Science Fiction Western

Wyoming Territory, 1873. Tim Colter and his trusted guide, mountain man Jed Reno, are on the trail of a vicious gang of train robbers when they happen upon a bloody and shocking scene. Lying on the ground, barely breathing, a Secret Service agent has been left for dead in the wake of a brutal ambush. His final words: "President Grant . . . assassination . . . Dugan . . . trust nobody."

Connor Mills is just trying to make a good life in a world he wasn’t born to. He may have broken the goblins’ hold over his town, but the fight isn’t over. The shadowy patron of the fallen goblin tycoon is out for revenge, and Connor has much more to lose now. His ranch is back on its feet, but the forces that rule Faerie aren’t done with him. When the bounty hunters come calling and darker things raise their heads, Connor must find allies to protect the people he holds dear – and take a risk that may cost him everything.

The apocalyptic event known as the Reset took place five years ago... In the span of a few seconds, ninety percent of the world's population was killed by a mysterious alien force. The ten percent left had their memories wiped. They were given incredible superpowers and a LitRPG stat system that allowed them to advance their skills. But they lost a lot of technology in the process. Many lost their humanity. Sterling Monedero was one of these survivors.

Connor Mills is only trying to earn some summer money for school by working the Green River Drift cattle drive in Wyoming. The Fates have something else in mind for him. Thrust into a dark realm both familiar and eerily twisted, Connor finds himself at the center of a struggle between goblin tycoons, corrupt wolf-kin lawmen, and a town full of people who’ve had all the hope wrung out of them. Connor is only one man, but the strange energies of the Faerie world have made him much more than he was.

In this major and wholly original contribution to military history, John Keegan reverses the usual convention of writing about war in terms of generals and nations in conflict, which tends to leave the common soldier as cipher. Instead, he focuses on what a set battle is like for the man in the thick of it.

To the Last Man is Zane Grey's archetypal tale of a bitter feud between two unforgiving factions: the ranchers led by Jean Isbel and, on the other side, Lee Jorth and his band of cattle rustlers. In the grip of a relentless code of loyalty to their own people, they fight the war of the Tonto Basin, desperately, doggedly, to the last man, neither side seeing the futility of it until it is too late.

Alex survives a Silver Alchemist’s best efforts to destroy him, but not without paying a terrible price. He soon finds himself stripped of all aid, allies, and resources, with all hands turned against him. Even worse, if Alex can’t make it to the capital city while dodging all the perils and traps his enemies place in his path, millions of innocents, including the first girl to ever touch his heart, will perish in terror and flame.

In the distant future most of the human race has fled a ravaged Earth to find new life on other planets. For those who stayed a lawless society remains. Technology has been renounced, and saints and sinners, lawmakers and sheriffs, travelers and gunslingers, abound. What passes for justice is presided over by the High Sheriff, and carried out by his cruel and ruthless Deputy.

You'd think defeating a giant four-armed, catgirl supersoldier would buy you some peace. More like pieces. Sure, I get to spend time with Rufka, but it turns out stopping Ivicka isn't enough to get home. As we continue our quest to find a way to Earth, it's time to get efficient. Or so I'm told. Course Beth likes convoluted plans like I enjoy cuddles with Rufka and Smoulder, so it's not a surprise she's trying to rope me into taking more responsibility.

The Art of the Argument shocks the dying art of rational debate back to life, giving you the essential tools you need to fight the escalating sophistry, falsehoods, and vicious personal attacks that have displaced intelligent conversations throughout the world. At a time when we need reasonable and empirical discussions more desperately than ever, The Art of the Argument smashes through the brain-eating fogs of sophistry and mental manipulation, illuminating a path to benevolent power for all who wish to take it.

Doc was happy with his new life—he’d married Fiala and Sonya, had allies who were steadfastly beside him, and was building the name of Lady Luck. Things were moving in the right direction, and life was good. But powerful enemies were starting to rise against him. Doc knew that Sheriff Grange and McIan, the preacher of Apoc, would be problems eventually, but the two he had to deal with first were Suez and Goodman. Suez was still a mystery to Doc, and the man had effectively split the town with Goodman.

The first book in an epic, magic-clad series featuring the Wild West reimagined as a crosscultural stereoscope of interdimensional magic and hardship, The Devil’s Revolver opens with a shooting competition and takes off across the landscape after a brutal double murder and kidnapping—to which revenge is the only answer.

Young Gav can remember the page of a book after seeing it once, and, inexplicably, he sometimes “remembers” things that are going to happen in the future. As a loyal slave, he must keep these powers secret, but when a terrible tragedy occurs, Gav, blinded by grief, flees the only world he has ever known. And in what becomes a treacherous journey for freedom, Gav’s greatest test of all is facing his powers so that he can come to understand himself and finally find a true home.

Alex had done it. Ascending farther than anyone had thought possible, earning a title as sacred as the right to rule within the Golden Realms. But there was no way his enemies would accept his ascension. Not after he had disrupted so many of their twisted plans.

Three audiobooks from the Coilhunter Chronicles: Coilhunter, Rustkiller, and Dustrunner. Welcome to the Wild North, a desolate wasteland where criminals go to hide - if they can outlast the drought and the dangers of the desert. Or the dangers of something else.

Voices stars the people of Ansul, a town of scholars and traders conquered by the marauding Alds 17 years ago. When poet Orrec arrives in town, however, the people begin to garner the courage to rebel against their overlords.

Alex was willing to do whatever it took to beat the tumors overwhelming his body. Even if it meant being frozen alive. And if his cortex got uploaded into a digital universe filled with countless worlds to explore until a cure could be found for his cancer, all the better. The last thing he expected was to wake up naked and alone in the bowels of an ancient ship filled with raiders carrying enough poison to kill an entire city!

Following in the footsteps of such chroniclers of American lunacy as Cormac McCarthy, Joy Williams, and Charles Portis, Robin McLean’s Pity the Beast is a mind-melting feminist Western that pins a tale of sexual violence and vengeance to a canvas stretching back to prehistory.

In the Uplands, people have magical and fearsome gifts. Orrec, a boy growing into his powers, can destroy any living thing with simply a glance. But he refuses to use his ability, and wears a blindfold to protect others from his devastating gaze.

A plain-spoken, appealing narrator relates the history of her parents - a Nevada silver baron who forced the Crow people to give up one of their most beautiful daughters, Gun That Sings, in marriage to him. With her mother's death in childbirth, so begins a heroine's tale equal parts heartbreak and strength. This girl has been born into a world with no place for a half-native, half-white child. After being hidden for years, a very wicked stepmother finally gifts her with the name Snow White, referring to the pale skin she will never have.