Satire Comedy

No one knows us quite the same way as the men and women who sit beside us in department meetings and crowd the office refrigerator with their labeled yogurts. Every office is a family of sorts, and the Chicago ad agency Joshua Ferris brilliantly depicts in his debut novel is family at its strangest and best. The characters in Then We Came to an End cope with a business downturn in the time-honored way: through gossip, secret romance, elaborate pranks, and increasingly frequent coffee breaks.

From the frenzy of the 2012 Olympics to the aftermath of the Brexit referendum, here Jonathan Coe chronicles the story of modern Britain by way of a cast of characters whose world is being upended. There are newlyweds who disagree about the country’s future and, possibly, their relationship; a political commentator who writes impassioned columns about austerity from his lavish town house while his radical teenage daughter undertakes a relentless quest for universal justice; and Benjamin Trotter, who embarks on an apparently doomed new career in middle age, and his father.

In this astonishing debut, the venerable but gossipy New York literary scene is twisted into a claustrophobic fun house of paranoia, horror, and wickedly dark humor. George March’s latest novel is a smash. No one is prouder than Mrs. March, his doting wife. But one morning, the shopkeeper of her favorite patisserie suggests that his protagonist is based on Mrs. March herself. Clutching her ostrich-leather pocketbook, she flees, that one casual remark destroying her belief that she knew everything about her husband - as well as herself.

Perhaps the most autobiographical (and deliberately least disciplined) of Vonnegut's novels, Slapstick (1976) is in the form of a broken family odyssey and is surely a demonstration of its eponymous title. The story centers on brother and sister twins, children of Wilbur Swain, who are in sympathetic and (possibly) telepathic communication and who represent Vonnegut's relationship with his own sister who died young of cancer almost two decades before the book's publication.

Oreo is raised by her maternal grandparents in Philadelphia. Her black mother tours with a theatrical troupe, and her Jewish deadbeat dad disappeared when she was an infant, leaving behind a mysterious note that triggers her quest to find him. What ensues is a playful, modernized parody of the classical odyssey of Theseus with a feminist twist, immersed in seventies pop culture, and mixing standard English, black vernacular, and Yiddish with wisecracking aplomb.

Harassment Architecture has been described as an almost plotless and violent march against what the author calls the "lowerworld". Written in many small to medium sized chapters, it's the story of a man who aims to usher in collapse. He's sick on his surroundings, bound by them, but still seeking the way out.

Spike is an English bull terrier with a keen comedic eye for human foibles. He rockets to TV and internet fame after appearing on The Tonight Show with Jimmy Fallon, along with his master, Bud, who hosts a local morning show in High Point, North Carolina. Spike and Bud soon hit the fast track to bigger stardom when Bud signs on for a talk show in New York City.

Michael Beard is a Nobel prize-winning physicist whose best work is behind him. Trading on his reputation, he speaks for enormous fees, lends his name to the letterheads of renowned scientific institutions and half-heartedly heads a government-backed initiative tackling global warming. A compulsive womaniser, Beard finds his fifth marriage floundering. But this time it is different: she is having the affair, and he is still in love with her.

According to Kurt Vonnegut's alter ego, the old science fiction writer Kilgore Trout, a global timequake will occur on February 13, 2001, at 2:27 p.m. It will be the moment when the universe suffers a crisis of conscience: Should it go on expanding indefinitely or collapse and make another great big BANG? For its own cosmic reasons, it decides to back up a decade to 1991, giving the world a 10-year case of deja vu, making everybody and everything do exactly what they'd done during the past decade.

A searing portrayal of Vienna's bourgeoisie, it begins with the arrival of an unnamed writer at an 'artistic dinner' hosted by a composer and his society wife-a couple he once admired and has come to loathe. The guest of honor, a distinguished actor from the Burgtheater, is late. As the other guests wait impatiently, they are seen through the critical eye of the writer, who narrates a silent but frenzied tirade against these former friends, most of whom have been brought together by Joana, a woman they buried earlier that day.

