Science Fiction Literary Criticism

The End of the End of the Earth is a collection of Jonathan Franzen's essays and speeches from the past five years, in which he grapples with the most important and heated ethical subjects of the day: environmentalism, capitalism, wealth inequality, race, technology, and the role of art. He challenges us to ask difficult questions: What is our civic responsibility in the face of climate change, the greatest ever threat to our planet and species? Does technology give us a sense of control or community or is it stripping these from us?

At the age of 48, film critic David Denby returned to his alma mater, Columbia University, to re-experience the core humanities courses he had taken as a freshman 30 years before. Facing the question of what he really knows, Denby re-examines the besieged Western classics, ranging from Homer, Sappho, and Sophocles to Dante, Nietzsche, and Woolf. What relevance do the writers and thinkers of the past have to our current life? The answer surprised Denby and will surprise and enlighten his listeners.

In 1950, publisher Fawcett Books founded its Gold Medal imprint, inaugurating the reign of lesbian pulp fiction. These were the books that small-town lesbians and prurient men bought by the millions - cheap, easy to find in drugstores, and immediately recognizable by their lurid covers: often a hard-looking brunette standing over a scantily clad blonde, or a man gazing in tormented lust at a lovely, unobtainable lesbian. For women leading straight lives, here was confirmation that they were not alone.

Born in war-ravaged Vietnam, Viet Nguyen arrived in the United States as a child refugee in 1975. The Nguyen family would soon move to San Jose, California, where the author grew up, attending UC-Berkeley in the aftermath of the shocking murder of Vincent Chin, which shaped the political sensibilities of a new generation of Asian Americans. The essays here, delivered originally as the prestigious Norton Lectures, proffer a new answer to a classic literary question: What does the outsider mean to literary writing?

Recuperando el título de un pequeño cuento con el que la puertorriqueña Rosario Ferré analizó la misoginia literaria en los años noventa, "El coloquio de las perras" pretende ser un homenaje a las escritoras hispanohablantes que sortearon todo tipo de obstáculos para hacer su literatura. Desde populares figuras como Elena Garro, Gabriela Mistral o Alejandra Pizarnik hasta otras más desconocidas como Alcira Soust Scaffo, Agustina González López o María Emilia Cornejo, la periodista y poeta Luna Miguel entabla una conversación llena de ladridos con una docena de mujeres...

¿Qué causas pueden sustentar a la escritura? ¿Tiene sentido seguir escribiendo en el mundo contemporáneo? Para responder, recurre a una cita E. L. Doctorow: "[La ficción] enseña las leyes de la comunidad y distribuye el sufrimiento". A partir de ella construye distintos argumentos a favor de la producción de ficciones y su consumo. La literatura nos ayuda a aceptar la diferencia: nos ejercita en el conocimiento de otros mundos e individuos y nos acerca al sufrimiento ajeno.

In the Company of Radical Women Writers rediscovers the political commitments and passionate advocacy of seven writers who as young women turned to communism around the Great Depression and, over decades of national crisis, spoke to issues of labor, land, and love in ways that provide thought-provoking guidance for today. Rosemary Hennessy spotlights the courageous lives of women who confronted similar challenges to those we still face: exhausting and unfair labor practices, unrelenting racial injustice, and environmental devastation.

Joan Didion es una de las cronistas fundamentales de la segunda mitad del siglo XX. En una edición a cargo de Claudio López de Lamadrid, Los que sueñan el sueño dorado reúne por primera vez en castellano una selección de artículos y ensayos de sus libros.

In the thick of lockdown, 2020, poet, critic, and memoirist Jamie Hood published her debut, how to be a good girl, an interrogation of modern femininity and the narratives of love, desire, and violence yoked to it. The Rumpus praised Hood’s “bold vulnerability,” and Vogue named it a Best Book of 2020. In Trauma Plot, Hood draws on disparate literary forms to tell the story that lurked in good girl’s margins—of three decades marred by sexual violence and the wreckage left behind.

In The Genius of Judy, her remarkable story is revealed as never before, beginning with her as a mother of two searching for purpose outside of her home in 1960s suburban New Jersey. The books she wrote starred regular children with genuine thoughts and problems. But behind those deceptively simple tales, Blume explored the pillars of the growing women’s rights movement, in which girls and women were entitled to careers, bodily autonomy, fulfilling relationships, and even sexual pleasure.

