Science Fiction Literary Criticism

More than two centuries after his birth, Ralph Waldo Emerson remains one of the presiding spirits in American culture. Yet his reputation as the starry-eyed prophet of self-reliance has obscured a much more complicated figure who spent a lifetime wrestling with injustice, philosophy, art, desire, and suffering. James Marcus introduces listeners to this Emerson, a writer of self-interrogating genius whose visionary flights are always grounded in Yankee shrewdness.

In the thick of lockdown, 2020, poet, critic, and memoirist Jamie Hood published her debut, how to be a good girl, an interrogation of modern femininity and the narratives of love, desire, and violence yoked to it. The Rumpus praised Hood’s “bold vulnerability,” and Vogue named it a Best Book of 2020. In Trauma Plot, Hood draws on disparate literary forms to tell the story that lurked in good girl’s margins—of three decades marred by sexual violence and the wreckage left behind.

The End of the End of the Earth is a collection of Jonathan Franzen's essays and speeches from the past five years, in which he grapples with the most important and heated ethical subjects of the day: environmentalism, capitalism, wealth inequality, race, technology, and the role of art. He challenges us to ask difficult questions: What is our civic responsibility in the face of climate change, the greatest ever threat to our planet and species? Does technology give us a sense of control or community or is it stripping these from us?

The Definitive Guide to Understanding Karens Patriarchy and Other Modalities of Oppression, is a groundbreaking book that is absolutely one of its kind. For the first time, "Karen", who symbolizes a White female who publicly polices and oppresses Black people and other people of color, is viewed through the lens of not an individual misbehaving, but an actual model of oppression towards People of Color, and writ large People of the Global Majority (PGM), a collective term to identify people racialized as "ethnic minorities".

At the age of 48, film critic David Denby returned to his alma mater, Columbia University, to re-experience the core humanities courses he had taken as a freshman 30 years before. Facing the question of what he really knows, Denby re-examines the besieged Western classics, ranging from Homer, Sappho, and Sophocles to Dante, Nietzsche, and Woolf. What relevance do the writers and thinkers of the past have to our current life? The answer surprised Denby and will surprise and enlighten his listeners.

Joan Didion es una de las cronistas fundamentales de la segunda mitad del siglo XX. En una edición a cargo de Claudio López de Lamadrid, Los que sueñan el sueño dorado reúne por primera vez en castellano una selección de artículos y ensayos de sus libros.

In the Company of Radical Women Writers rediscovers the political commitments and passionate advocacy of seven writers who as young women turned to communism around the Great Depression and, over decades of national crisis, spoke to issues of labor, land, and love in ways that provide thought-provoking guidance for today. Rosemary Hennessy spotlights the courageous lives of women who confronted similar challenges to those we still face: exhausting and unfair labor practices, unrelenting racial injustice, and environmental devastation.

At once a requisite collector's guide and a pursuit of meaning within storytelling, The Essential Guide to Collecting Calvin and Hobbes also offers a critical appraisal of Bill Watterson, as well as a deep examination of the most obscure Calvin and Hobbes relic, the textbook Teaching with Calvin and Hobbes: "a miraculous artifact unlike any other collectible in the world."

الكتب كالبشر لها ملامح وحياة وصفات وأسماء، لكن بعض الكتب تختلف كونها تولد ولا تموت..كلما مرت السنوات ازدادت شباباً و تألقاً.

في هذا الكتاب نعيش معاً بين صفحات كتب كانت سطورها مصابيح حضارة وحروفها مفاتيح استنارة.

Bordertown: a city on the Border between the human world and the elfin realm. A place where neither magic nor technology can be counted on, where elf and human kids run away to find themselves. The Way from our world to the Border has been blocked for 13 long years. Now the Way is open once again—and Bordertown welcomes a new set of seekers and dreamers, misfits and makers, to taste life on the Border.

