Satire Comedy

From the double Man Booker Prize-winner, a savagely funny tale that revisits the characters from the much-loved Every Day is Mother’s Day. Muriel Axon is about to re-enter the lives of Colin Sidney and Isabel Field. It is ten years since her last tangle with them, but for Muriel this is not time enough. There are still scores to be settled, truths to be faced and vengeance to be wreaked.

What begins as an idyllic new society built for the freedom and equality of all who walk on four legs quickly becomes a nightmare. The cleverest animals take on more and more control while the hard working common animals are manipulated into doing all the work. Best intentions are twisted by the lure of power, and no animal is immune to the terrible consequences of its corrupting influence.

Out of work for months, Lussi Meyer is desperate to work anywhere in publishing. Prestigious Blackwood-Patterson isn’t the perfect fit, but a bizarre set of circumstances leads to her hire and a firm mandate: Lussi must find the next horror superstar to compete with Stephen King, Anne Rice, and Peter Straub. It’s the ’80s, after all, and horror is the hottest genre. But as soon as she arrives, Lussi finds herself the target of her coworkers’ mean-spirited pranks.

What do we believe? And in God's name why? Lewis Black has the answers. Or at least his answers. He survived Hebrew school and a bar mitzvah (barely), was a 60's college student who saw the parallels between religious rapture and drug-induced visions (even if none of his friends did), explored the self-actualization movement of the 70's (and the self-indulgence it engendered), and turned a cynical eye toward politicians who don the cloak of religious rectitude to cover up their own hypocrisy.

Comedian Jim Norton is dirty...really dirty...the kind of dirty that makes The Aristocrats look like a knock-knock joke. Fortunately for him, his kind of dirty humor has earned him the distinction of being third microphone on the immensely popular Opie & Anthony syndicated radio show. In Happy Endings, Jim brings his raw, hilarious, and offensively honest comedy to Audible® listeners.

When Ollie Sweet is very publicly dumped by ‘The One’, his seemingly perfect world dissolves into misery, self-pity, and a bizarre rooftop meeting with a suicidal man in flip-flops. While most would seek out the support of loved ones at such a torrid time, natural-born journalist Ollie asks the subscribers of his website: how did they get over their failed relationships? When Ollie follows some of their more extreme advice, chaos inevitably ensues.

I was an out-of-work rugby coach who was soon to be divorced. My old dear was sliding away in a nursing home in a certain suburb of West Dublin. And my old man had brought the country to the verge of, like, nuclear annihilation. And if that wasn’t bad enough, my teenage daughter was in love again. My sister-in-law was about to give birth to a baby that was possibly mine. And Castlerock College was about to go – I can’t even say the word – co-ed.

LOVE, DISHONOR, MARRY, DIE, CHERISH, PERISH leaps cities and decades as Rakoff sings the song of an America whose freedoms can be intoxicating, or brutal. The characters' lives are linked to each other by acts of generosity or cruelty.

After too many glasses of champers, Ruby takes her moment in the spotlight to reveal what she really thinks of every one of her friends, family and colleagues. She accuses her husband of having an affair and lambasts her mother for a lifetime of playing her three daughters against each other. As the stunned gathering gawks at Ruby, the birthday girl reveals that she has terminal cancer, and has cashed in her life savings to take her two estranged sisters cruising into the sunset for a dose of HRT – Husband Replacement Therapy. But is Ruby being courageous or ruthlessly selfish?

A member of the landed gentry, with a seemingly guaranteed income from his estate in the country, Oblomov lives in Petersburg, uninterested in the business that provides his living and barely aware that the revenue is diminishing. Not that he leads a dissolute life of extravagance, balls and entertainment. Instead he is a dreamer, a sybarite, content above all to spend most of the day supine, in bed. The novel opens with Oblomov thus ensconced, attended only by his dirty, grumbling, indolent servant Zahar, who has looked after him since childhood, catering to his every need.

