Satire Comedy

In the wake of her parents’ death, Aretha, a habitually single Black lawyer, has had only one obsession in life—success—until she falls for Aaron, a coffee entrepreneur. Moving into his Brooklyn brownstone to live along with his Hurricane Sandy-traumatized, illegal-gun-stockpiling, optimized-soy-protein-eating, bunker-building roommates, Aretha finds that her dreams of making partner are slipping away, replaced by an underground world, one of selling guns and training for a doomsday that’s maybe just around the corner.

If you haven’t had the misfortune of dating a George, you know someone who has. He’s a young man brimming with potential but incapable of following through; sweet yet noncommittal to his long-suffering girlfriend; distant from but still reliant on his mother; charmingly funny one minute, sullenly brooding the next. Here, Kate Greathead paints one particular, unforgettable George in a series of droll and surprisingly poignant snapshots of his life over two decades.

After writing a satirical novel that The New York Times calls classist, Anna is shunned by the literary establishment and, in her hurt, radicalized by the philosophy of Ayn Rand. Determined to follow Rand’s theory of rational selfishness, Anna alienates herself from the scene and eventually her friends and family. Finally, in true Randian style, she abandons everyone for the boundless horizons of Los Angeles, hoping to make a TV show about her beloved muse.

The time is the early '80s. The characters go to the same schools and eat at the same restaurants. Their voices enfold us as seamlessly as those of DJs heard over a car radio. They have sex with the same boys and girls and buy from the same dealers. In short, they are connected in the only way people can be in that city.

For a time, Jimmy spent his expat days in Mexico unearthing pre-Columbian artifacts. Now he makes a living doing small trucking jobs and helping out with the occasional missing-person situation. But Jimmy’s laid-back lifestyle is being seriously imposed upon by a ninety-pound stalker named Louise. Add to this a sudden wave of hippies led by a murderous ex-con guru in search of psychic happenings, archaeologists unearthing (illegally) the Mayan tombs, and Louise and her weirdo husband’s quest for UFO sites, and Jimmy’s south-of-the-border existence is in danger.

Newlywed Rosie has grown disenchanted with NYC. Inspired by Instagram ads, she starts thirsting for a rural life upstate—one full of beauty and authenticity. She just needs to convince her tech-bro husband, Jordan, of her vision for the future. Willing to do anything for Rosie’s happiness, Jordan signs on, and they offer—well above asking price—on a beautiful, historic fixer-upper in the Hudson Valley. But when Jordan suddenly loses his job, the couple is forced to rent out the property’s dilapidated outbuilding. There’s no heat, it’s overrun with mold, and nothing works.

Cartas de um diabo a seu aprendiz é a correspondência ao mesmo tempo cômica, séria e original entre um diabo e seu sobrinho aprendiz. Revelando uma personalidade mais espirituosa, Lewis apresenta nesta obra best-seller a mais envolvente narrativa já escrita sobre livre arbítrio, fraquezas humanas e tentações — e a superação delas.

A wildly successful first novel made Grady Tripp a young star, and seven years later he still hasn't grown up. He's now a writing professor in Pittsburgh, plummeting through middle age, stuck with an unfinishable manuscript, an estranged wife, a pregnant girlfriend, and a talented but deeply disturbed student named James Leer.

The Werewolf's Guide to Life cuts through the fiction and guides you through your first transformation and beyond, offering indispensable advice on how to tell if you're really a werewolf, post-attack etiquette, breaking the news to your spouse, avoiding government abduction, and how to not just survive, but thrive. You cannot afford to not read this book. Your very life depends on it.

Toutes les blagues sont relatives au sexe, aux femmes et aux relations amoureuses: Blagues cochonnesBlagues sexyPlaisanterieDictons drôlesDevinettesFarcesBlagues féministesBlagues d’amourBlagues sexistesMauvais blaguesProverbes drôles Elles sont toutes ici. Les meilleures blagues courtes à sortir en public et en privé,-les blagues que tout le monde veut écouter. Surprenez votre partenaire avec des blagues courtes qu’il va adorer!

