays mankind in a distorted hall of mirrors as a diminished, magnified, and finally, bestial species, presenting us with a comical yet uncompromising reflection of ourselves.

No good deed goes unpunished in a willfully blind, technocratic society. Gordon Gray, a retired librarian, only wishes to chain smoke, read twentieth-century novels by dead white men, and at the time of his choosing, shuffle off his mortal coil. Everyone from his thanatophobic doctor to his New Age neighbor has an opinion on what Gordon should want and how he should be treated.

For a time, Jimmy spent his expat days in Mexico unearthing pre-Columbian artifacts. Now he makes a living doing small trucking jobs and helping out with the occasional missing-person situation. But Jimmy’s laid-back lifestyle is being seriously imposed upon by a ninety-pound stalker named Louise. Add to this a sudden wave of hippies led by a murderous ex-con guru in search of psychic happenings, archaeologists unearthing (illegally) the Mayan tombs, and Louise and her weirdo husband’s quest for UFO sites, and Jimmy’s south-of-the-border existence is in danger.

Hailed in his lifetime as one of Latin America’s greatest writers, Machado de Assis (1839-1908) was a storyteller known for his wholly innovative narrative techniques and uncanny talent for unraveling the social and political milieu of nineteenth-century Brazil. These signature traits are on full display in Quincas Borba, a novel that sees Machado satirize a rapidly changing Rio de Janeiro. Originally published in 1891, the story begins with the death of its titular character, a mad philosopher infamous for spouting pessimistic theories of “Humanitism”.

Set in a garden in Tehran in the early 1940s, where three families live under the tyranny of a paranoid patriarch, My Uncle Napoleon is a rich, comic and brilliantly on-target send-up of Iranian society. The novel is, at its core, a love story. But the young narrator's delicate and pure love for his cousin Layli is constantly jeopardized by an unforgettable cast of family members and the hilarious mayhem of their intrigues and machinations. It is also a social satire, a lampooning of the widespread Iranian belief that foreigners are responsible for events that occurs in Iran.

Tina Fontana is the hapless but brazen 30-year-old executive assistant to Robert Barlow, the all-powerful and commanding CEO of Titan Corp., a multinational media conglomerate. She's excellent at her job and beloved by her famous boss - but after six years of making his reservations for restaurants she'd never get into on her own and pouring his drinks from bottles that cost more than her rent, she's bored, broke, and just a bit over it all.

Alice: 30-something, IQ of 159 (almost a genius), only communicates with her mother in Morse code. Her imaginary friend is back. Erika: 15, daughter of hot ‘wealthugee’ who loves Russian literature, genuine genius, killer eyeliner and killer instincts. The climate is in crisis and wealthy immigrants are flocking to New Zealand for shelter, stealing land, driving up food prices and taking over. But Alice has far more important things to worry about – hating her best friend’s husband, getting free wine and quiet-quitting her dull day job. Until she meets Erika.

Can comedy be taught? Someone, at some point, seemed to think so. The Chicago Stand-Up MFA program has enrolled young comedians for nearly a decade. Its teachers and students all know how bits work—in theory, at least. They know that there’s a line between sharp and cruel, that sad becomes funny at the right angle, that the worst is the best, the truth is the worst, and any moment of your life that isn’t a punch line will either get you to a punch line or force you to be one. They’re all afraid to be one.

For centuries, the Koh-i-Noor diamond has set man against man and king against king. Now part of the British Crown Jewels, the priceless gem is a prize that many have killed to possess. So when the Crown Jewels go on display in Mumbai, security is everyone's principal concern. And yet on the very day Inspector Chopra visits the exhibition, the diamond is stolen from under his nose. The heist was daring and seemingly impossible. The hunt is on for the culprits.

This is the tale of the happy but ill-fated Candide and his progressive disillusionment with the idea that we live in the best of all possible worlds. His tutor, Dr. Pangloss, embodies this philosophy of good cheer, even in the face of ever more absurd misfortunes. Luckily, Candide's other companions provide an over-supply of good sense.

Democratic vice presidential candidate Senator Joseph Lieberman made history when he became the first person of Jewish faith to be included on a major-party ticket. But he wasn't the first one to think of it. Not by a long shot. Long before he ran for office, Al Franken asked the question, Why Not Me? in his comedic audiobook of the same name....

In these entries, titled The Coronavirus Princess Diaries, the princess recorded her most heartfelt emotions while dealing with her husband’s quarantine after exposure to the virus; her personal (and political) battles while imposing health restrictions on her small European nation; life during lockdown (even in as idyllic a location as a palace on the Riviera); and of course, dealing with her demanding royal family, especially her grandmother.

In an attempt to gain congressional approval for a top-secret weapons system, Washington lobbyist "Bird" McIntyre teams up with sexy, outspoken neocon Angel Templeton to pit the American public against the Chinese. When Bird fails to uncover an authentic reason to slander the nation, he and Angel put the Washington media machine to work, spreading a rumor that the Chinese secret service is working to assassinate the Dalai Lama.

No one knows us quite the same way as the men and women who sit beside us in department meetings and crowd the office refrigerator with their labeled yogurts. Every office is a family of sorts, and the Chicago ad agency Joshua Ferris brilliantly depicts in his debut novel is family at its strangest and best. The characters in Then We Came to an End cope with a business downturn in the time-honored way: through gossip, secret romance, elaborate pranks, and increasingly frequent coffee breaks.

Kill for Love is a searing satirical thriller about Tiffany, a privileged Los Angeles sorority sister who is struggling to keep her sadistic impulses-and haunting nightmares of fire and destruction-at bay. After a frat party hookup devolves into a bloody, fatal affair, Tiffany realizes something within her has awoken: the insatiable desire to kill attractive young men.

Even though his firearms store is failing, things are looking up for David Rizzo. His son, Nick, has just recovered after a near-fatal overdose, which means one thing: Rizzo can use Nick’s resurrection to create the most compelling television commercial for a gun emporium the world has ever seen. After all, this is America, Rizzo tells himself. Surely anything is possible. But the relationship between father and son is fragile, mired in mutual disappointment. And when the pair embarks on their scheme to avoid bankruptcy, a high-stakes crash of hijinks, hope, and disaster ensues.