Satire Science

An implant that gives moral advice whether you like it or not, an irritable galactic ambassador examining Earth’s religions, a future where love can’t happen without litigation, pushy alien anthropologists without regard for the human need for privacy, discrimination against an artificial intelligence in a multicultural world, alien sex - love in the time of deformity, neighborly nitpicking made easy by Computer Court, the excruciating reality of Martian music, invasion of the toe snatchers, something crunchy on the menu, and a transgenic pig dog at war with an android nemesis.

There's nothing that 17-year-old Kallie Grande-White hungers for more than to be a famous model like her mother - except maybe actually food. But that's a small inconvenience, especially with the Model Middle America reality show holding auditions for the Next Top Heartland Teen Heartthrob Model right in Kallie's hometown. Nothing's going to stand in Kallie's way as she claws her way to the top. But when Kallie downs half a dozen of her PhD-in-nuclear-nanotechnology grandmother's radioactive doughnuts in a momentary fit of rage, everything changes - starting with her own body!

A flab-normal life.... Kallie Grande-White can pretend to go on with her life, but reminders of her transgressions into heroism continuously follow her throughout her day - especially now that her awkward classmate Zeus Evans knows her secret. Even with the return of Model Middle America to Cuttingham City, to attempt another round of modeling auditions, Kallie soon realizes there is no escaping from her double-sized life when one of the show’s producer asks for Fatgirl’s assistance.

What if politicians cared about the country? What if people stopped being insane? What if the government earned its money instead of stealing it? The state-laid plans gang aft agley, and only ending taxes, setting term limits, the line-item veto, sunset legislation, and honest elections can amend 'em. What we need now is a good laugh, quotable economists, and missionaries for reality. Who's in?

As Kallie becomes a beloved city hero and overnight sensation, there's more on her mind when Kallie's grandmother, Abuela-Blanca, reveals the origins of the radioactive doughnuts - and why she now needs Kallie's help in bringing down an even bigger threat. And while there's nothing Kallie wants to do less than take up the media's given mantle of "Fatgirl", she soon finds out she has little choice - not if she wants to keep her identity a secret, and not if she ever wants to get her mother to come back home.

There's nothing that 17-year-old Kallie Grande-White hungers for more than to be a famous model like her mother - except maybe actually food. But that's a small inconvenience, especially with the Model Middle America reality show holding auditions for the Next Top Heartland Teen Heartthrob Model right in Kallie's hometown. Now that she has a chance to make her dream come true, Kallie is determined not to let anything stand in her way - not her best frenemy, Amory Franklin, not her lacrosse-playing crush, and especially not the new, awkward fat kid in her computer class.

A smart, funny political satire. It is written as if a future woman president published what she wanted to say, before she becomes president. A look at politics through a different, and definitely provocative, lens. As a woman she has a lot to say about the insanity of war as a solution to anything in this century, much less labeling and drugging children instead of making schools exciting for young lives. A fast, furious, sometimes deep listen.

Since 1968, Garry Trudeau (b. 1948) has brought his brand of political satire to bear on public figures, movie stars, heads of state, and even on himself. Trudeau has also advocated for artists' rights and challenged industry norms while keeping a decidedly low profile. In Garry Trudeau: Doonesbury and the Aesthetics of Satire, Kerry D. Soper traces the contribution of this groundbreaking artist. Trudeau is arguably the premier American political and social satirist of the last forty years. Amazingly, he achieved this on the comics page, rather than the editorial page.

Walt Kelly (1913-1973) is one of the most respected and innovative American cartoonists of the twentieth century. His long-running Pogo newspaper strip has been cited by modern comics artists and scholars as one of the best ever. Cartoonists Bill Watterson ( Calvin and Hobbes), Jeff Smith ( Bone), and Frank Cho ( Liberty Meadows) have all cited Kelly as a major influence on their work. We Go Pogo is the first comprehensive study of Kelly's cartoon art and his larger career in the comics business.

After being chosen as guinea pigs for the first-ever human hibernation experiment, Chad O'Connor and Tyrone Jackson are placed in suspended animation that is supposed to last three years. Instead of waking up in the year 2030 as planned, they wake up in the year 2083 in a post-nuclear world as the only two living males on Earth in a society run by women. What appears to be a paradise at first turns into a world of horrors and a quest for survival.

The main character is deeply in love with Tronald Dump but he’s a Mexican alien, which allows him to satirize the system. He’s an alien from Mars, not an illegal alien. He’s on Earth because he’s out of junk on Mars and knows the intelligence community has a hook-up.

Während seiner einjährigen Haftzeit hat Deniz Yücel - in mühsamer Kommunikation über seine Anwälte und kuratiert von der Journalistin Doris Akrap - eine Auswahl aus seinen Texten aus den vergangenen 13 Jahren zu einem ebenso klugen wie unterhaltsamen und in jeder Hinsicht abwechslungsreichen Hörbuch zusammengestellt: Reportagen, Satiren, Polemiken, Kommentare, Glossen und andere "Gebrauchstexte aus dem Handgemenge". Dazu kommen zwei Stücke, die er im Hochsicherheitsgefängnis Silivri Nr. 9 hierfür verfasst hat, sowie ein Beitrag seiner Frau, der Fernsehproduzentin und Lyrikerin Dilek Mayatürk Yücel.

Eine uralte Prophezeiung, eine weltweite Verschwörung und ein ungleiches Ermittler-Duo im Wettlauf gegen skrupellose Bosse und irre Kleriker: "Mission Impossible" meets "Die nackte Kanone" - nur schlimmer! Weltweit verschwinden unter mysteriösen Umständen Frauen unter Sonnenbänken - was kaum jemand zur Kenntnis nimmt. Erst als der gefallene Investigativ-Journalist Michael Blohmquiz auf die Spur einer globalen Wirtschaftsverschwörung kommt, während zeitgleich der gefeierte Ornamentologe Richard Random den grausamen Mord an einem weltberühmten Physiker untersucht, kommen die Dinge ins Rollen.

Eine uralte Prophezeiung, eine weltweite Verschwörung und ein ungleiches Ermittler-Duo im Wettlauf gegen skrupellose Bosse und irre Kleriker: "Mission Impossible" meets "Die nackte Kanone" - nur schlimmer! Weltweit verschwinden unter mysteriösen Umständen Frauen unter Sonnenbänken - was kaum jemand zur Kenntnis nimmt.

Tobe Hooper's The Texas Chain Saw Massacre premiered in October 1974, mere weeks after the resignation and pardon of Richard Nixon brought an uncertain end to the most corrupt and criminal presidency in American history. The film had been conceived, written, shot, edited, and produced precisely as Watergate was playing out, and those responsible for Chain Saw unhesitatingly spoke of the horrors of contemporary politics as having directly inspired the ones they created for the film.

Take a space-pirate, inspired by a long-ago Dark Lord. Take a long period of quarantine within the tiny confines of a stolen starship. Now, take 42 busted, broken, or overbearing tropes of fantasy and science fiction. One by one, the Dark Lord twists each into a strange shape and uses it to tell a new story - many of them disgracefully funny, some rather dark, and none of them suitable for vulnerable minds such as yours. Jeff Mach brings tight, interesting, usually satirical, often quite twisted stories, to light a fire in your belly like whiskey, and light a whiskey on fire.