Satire Comedy

Originally published in 1973, the groundbreaking, uninhibited story of Isadora Wing and her desire to fly free caused a national sensation. In The New York Times, Henry Miller compared it to his own classic, Tropic of Cancer and predicted that "this book will make literary history..." It has sold more than 12-million copies. Now, after 30 years, the revolutionary novel known as Fear of Flying still stands as a timeless tale of self-discovery, liberation, and womanhood.

The time is the early '80s. The characters go to the same schools and eat at the same restaurants. Their voices enfold us as seamlessly as those of DJs heard over a car radio. They have sex with the same boys and girls and buy from the same dealers. In short, they are connected in the only way people can be in that city.

After writing a satirical novel that The New York Times calls classist, Anna is shunned by the literary establishment and, in her hurt, radicalized by the philosophy of Ayn Rand. Determined to follow Rand’s theory of rational selfishness, Anna alienates herself from the scene and eventually her friends and family. Finally, in true Randian style, she abandons everyone for the boundless horizons of Los Angeles, hoping to make a TV show about her beloved muse.

A seemingly ordinary man's world shatters when his wife points out a minor physical flaw. This sparks an existential crisis in Vitangelo Moscarda, as he realizes everyone perceives him differently, creating "a hundred thousand" versions of himself. Trapped by societal masks and questioning his own sanity, Vitangelo embarks on a radical journey to break free and discover his true identity.

De’Andrea Whitman, her husband Malik, and their five-year-old daughter, Nina, are new to the upper-crust white suburb of Rolling Hills, Virginia—a move motivated by circumstance rather than choice. De’Andrea is heartbroken to leave her comfortable life in the Black oasis of Atlanta, and between her mother-in-law’s Alzheimer's diagnosis, her daughter starting kindergarten, and the overwhelming whiteness of Rolling Hills, she finds herself struggling to adjust to her new community. To ease the transition, her therapist proposes a challenge: make a white girlfriend.

In Why We Suck, Dr. Denis Leary uses his common sense, and his biting and hilarious take on the world, to attack the politically correct, the hypocritical, the obese, the thin - basically everyone who takes themselves too seriously. He does so with the extra oomph of a doctorate bestowed upon him by his alma mater Emerson College. "Sure it's just a celebrity type of thing - they only gave it to me because I'm famous." Leary explains.

If you haven’t had the misfortune of dating a George, you know someone who has. He’s a young man brimming with potential but incapable of following through; sweet yet noncommittal to his long-suffering girlfriend; distant from but still reliant on his mother; charmingly funny one minute, sullenly brooding the next. Here, Kate Greathead paints one particular, unforgettable George in a series of droll and surprisingly poignant snapshots of his life over two decades.

Bernadette Fox is notorious. To her Microsoft-guru husband, she's a fearlessly opinionated partner; to fellow private-school mothers in Seattle, she's a disgrace; to design mavens, she's a revolutionary architect, and to 15-year-old Bee, she is a best friend and, simply, Mom. Then Bernadette disappears. It began when Bee aced her report card and claimed her promised reward: a family trip to Antarctica. But Bernadette's intensifying allergy to Seattle - and people in general - has made her so agoraphobic that a virtual assistant in India now runs her most basic errands.

It's a sad and eerie harbinger of our times that the Oprah-watching, crystal-rubbing, Whole Foods-shopping moms and their whipped attorney husbands have taken the ability to reason away from the poor schlub who makes the Bloody Marys. What we used to settle with common sense or a fist, we now settle with hand sanitizer and lawyers. Adam Carolla has had enough of this insanity and he's here to help us get our collective balls back.

Independent bookstore owner Sophie Bernstein is burned out on books. Mourning the death of her husband, the loss of her favorite manager, her only child’s lack of aspiration, and the grim state of the world, she fantasizes about going into hiding in the secret back room of her store. Meanwhile, renowned poet Raymond Chaucer has published a new collection, and rumors that he’s to blame for his wife’s suicide have led to cancellations of his publicity tour. He intends to set the record straight—with a fine-point Sharpie—but only one shop still plans to host him: Sophie’s.