David Sterling Brown offers nothing less here than a wholesale deconstruction of whiteness in Shakespeare's plays, arguing that the 'white other' was a racialized category already in formation during the Elizabethan era—and also one to which Shakespeare was himself a crucial contributor.

¿Qué causas pueden sustentar a la escritura? ¿Tiene sentido seguir escribiendo en el mundo contemporáneo? Para responder, recurre a una cita E. L. Doctorow: "[La ficción] enseña las leyes de la comunidad y distribuye el sufrimiento". A partir de ella construye distintos argumentos a favor de la producción de ficciones y su consumo. La literatura nos ayuda a aceptar la diferencia: nos ejercita en el conocimiento de otros mundos e individuos y nos acerca al sufrimiento ajeno.

In The Genius of Judy, her remarkable story is revealed as never before, beginning with her as a mother of two searching for purpose outside of her home in 1960s suburban New Jersey. The books she wrote starred regular children with genuine thoughts and problems. But behind those deceptively simple tales, Blume explored the pillars of the growing women’s rights movement, in which girls and women were entitled to careers, bodily autonomy, fulfilling relationships, and even sexual pleasure.

Sweet, supportive, dependable, selfless. Long before she had children of her own, journalist Carrie Mullins knew how mothers should behave. But how? Where did these expectations come from—and, more importantly, are they serving the mothers whose lives they shape? Carrie's suspicion, later crystallized while raising two small children, was that our culture’s idealization of motherhood was not only painfully limiting but harmful, leaving women to cope with impossible standards—standards rarely created by mothers themselves.

Transforming Harry: The Adaptation of Harry Potter in the Transmedia Age is an edited volume of eight essays that look at how the cinematic versions of the seven Harry Potter novels represent an unprecedented cultural event in the history of cinematic adaptation.

Sie ist die Frau, der man nachsagt, dass sie kein Glück in der Liebe hat. Diejenige, die ihr Leben allein regelt: Die Frau ohne Begleitung. Als die Autorin feststellt, dass auch sie so eine geworden ist - ein weiblicher Langzeit-Single - ist die Erkenntnis ein Schock. Dann eine Befreiung. Und ein Ansporn, nicht nur für eine schonungslose Selbsterkundung, sondern auch für eine überfällige Spurensuche.

Rüdiger Safranski beschreibt die Epoche der Romantik und ihre Zeitgenossen, die für die Entfesselung des Genies stehen, für den Aufbruch und die Lust am Experiment...

Questions of what happens after death were vital in Shakespeare's time, as it is today. And, like today, the answers were by no means universally agreed upon. Exploring how particular texts and characters answer these questions, Shakespeare and the Afterlife showcases the vitality and originality of the author's language and thinking. We encounter characters with very personal visions of what awaits them after death, and these visions reveal new insights into these individuals' motivations and concerns as they navigate the world of the living.

In 1950, publisher Fawcett Books founded its Gold Medal imprint, inaugurating the reign of lesbian pulp fiction. These were the books that small-town lesbians and prurient men bought by the millions - cheap, easy to find in drugstores, and immediately recognizable by their lurid covers: often a hard-looking brunette standing over a scantily clad blonde, or a man gazing in tormented lust at a lovely, unobtainable lesbian. For women leading straight lives, here was confirmation that they were not alone.

Viele Kinder lasen Enid Blyton oder Beatrix Potter - Carla Valentine war von klein auf verrückt nach Agatha Christie und rätselte mit, wer wohl der Mörder war. Diese frühe Faszination ließ Carla Valentine Forensik studieren, in Leichenhallen und in pathologischen Instituten arbeiten, doch von Agatha Christie ließ sie nie ab. Agatha Christie benutzte den Begriff "Forensik" noch nicht wie wir, doch auch sie beschreibt in ihren Krimis mit ihrer fachkundigen Beobachtung und viel Einfallsreichtum die Wendungen und Verwicklungen der einzelnen Fälle und überführt geschickt jeden einzelnen Mörder.