Science Fiction Monsters

The zombies are disappearing. This might seem like a good thing, since zombies eat your brains, but normal human kid Jack Sullivan is suspicious. He keeps hearing an eerie shrieking noise that seems to be almost summoning the zombies - but to where, and for what (probably) foul purpose? Jack, his three best friends (maybe the only people left on Earth), and their pet monster Rover need to get to the bottom of this. Along the way they encounter a lot more than they bargained for.

In Monsters, Inc., join monsters Mike and Sulley on a wild adventure that takes them from the Scare Floor at Monsters, Inc., all the way to the dangerous human world. Joined by the human child, Boo, the best friends must return the little girl before an evil plot prevents her from ever going home.

John Birmingham is the master of alternate history adventure - and now he's mastered a new genre with the volcanically fast-paced and wildly inventive Dave Hooper urban fantasy series. The series is anchored by a thrilling high concept: An oil rig opens a rift deep in the ocean that unleashes terrifying monsters into the world. But perhaps its coolest asset is its hero, Dave Hooper, a tough, bleakly funny, down-on-his luck oil rig worker with an unlikely destiny as a monster-slayer and world savior.

After surviving an encounter with the Beast, the pinnacle of power in the Nexeus, Salvos decides she still needs to get stronger. But power does not come easy, especially at the higher levels. Fortunately for Salvos, she has made an enemy out of the Demon King himself, and she will take advantage of his animosity towards her. If the Deathsquad Hunters want to come for her head? She will welcome them with open arms.

As the daughter of Dracula, you would think I’d be born the perfect monster. You couldn’t be more wrong. As far as monsters go, I’m a screw up—if I’m not tripping over my own feet, I’m accidentally murdering someone (it’s a real issue, guys). Left with no choice, Dad decides to send me to Prodigium—otherwise known as Monster Academy—to train me on how to be a better monster. When bodies turn up on campus, I’m the prime suspect (not that I can blame them).

Nita doesn't murder supernatural beings and sell their body parts on the internet - her mother does that. Nita just dissects the bodies after they've been "acquired". Until her mom brings home a live specimen and Nita decides she wants out; dissecting a scared teenage boy is a step too far. But when she decides to save her mother's victim, she ends up sold in his place - because Nita herself isn't exactly "human". She has the ability to alter her biology, a talent that is priceless on the black market.

Dianna is hellbent on revenge. As the last shred of her humanity is ripped from her, she decides to embrace her monstrous side and set the worlds alight. Samkiel alone refuses to believe that she has become the monster that everyone else sees, and he'll do anything in his power to save her from herself, even if it means losing her. With every realm now at risk from Kaden's army, and a myriad of new threats on the horizon, Samkiel can't afford to let his guard down. And as Dianna's thirst for blood only increases, he is running out of time to save them both.

In 2267, Earth has just begun to recover from worldwide ecological disasters. Minh is part of the generation that first moved back up to the surface of the Earth from the underground hells. She's spent her entire life restoring river ecosystems, but lately, the kind of long-term restoration projects Minh works on have been stalled due to the invention of time travel. When she gets the opportunity take a team to 2000 BC to survey the Tigris and Euphrates rivers, she jumps at the chance to uncover the secrets of the shadowy think tank that controls time travel technology.

1828. Robin Swift, orphaned by cholera in Canton, is brought to London by the mysterious Professor Lovell. There, he trains for years in Latin, Ancient Greek, and Chinese, all in preparation for the day he’ll enroll in Oxford University’s prestigious Royal Institute of Translation—also known as Babel. Babel is the world's center for translation and, more importantly, magic. Silver working—the art of manifesting the meaning lost in translation using enchanted silver bars—has made the British unparalleled in power, as its knowledge serves the Empire’s quest for colonization.

Betrayed and bloodied, The Hand has failed. After a desperate battle, Nismera, the Goddess of War, now rules the realms as the last remnants of Samkiel's power spill across the sky. Desperate to keep Samkiel safe after almost losing him, Dianna is willing to give up everything to protect him, even if that means sacrificing their relationship itself. But that's not a risk Samkiel is willing to take, even as the stakes grow ever higher. The one true king is poised to return, but when the dust settles, who will truly rule?