Manhattan’s East Village, 1993. Dive bars, DIY music venues, shady weirdos, and hard drugs are plentiful. Crime is high, but rent is low, luring hopeful, creative kids from sleepy suburbs around the country. One of these is Jack S., a young New Jersey rock musician. Just a few days before his band’s biggest gig, their lead singer goes missing with Jack’s prized bass, presumably to hock it to feed his junk habit. Jack’s search for his buddy uncovers a sinister entanglement of crimes tied to local real estate barons looking to remake New York City.

Newlywed Angus Lordie has been booked by his bride into what he must not call the loony bin; Bruce’s first encounter with hot wax brings more anguish than he bargained for; and Bertie's birthday dreams of scout camp and a penknife look set to be replaced by a game of Royal Weddings and a gender-neutral doll. But fate, an amorous Bedouin, and the Dubai Tourist Authority conspire to transport Bertie's mother, Irene, to a warmer--if not a better--place.

Alice: 30-something, IQ of 159 (almost a genius), only communicates with her mother in Morse code. Her imaginary friend is back. Erika: 15, daughter of hot ‘wealthugee’ who loves Russian literature, genuine genius, killer eyeliner and killer instincts. The climate is in crisis and wealthy immigrants are flocking to New Zealand for shelter, stealing land, driving up food prices and taking over. But Alice has far more important things to worry about – hating her best friend’s husband, getting free wine and quiet-quitting her dull day job. Until she meets Erika.

Once more, we catch up with the delightful goings-on in the fictitious 44 Scotland Street from Alexander McCall Smith. With customary charm and deftness, Alexander McCall Smith gives us another instalment in this popular series, now running in its eighth season in The Scotsman.

Deadeye Dick is Kurt Vonnegut's funny, chillingly satirical look at the death of innocence. Amid a true Vonnegutian host of horrors - a double murder, a fatal dose of radioactivity, a decapitation, an annihilation of a city by a neutron bomb - Rudy Waltz, aka Deadeye Dick, takes us along on a zany search for absolution and happiness. Here is a tale of crime and punishment that makes us rethink what we believe...and who we say we are.

Jason Fitger may be the last faculty member the dean wants for the job, but he’s the only professor available to chaperone Payne University’s annual “Experience: Abroad” (he has long been on the record objecting to the absurd and gratuitous colon between the words) occurring during the three weeks of winter term. Among his charges are a claustrophobe with a juvenile detention record, a student who erroneously believes he is headed for the Caribbean, a pair of unreconciled lovers, a set of undifferentiated twins, and one young woman who has never been away from her cat before.

A young boy comes of age within the confines of post-civil-war Beirut, with conflict and comedy lurking round every corner. Adam dreams of becoming an astronaut, but who has ever heard of an Arab on the moon? He battles with his father, a book-hoarding journalist with a penchant for writing eulogies, his closest friend, Basil, a Druze who is said to worship goats and believe in reincarnation, and a host of other misfits and miscreants in a city attempting recover from years of political and military violence.

A genderless alien from Ellipsia, a planet whose inhabitants have no concept of individuality, comes to Earth on an intergalactic exchange program to learn how to become human. To live here, the traveler must study and understand our inclinations for seeing people as distinct beings - the nature of gender, and at the heart of identity, the word I. At once funny and serious, Journal from Ellipsia offers a starkly objective view on our own humanity.

Après avoir écrit sur le système de santé, la mort et sur la médecine elle-même, le docteur Alain Vadeboncœur a eu envie de relaxer un peu et de partager les moments étranges et cocasses qui ponctuent sa vie à l'urgence. Avec la sensibilité qu'on lui connaît, il raconte les petits travers des gens du métier (et les siens !), les rencontres loufoques, les contrastes étonnants entre certains drames et leurs répercussions insolites... et même comment son préfacier, le comédien et réalisateur Simon Olivier Fecteau, a un jour tenté de le tuer.

The suburbs of Par Mars. Two shopping centers, rows of estates and thematically designed neighborhoods. Twenty-four-year-old Leen is going to open an ear-cleaning and massage studio in the Topic Heights Shopping Centre, taking her mother’s Chinese ritual to the West to bring people back to their bodies. But something is not quite right in Par Mars. Managers are being attacked, and when Leen befriends Jean Paul, a pharmacist who is obsessed with a cryptic online forum, she finds herself involved in a community that is intent on disrupting the routines of capitalism in troubling ways.