Have you ever wished you could live in an earlier, more romantic era? Ladies, welcome to the 19th century, where there's arsenic in your face cream, a pot of cold pee sits under your bed, and all of your underwear is crotchless. (Why? Shush, dear. A lady doesn't question.) Unmentionable is your hilarious, scandalously honest (yet never crass) guide to the secrets of Victorian womanhood.

The daughter of a narcissistic film star and a billionaire, Madison is abandoned at her Swiss boarding school over Christmas, while her parents are off touting their new projects and adopting more orphans. She dies over the holiday of a mari­juana overdose - and the next thing she knows, she’s in Hell.

Comedian Jim Norton is dirty...really dirty...the kind of dirty that makes The Aristocrats look like a knock-knock joke. Fortunately for him, his kind of dirty humor has earned him the distinction of being third microphone on the immensely popular Opie & Anthony syndicated radio show. In Happy Endings, Jim brings his raw, hilarious, and offensively honest comedy to Audible® listeners.

From Sophia Bannion’s first day on the Storytelling team at HEBE, a luxury skincare/wellness company based in New York’s trendy SoHo neighborhood, it’s clear something is deeply amiss. But Sophia, pushing thirty, has plenty of skeletons in her closet next to the designer knockoffs and doesn’t care. Though she leads an outwardly charmed life, she aches for a deeper meaning to her flat existence—and a cure for her brutal nail-biting habit. She finds it all and more at HEBE, and with Tree Whitestone, HEBE’s charismatic founder and CEO.

Set in a garden in Tehran in the early 1940s, where three families live under the tyranny of a paranoid patriarch, My Uncle Napoleon is a rich, comic and brilliantly on-target send-up of Iranian society. The novel is, at its core, a love story. But the young narrator's delicate and pure love for his cousin Layli is constantly jeopardized by an unforgettable cast of family members and the hilarious mayhem of their intrigues and machinations. It is also a social satire, a lampooning of the widespread Iranian belief that foreigners are responsible for events that occurs in Iran.

Once more, we catch up with the delightful goings-on in the fictitious 44 Scotland Street from Alexander McCall Smith. With customary charm and deftness, Alexander McCall Smith gives us another instalment in this popular series, now running in its eighth season in The Scotsman.

Meet Peter Brown, a young Manhattan emergency room doctor with an unusual past that is just about to catch up with him. His morning begins with the quick disarming of a would-be mugger, followed by a steamy elevator encounter with a sexy young pharmaceutical rep, topped off by a visit with a new patient - and from there Peter's day is going to get a whole lot worse and a whole lot weirder.

Deadeye Dick is Kurt Vonnegut's funny, chillingly satirical look at the death of innocence. Amid a true Vonnegutian host of horrors - a double murder, a fatal dose of radioactivity, a decapitation, an annihilation of a city by a neutron bomb - Rudy Waltz, aka Deadeye Dick, takes us along on a zany search for absolution and happiness. Here is a tale of crime and punishment that makes us rethink what we believe...and who we say we are.

Cette histoire commence un mardi soir de février sur Facebook, se poursuit dans des inbox et des messages textes. Elle parle de scénarios inventés, de faire l’amour pas très bien dans une chambre sans rideaux, de soirées entre amis à regarder son cell aux deux mi­­nutes, de s’oublier soi-même. D’amour? Ça, Jolen elle-même ne sait pas.

Twenty-six-year-old single mum Brianna Lewis (a.k.a. Bree) doesn't believe in fairy tales - not after being abandoned by the father of daughter, Isabelle. Suddenly finding herself in dire straits, she converts her garden shed into a rental suite in hopes of climbing out of the financial hole she's in. But when the only person interested in renting the suite turns out to be to Leopold Davenport, the ridiculously good-looking co-worker she loves to hate, she knows she must choose between being happy and being broke.