JIMMY “JIMBO” DOYLE, is a trailer-trash Floridian, on the road to obscurity. His politically incorrect comments and sexual escapades make him one of the most reckless protagonists of our morally and ethically-twisted times. Desperate and broke, he devises a plan to rent rooms in repossessed mobile-homes to the nation’s unwanted registered sex offenders. Despite his bi-polar, serial marrying mother’s every attempt to sabotage his success, Jimbo’s brainchild sparks an industry that makes him one of the richest and most hated men in America.

The new book censor hasn't slept soundly in weeks. By day he combs through manuscripts at a government office, looking for anything that would make a book unfit to publish-allusions to queerness, unapproved religions, any mention of life before the Revolution. By night the characters of literary classics crowd his dreams, and pilfered novels pile up in the house he shares with his wife and daughter. As the siren song of forbidden reading continues to beckon, he descends into a netherworld of resistance fighters, undercover booksellers, and outlaw librarians.

Amid the cactus wilds some two hundred miles from Hollywood lies a privileged oasis called Desert D'Or. It is a place for starlets and would-be starlets, directors, studio execs, and the well-groomed lowlifes who cater to them. And, as imagined by Norman Mailer in this blistering classic of 1950s Hollywood, Desert D'Or is a moral proving ground, where men and women discover what they really want - and how far they are willing to go to get it.

Julian Barnes pens a kind of detective story, relating a cranky amateur scholar’s search for the truth about Gustave Flaubert and the obsession of this detective, whose life seems to oddly mirror those of Flaubert’s characters.

New York Times best-selling author Bruce Wagner is also a PEN/Faulkner Award finalist and a notable contributor to the New Yorker and Vanity Fair. With Dead Stars, Wagner delivers uproarious and sharply critical views on the sex- and money-obsessed world of Hollywood through the story of Telma, a 13-year-old girl who’s also the world’s youngest breast cancer survivor. A regular at pink-tie charity events and private lunches, Telma has come to enjoy her fame—so she’s not pleased to learn another young girl is about to break her record.

Smart, hilarious, and incisive, the Liberal Rednecks confront outdated traditions and intolerant attitudes, tackling everything people think they know about the South - the good, the bad, the glorious, and the shameful - in a laugh-out-loud funny and lively manifesto for the rise of a New South. Home to some of the best music, athletes, soldiers, whiskey, waffles, and weather the country has to offer, the South has also been bathing in backward bathroom bills and other bigoted legislation.

Wickedly narrated by David Stifel, and written in 1729, this satiric essay on how to solve Ireland's chronic poverty is perhaps more shocking today than when it was written. In the 1960s, when Peter O'Toole did a public reading of this piece in Dublin, he very nearly started a riot. Newspapers the following day lambasted O'Toole's "shocking bad taste." Whether shocking satire, or Monty-Pythonesque surrealism, this essay has continually managed to offend people for well over 3 centuries. Enjoy! (and Thank You!)

Praising Tim Dorsey’s tongue-in-cheek humor, the Miami Herald wrote, “Nobody, but nobody, writes like this guy.” Here Florida politics take the main stage in a rollicking satire that proves Dorsey’s at the top of his game. When a traumatic experience forever changes Florida gubernatorial race candidate Marlon Conrad’s life, he hits the road in a Winnebago to find the “real” Florida. But his odyssey is plagued with would-be assassins and cutthroat journalists.

Following the best-selling success of Dave's novel, Big Trouble, here is a hilarious new collection of columns from the writer critics have called "the funniest man in America."

Can comedy be taught? Someone, at some point, seemed to think so. The Chicago Stand-Up MFA program has enrolled young comedians for nearly a decade. Its teachers and students all know how bits work—in theory, at least. They know that there’s a line between sharp and cruel, that sad becomes funny at the right angle, that the worst is the best, the truth is the worst, and any moment of your life that isn’t a punch line will either get you to a punch line or force you to be one. They’re all afraid to be one.