Satire Comedy

Anisa Ellahi dreams of being a translator of “great works of literature,” but instead mostly spends her days subtitling Bollywood movies, living off her parents’ generous allowance, and discussing the “underside of life” with her best friend, Naima. Anisa’s mediocre white boyfriend, Adam, only adds to her growing sense of inadequacy with his savant-level aptitude for languages, successfully leveraging his expansive knowledge into an enviable career. But when Adam learns to speak Urdu with native fluency practically overnight, Anisa forces him to reveal his secret.

If you can count on one thing from "Madea" Mabel Simmons, star of Diary of a Mad Black Woman and Madea's Family Reunion, it's that she's got something to say. She's the beloved, hilarious, sharp-witted, pistol-packing grandmother who's watching out and speaking her mind. Now Madea is telling her own story, dishing her memoirs and hard-won, hilarious wisdom in her own inimitable voice (with a little help from her friend Tyler Perry).

This funny, down-to-earth parody of Marie Kondo’s The Life-Changing Magic of Tidying Up hands listeners the most useful tools for keeping crap clean and organized without all the pressure.

Walter Starbuck, a career humanist and eventual low-level aide in the Nixon White House, is implicated in Watergate and jailed, after which he (like Howard Campbell in Mother Night) works on his memoirs. Starbuck is innocent (his office was used as a base for the Watergate shenanigans of which he had no knowledge), and yet he is not innocent (he has collaborated with power unquestioningly and served societal order all his life). He represents another Vonnegut Everyman caught amongst forces he neither understands nor can defend.

Jon Stewart, host of the Emmy and Peabody Award-winning The Daily Show, and his coterie of patriots deliver a hilarious look at American government.

No one is better equipped in the struggle for wealth and worldly success than the alluring and ruthless Becky Sharp, who defies her impoverished background to clamber up the class ladder. Her sentimental companion Amelia, however, longs only for caddish soldier George. As the two heroines make their way through the tawdry glamour of Regency society, battles are fought, fortunes made and lost. The one steadfast and honourable figure in this corrupt world is Dobbin, bringing pathos and depth to Thackeray's gloriously satirical epic of love and social adventure.

Now is the fall of his discontent, as Jason Fitger, newly appointed chair of the English Department of Payne University, takes arms against a sea of troubles, personal and institutional. His ex-wife is sleeping with the dean who must approve whatever modest initiatives he undertakes. The fearsome department secretary Fran clearly runs the show (when not taking in rescue parrots and dogs) and holds plenty of secrets she's not sharing. The lavishly funded Econ Department keeps siphoning off English's meager resources and has taken aim at its remaining office space.

Travel with Steve, doomed for eternity to serve as hell’s Mr. Fixit, on a wild ride through the circles of hell in this best-selling, humorous fantasy series.

Aisling is 28 and she’s a complete...Aisling. She lives at home in Ballygobbard (or Ballygobackwards, as some gas tickets call it) with her parents and commutes to her good job at PensionsPlus in Dublin. Aisling goes out every Saturday night with her best friend, Majella, who is a bit of a hames (she’s lost two phones already this year - Aisling has never lost a phone). They love hoofing into the Coors Light if they’re 'Out' or the vodka and Diet Cokes if they’re 'Out Out'.

Oreo is raised by her maternal grandparents in Philadelphia. Her black mother tours with a theatrical troupe, and her Jewish deadbeat dad disappeared when she was an infant, leaving behind a mysterious note that triggers her quest to find him. What ensues is a playful, modernized parody of the classical odyssey of Theseus with a feminist twist, immersed in seventies pop culture, and mixing standard English, black vernacular, and Yiddish with wisecracking aplomb.

On Battersea Reach, a mixed bag of the temporarily lost and the patently eccentric live on houseboats, rising and falling with the tide of the Thames. There is good-natured Maurice, by occupation a male prostitute, by chance a receiver of stolen goods. And Richard, an ex-navy man whose boat, much like its owner, dominates the Reach.

A smash-hit reality show is offering a lifetime of luxury to the one person living the world's worst life, and now everyone is out to prove just how bad they've got it. Want in? All you've got to do is accept ocular implants that let the whole world see life through your eyes, 24 hours a day, seven days a week. Fortunately, there's still one person who hasn't lost faith in all humanity. The show's ever-smiling host is determined to wring some tiny bit of meaning out of this twisted competition and your unhappy existence.

Bret Ellis, the narrator of Lunar Park, is the bestselling writer whose first novel Less Than Zero catapulted him to international stardom while he was still in college. In the years that followed he found himself adrift in a world of wealth, drugs, and fame, as well as dealing with the unexpected death of his abusive father.

In a manifesto that renders all previous attempts at political satire obsolete, The Chapo Guide to Revolution shows you that you don’t have to side with either the pear-shaped vampires of the right or the craven, lanyard-wearing wonks of contemporary liberalism. These self-described “assholes from the Internet” offer a fully ironic ideology for all who feel politically hopeless and prefer broadsides and tirades to reasoned debate.

An unambitious twenty-two-year-old, Darren lives in a Bed-Stuy brownstone with his mother, who wants nothing more than to see him live up to his potential as the valedictorian of Bronx Science. But Darren is content working at Starbucks in the lobby of a Midtown office building, hanging out with his girlfriend, Soraya, and eating his mother's home-cooked meals. All that changes when a chance encounter with Rhett Daniels, the silver-tongued CEO of Sumwun, NYC's hottest tech startup, results in an exclusive invitation for Darren to join an elite sales team on the thirty-sixth floor.

Look Who's Back is a cutting satire on modern media-bloated, celebrity-obsessed society, seen through the eyes of Adolf Hitler. Adolf Hitler wakes up on a patch of open ground, alive and well. It is the Summer of 2011 and things have changed - no Eva Braun, no Nazi party, no war. Hitler barely recognizes his beloved Fatherland, filled with immigrants and run by a woman.

A searing portrayal of Vienna's bourgeoisie, it begins with the arrival of an unnamed writer at an 'artistic dinner' hosted by a composer and his society wife-a couple he once admired and has come to loathe. The guest of honor, a distinguished actor from the Burgtheater, is late. As the other guests wait impatiently, they are seen through the critical eye of the writer, who narrates a silent but frenzied tirade against these former friends, most of whom have been brought together by Joana, a woman they buried earlier that day.

Le timbre légèrement éraillé de Stéphane Ronchewski vous plonge dans un récit haletant et plein d'humour. Il aura suffi d'une seule mauvaise, très mauvaise idée. Rien de plus. Un 31 décembre, dans une petite ville suédoise, un individu entre dans une banque pour la braquer, ressort bredouille, et fait malencontreusement irruption dans un appartement pendant une visite groupée. Ce qui est évidemment une très mauvaise idée, puisque le braquage se transforme alors en prise d'otage.

Have you ever wished you could live in an earlier, more romantic era? Ladies, welcome to the 19th century, where there's arsenic in your face cream, a pot of cold pee sits under your bed, and all of your underwear is crotchless. (Why? Shush, dear. A lady doesn't question.) Unmentionable is your hilarious, scandalously honest (yet never crass) guide to the secrets of Victorian womanhood.

The irreverent author of the cult classic Syrup hits his target in this satire on the wages of big capital. In Max Barry's hilarious vision of the near future, the world is run by giant American corporations, and employees take the last names of the companies they work for; The Police and The NRA are publicly traded security firms, and the U.S. government may only investigate crimes if they can bill a citizen directly.