Sweet, supportive, dependable, selfless. Long before she had children of her own, journalist Carrie Mullins knew how mothers should behave. But how? Where did these expectations come from—and, more importantly, are they serving the mothers whose lives they shape? Carrie's suspicion, later crystallized while raising two small children, was that our culture’s idealization of motherhood was not only painfully limiting but harmful, leaving women to cope with impossible standards—standards rarely created by mothers themselves.

Resulta fascinante que un cuerpo sin pelo, fruto de un artefacto social como la depilación, se considere muestra de feminidad innata. Lo lógico sería que el vello corporal, que separa a la niña de la mujer, se considerase intrínsecamente femenino, incluso sexi. Sin embargo, ocurre todo lo contrario, infantilizamos a las mujeres al tiempo que sexualizamos a las niñas. La mayoría de las mujeres que se depilan afirman hacerlo porque quieren, porque se sienten más atractivas o por motivos de higiene. No depilarse o mostrar públicamente que no lo hacen suele ser, más bien, una decisión política.

Whether you carry an encyclopedic knowledge of the Iliad and the Odyssey, or think your Ajaxes belong in the cabinet under the sink, you'll enjoy the sonic feast in this audio, which reexamines the Greek myths with purposeful typos, a nod to modern sensibilities and literate, joyful wordplay.

"This book is an absurdity. How do you collect something of which there is nothing to collect?" So begins The Essential Guide to Collecting Calvin and Hobbes. At once a requisite collector's guide and a pursuit of meaning within storytelling, The Essential Guide to Collecting Calvin and Hobbes also offers a critical appraisal of Watterson, as well as a deep examination of the most obscure Calvin and Hobbes relic: "a miraculous artifact unlike any other collectible in the world."

Bordertown: a city on the Border between the human world and the elfin realm. A place where neither magic nor technology can be counted on, where elf and human kids run away to find themselves. The Way from our world to the Border has been blocked for 13 long years. Now the Way is open once again—and Bordertown welcomes a new set of seekers and dreamers, misfits and makers, to taste life on the Border.

Rüdiger Safranski beschreibt die Epoche der Romantik und ihre Zeitgenossen, die für die Entfesselung des Genies stehen, für den Aufbruch und die Lust am Experiment...

福沢諭吉の説くあるべき日本男子は「メシ」「フロ」「ネル」ではありえない。『一国の社会を維持して繁栄幸福を求めんとするには、その社会の公衆に公徳なかるべからず。その公徳をして堅固ならしめんとするには、根本を私徳の発育に取らざるべからず。』この視点に依って説かれる「男子論」なのである。襟を正して聞くべし。

「一身独立して一国独立す。」福沢諭吉の名言としてしられる『学問のすゝめ』の一文です。「独立自尊」のひとをつくる。「人類」に至大の幸福を得させる。そのために教育はあるのである。——新聞を創り、大学を創り･･啓蒙と教育に生涯を捧げた福沢諭吉の肉声を、ここで聞いてください。

Who was Cinna? What do the hawthorn and primrose symbolize? Or President Snow's roses and Peeta's bread? What about Katniss's last name? Bringing details from myths, herbal guides, military histories, and the classics, English professor and award-winning pop culture author Valerie Estelle Frankel sheds light on the deeper meanings behind Panem's heroes and villains in this hottest of YA trilogies.

Viele Kinder lasen Enid Blyton oder Beatrix Potter - Carla Valentine war von klein auf verrückt nach Agatha Christie und rätselte mit, wer wohl der Mörder war. Diese frühe Faszination ließ Carla Valentine Forensik studieren, in Leichenhallen und in pathologischen Instituten arbeiten, doch von Agatha Christie ließ sie nie ab. Agatha Christie benutzte den Begriff "Forensik" noch nicht wie wir, doch auch sie beschreibt in ihren Krimis mit ihrer fachkundigen Beobachtung und viel Einfallsreichtum die Wendungen und Verwicklungen der einzelnen Fälle und überführt geschickt jeden einzelnen Mörder.