Amelia Scarcliffe’s monstrous brood, harbingers of Cthulhu, will soon spawn. Her songs spell insanity, death...and illimitable wealth. And Moriarty will do anything to get his hands on gold, even if it means tearing down the walls between this world and a realm of horrors. Meanwhile, after Sherlock Holmes’s last tangle with the Order of Dagon, horrifying monsters haunt the Thames, and madness stalks the streets of Whitechapel. Gang war between Moriarty’s thugs and the powerful cult can only bring more terror - unless Holmes and Dr. Watson can prevent it.

Death comes to us all. When he came to Mort, he offered him a job. Death is the Grim Reaper of the Discworld, a black-robed skeleton with a scythe who ushers souls into the next world. He is also fond of cats and endlessly baffled by humanity. Soon Death is yearning to experience what humanity really has to offer, but to do that, he'll need to hire some help. It's an offer Mort can't refuse. As Death's apprentice he'll have free board, use of the company horse—and being dead isn't compulsory. It's a dream job—until Mort falls in love with Death's daughter, Ysabell.

I'm bound to a demon. For my entire life, I avoided magic at all costs. Now, I'm responsible for a demon who wields magic more powerful than the toughest mage or sorcerer. Demons are evil. That's what my textbooks say. That's what I see. He's ruthless, he's temperamental, he's cold. But he protects me without fail. I wonder if he's hiding a heart behind his hostility. My demon is a monster.

In the Clandoms, everyone is born with wings, with tight-knit communities formed around bird types: Jay, Falcon, Crow. Ellie Meadows dreams of growing up to join the Goldwings - the famed knights who defend all the people of the Clandoms. It was a Goldwing, after all, who saved her life on that terrible day her parents were killed. There's just one problem: Ellie is a Sparrow, and the Goldwings are almost invariably picked from the higher clans like Eagles and Ospreys. This rigid hierarchy means that Ellie is destined to become a farmer.

Hannah Miles navigates the etiquette of monster hunting through the parlours of a magical Regency England. This collection contains: Manners and Monsters, Galvanism and Ghouls, and Gossip and Gorgons.

In this striking and bleak, yet luminous debut collection, Nathan Ballingrud, winner of the inaugural Shirley Jackson Award, uses the trappings of the Gothic and the uncanny to investigate a distinctly American landscape: The loneliest and darkest corners of contemporary life. Ballingrud’s stories are love stories. They’re also monster stories. Sometimes the monsters collected here are vampires or werewolves.

The Hangsane are coming at Josh and the Misfits like a raging beast, and it's relentless. Having discovered the lost city of Telemar and found the Angel Stone, they find themselves trapped in the drow castle. If they can break free, they’ll have to fight their way across the mountains.

After being attacked by a serial killer, being saved by Loki - so-called god of mischief, lies, and chaos - being dragged to Alfheim, losing every cent in her bank account, and caring for her grandmother, Amy Lewis has lost her scholarship to veterinary school. But it's all right. She has a plan. If she manages to keep her day job as a receptionist and her night job as a vet tech, she may be able to get her scholarship reinstated and save enough money for the dreaded "miscellaneous fees". Too bad her day boss is unbearable....

After a wedding cake catastrophe, local decorator Tegan finds herself being helped by a solid wall of fur and fangs named Atlas. She's never met anyone like him and finds herself enamored by his wolfish charm. After their sweet encounter, Atlas invites her to his gym anytime she needs his cake-lifting services. Tegan decides that instead—she wants to lift the cakes herself. She signs up for a membership with Leviathan Fitness, determined to build her strength.

In a gauntlet-throwing essay at the start of this brilliant assemblage, Cynthia Ozick stakes the claim that, just as surely as critics require a steady supply of new fiction, novelists need great critics to build a vibrant community on the foundation of literary history. For decades Ozick herself has been one of our great critics, as these essays so clearly display. She offers models of critical analysis of writers from the mid-20th century to today, from Saul Bellow, Bernard Malamud, and Kafka to William Gass and Martin Amis, all assembled in provocatively named groups.