Satire Comedy

The adventure continues. Tim and the C and C gang face their most difficult challenges yet. Horses die. Eyeballs are eaten. People are urinated on. A god is born.

Jason Fitger may be the last faculty member the dean wants for the job, but he’s the only professor available to chaperone Payne University’s annual “Experience: Abroad” (he has long been on the record objecting to the absurd and gratuitous colon between the words) occurring during the three weeks of winter term. Among his charges are a claustrophobe with a juvenile detention record, a student who erroneously believes he is headed for the Caribbean, a pair of unreconciled lovers, a set of undifferentiated twins, and one young woman who has never been away from her cat before.

The year is 1985. Benji Cooper is one of the only black students at an elite prep school in Manhattan. He spends his falls and winters going to roller-disco bar mitzvahs, playing too much Dungeons and Dragons, and trying to catch glimpses of nudity on late-night cable TV. After a tragic mishap on his first day of high school, when Benji reveals his deep enthusiasm for the horror movie magazine Fangoria, his social doom is sealed for the next four years.

The myth of an epic, public life—its triumphs and tragedies—is a particularly American obsession. ROAR is a metafictional exploration of such a life and attendant fame of an extraordinary, and completely made up, man.

Chichikov, a mysterious stranger, arrives in a provincial town with a bizarre but seductive proposition for local landowners. He proposes to buy the names of their serfs who have died but who are still registered on the census, saving their owners from paying tax on them. But what collateral will Chichikov receive for these "souls"?

When Palmer Stoat notices the black pickup truck following him on the highway, he fears his precious Range Rover is about to be carjacked. But Twilly Spree, the man tailing Stoat, has vengeance, not sport-utility vehicles, on his mind. Idealistic, independently wealthy, and pathologically short-tempered, Twilly has dedicated himself to saving Florida's wilderness from runaway destruction. He favors unambiguous political statements - such as torching Jet-Skis or blowing up banks - that leave his human targets shaken but re-educated.

Dr. Edith Vane, scholar of English literature, is contentedly ensconced at the University of Inivea. Her dissertation on pioneer housewife memoirist Beulah Crump-Withers is about to be published, and her job's finally safe, if she only can fill out her AAO properly. She's a little anxious, but a new floral blouse and her therapist's repeated assurance that she is the architect of her own life should fix that. All should be well, really. Except for her broken washing machine, her fickle new girlfriend, her missing friend Coral.

Gustavo Arellano has compiled the best questions about Mexican Americans from readers of his ¡Ask a Mexican!column in California's OC Weekly and uses them to explore the clichés of lowriders, busboys, and housekeepers; drunks and scoundrels; heroes and celebrities; and most important, millions upon millions of law-abiding, patriotic American citizens and their illegal-immigrant cousins who represent some $600 billion in economic power.

Don entered the workforce as a young man barely out of high school, full of enthusiasm and idealism. He soon received a reality check about corporate America. Raised in the middle class, he believed in the value system of an honest day's work for an honest wage. That by doing what was "right" and working hard, he would succeed. The Company Store, however, had other plans for him and his coworkers - the American working class.

Continuously available in print since 1968, this novel has become embedded in progressive anti-racist culture with wide circulation of the book and hotly debated film. A literary classic, The Spook Who Sat by the Door is a strong comment on entrenched racial inequities in the United States in the late 1960s. With its focus on the “militancy” that characterized the Black Power movement of the 1960s and 1970s, this is the story of one man’s reaction to ruling-class hypocrisy.

The irreverent author of the cult classic Syrup hits his target in this satire on the wages of big capital. In Max Barry's hilarious vision of the near future, the world is run by giant American corporations, and employees take the last names of the companies they work for; The Police and The NRA are publicly traded security firms, and the U.S. government may only investigate crimes if they can bill a citizen directly.

No good deed goes unpunished in a willfully blind, technocratic society. Gordon Gray, a retired librarian, only wishes to chain smoke, read twentieth-century novels by dead white men, and at the time of his choosing, shuffle off his mortal coil. Everyone from his thanatophobic doctor to his New Age neighbor has an opinion on what Gordon should want and how he should be treated.

'If I've learned one thing,' the late, great Father Fehily used to say, 'it's that life, families and rugby balls don't always behave the way you want them to!' Looking at my life, I'd have to say, the dude wasn't wrong. My old man had been caught rigging a general election. My old dear was about to become a 70-year-old mother of six. And Honor was walking around in a yellow rain mac, telling everyone that the end of the world was coming. It was enough to drive a man to the brink.

The infamous Bertie Wooster, rebuffing the assistance of his trusty manservant Jeeves, attempts to help his old chum and newt-fancier Gussie Fink-Nottle win the affections of the goofy but adorable Madeline Bassett. But without Jeeves to lend a hand, chaos ensues, and Bertie finds himself accidentally - and horribly - engaged to Madeline himself.

The suburbs of Par Mars. Two shopping centers, rows of estates and thematically designed neighborhoods. Twenty-four-year-old Leen is going to open an ear-cleaning and massage studio in the Topic Heights Shopping Centre, taking her mother’s Chinese ritual to the West to bring people back to their bodies. But something is not quite right in Par Mars. Managers are being attacked, and when Leen befriends Jean Paul, a pharmacist who is obsessed with a cryptic online forum, she finds herself involved in a community that is intent on disrupting the routines of capitalism in troubling ways.

Mark Robarts, a young vicar, is newly arrived in the village of Framley. With ambitions to further his career, he seeks connections in the county's high society. He is soon preyed upon by a local member of parliament to guarantee a substantial loan, which Mark, in a moment of weakness, agrees to, even though he knows the man is a notorious debtor; it brings Mark to the brink of ruin.

Chuck Gross would like nothing more than to prune himself from his family tree. He’s already clipped his name, turning Charles Grossheart, Jr.—son of a billionaire labor exploiter, weapons manufacturer, and climate change denier—into ordinary good-guy Chuck, the “self-made” proprietor of an up-and-coming punk label. But when Daddy threatens to cut him off, Chuck is forced to get a “real job”—and conveniently, an old college friend has just swept back into his life with the perfect opportunity.

Are you lacking direction in how to whip up a swanky soiree for lumberjacks? A dinner party for white-collar workers? A festive gathering for the grieving? Don't despair. Take a cue from entertaining expert Amy Sedaris and host an unforgettable fete that will have your guests raving.

This book teaches you how to harness all the negativity in the world and use it to improve your life, taking everyday feelings like self-loathing, regret, and shame and making them work for you. Positive thinking is for assholes. Negative thinking is for winners.

Octave Mirbeau donne la parole à Célestine, une chambrière, qui perçoit le monde par le trou de la serrure et ne laisse rien échapper des "bosses morales" de ses maîtres. Le lecteur pénètre au cœur de la réalité cachée de la société, dans les arrière-boutiques des nantis, dans les coulisses du théâtre du "beau" monde. Octave Mirbeau arrache le masque de respectabilité des puissants, fouille dans leur linge sale, débusque les crapuleries camouflées derrière les manières et les grimaces avantageuses.