Cecil Younger is a man who takes comfort in the absurdity of the universe, and the universe is obliging him when he gets a call from his lawyer and psychiatrist, who offers him a job. A client wants to hire Younger to kill someone. Though common sense tells him murder just isn't a good career move, his finances tell him it can't hurt to meet his potential client, hoping he can succeed in appeasing him - without a dead body.

Who killed Eric Davenport? A senior mathematics professor at Underhill College has been found dead in his office, the victim of murder. At Underhill, a small liberal arts college with a pricy tuition and a pampered student body, all of the students are close to their professors. But at least one loved Eric Davenport in a deeply inappropriate fashion. Some hated him. And then there is the faculty at war with itself. And the idiotic administration. And the twin boys who live next to campus. And what’s with all those praying mantises?

This is the tale of the happy but ill-fated Candide and his progressive disillusionment with the idea that we live in the best of all possible worlds. His tutor, Dr. Pangloss, embodies this philosophy of good cheer, even in the face of ever more absurd misfortunes. Luckily, Candide's other companions provide an over-supply of good sense.

Comedian Jim Norton is dirty...really dirty...the kind of dirty that makes The Aristocrats look like a knock-knock joke. Fortunately for him, his kind of dirty humor has earned him the distinction of being third microphone on the immensely popular Opie & Anthony syndicated radio show. In Happy Endings, Jim brings his raw, hilarious, and offensively honest comedy to Audible® listeners.

Willa Marks has spent her whole life choosing hope. She chooses hope over her parents’ paranoid conspiracy theories, over her dead-end job, over the rising ocean levels. And when she meets Sylvia Gill, renowned Harvard professor, she feels she’s found the justification of that hope. Sylvia is the woman-in-black: the only person smart and sharp enough to compel the world to action. But when Sylvia betrays her, Willa fears she has lost hope forever.

In late 2007, as the world’s economy crumbles, the remarkably unremarkable Milton Ontario - not to be confused with Milton, Ontario - leaves his parent’s basement in Saskatchewan and sets forth to find fame, fortune, and love in the electric sexuality of Montreal, to bask in endless Millennial adolescence, to escape the infinite flatness of Saskatchewan, and to find his messiah: Leonard Cohen.

ज़िंदगी, ज़िंदगी भर नहीं है दोस्त! ज़िंदगी कभी वेटिंग टिकट है, कभी तय रिजर्वेशन के बावजूद बग़ल वाले पसेंजर से सीट की अदला-बदली है। कभी सीट के नीचे से झोले की चोरी है तो कभी शौचालय की जंज़ीर से बंधी मग है।.

A satiric novel by Evelyn Waugh, published in 1930. Set in England between the wars, the novel examines the frenetic but empty lives of the Bright Young Things, young people who indulge in constant party-going, heavy drinking, and promiscuous sex. At the novel's end, the realities of the world intrude, with Adam Fenwick-Symes, the protagonist, serving on a battlefield at the onset of another world war.

This is the story of twenty-four hours in the life of Natwest, and his small-town odyssey in pursuit of the missing package. And yet it's also the story of a middle-aged dentist who dreams of being a respected artist—but the only thing he can seem to paint is the human mouth. And it's the story of a tortured imam involved in a quasi-romantic entanglement with the local vicar; and an octogenerian mourning the death of her secretive husband; and a troubled teenager whose nudes have leaked on the internet.

The novel that set the stage for his modern classic, The Satanic Verses, Shame is Salman Rushdie's phantasmagoric epic of an unnamed country that is "not quite Pakistan". In this dazzling tale of an ongoing duel between the families of two men - one a celebrated wager of war, the other a debauched lover of pleasure - Rushdie brilliantly portrays a world caught between honor and humiliation.