Science History Women

In the summer of 2017, twenty-two-year-old Savanna LaFontaine-Greywind vanished. A week after she disappeared, police arrested the white couple who lived upstairs from Savanna and emerged from their apartment carrying an infant girl. The baby was Savanna’s, but Savanna’s body would not be found for days. The horrifying crime sent shock waves far beyond Fargo, North Dakota, where it occurred, and helped expose the sexual and physical violence Native American women and girls have endured since the country’s colonization.

In Women Money Power, business journalist Josie Cox tells the story of women’s fight for freedom and economic equality. This is an inspirational account of brave pioneers who took on social mores and the law, including the “Rosies,” who filled industrial jobs and helped win World War II, the heiress whose fortune helped create the birth control pill, the brassy banker who broke into the boys’ club of the New York Stock Exchange, and the namesake of landmark equal-pay legislation who refused to accept discrimination.

In 1991, Thelma & Louise, the story of two outlaw women on the run from their disenchanted lives, was a revelation. Suddenly, a film in which women were, in every sense, behind the wheel. It turned the tables on Hollywood, instantly becoming a classic, and continues to electrify audiences as a cultural statement of defiance. But if the film's place in history now seems certain, at the time its creation was a long shot.

Over a span of 18 years, Lady Bird Johnson recorded 47 oral history interviews with Michael Gillette and his colleagues. These conversations, just released in 2011, form the heart of Lady Bird Johnson: An Oral History, an intimate story of a shy young country girl's transformation into one of America's most effective and admired First Ladies.

She was born in 1930 in El Paso and grew up on a cattle ranch in Arizona. At a time when women were expected to be homemakers, she set her sights on Stanford University. When she graduated near the top of her law school class in 1952, no firm would even interview her. But Sandra Day O’Connor’s story is that of a woman who repeatedly shattered glass ceilings - doing so with a blend of grace, wisdom, humor, understatement, and cowgirl toughness.

In The Time of My Life, celebrated music journalist Andrea Warner excavates the layers of Dirty Dancing, from its anachronistic, chart-topping soundtrack, to Baby and Johnny’s chemistry, to Bergstein’s political intentions, to the abortion subplot that is more relevant today than ever. The film’s remarkable longevity would never have been possible if it was just a throwaway summer fling story. It is precisely because of its themes—deeply feminist, sensitively written—that we, over 30 years later, are still holding our breath during that last, exhilarating lift.

No, las mujeres prehistóricas no se pasaban el día barriendo la cueva y cuidando de los hijos mientras esperaban que los hombres regresaran de cazar. Ellas también perseguían a grandes mamíferos, fabricaban herramientas y joyas, construían viviendas y exploraban formas de expresión simbólica.

Fleeing the aftermath of the Tiananmen Square crackdown in 1989 and fueled by a burning desire for a better life, Apple embarks on a daring journey to pursue her doctoral education in America. With no backup plan, Apple has to make this journey work. But she has no idea that her starting place, Las Cruces, NM, is a quiet desert town—a far cry from the bustling metropolis she envisioned. Anxious, ignorant, broken, lost, and homesick, Apple is also excited, curious, and open-minded. Will she simply survive the fish-out-of-the-water situation many immigrants experience, or will she thrive?

At the heart of this history is the female body. The century-span between the crinoline and the bikini witnessed more mutations in the ideal western woman's body shape than at any other period. In this richly detailed account, Virginia Nicholson takes us to the Frontline of Beauty to reveal the power, the pain and the pleasure involved in adorning the female body. Encompassing two world wars and a revolution in women's rights, All the Rage tells the story of western female beauty from 1860 to 1960.

Zarifa Ghafari was three years old when the Taliban banned girls from schools, and she began her education in secret. She was seven when American airstrikes began. She was twenty-six when she became mayor—the only female mayor in the country—of Maidan Wardak, Kabul. An extremist mob barred her from her office; her male staff walked out in protest; assassins tried to kill her six times. Finally, they killed their father. Ghafari stood her ground. She ended corruption in the province, promoted peace and tried to lift up women, despite constant fear for herself and her family.

In the thick of lockdown, 2020, poet, critic, and memoirist Jamie Hood published her debut, how to be a good girl, an interrogation of modern femininity and the narratives of love, desire, and violence yoked to it. The Rumpus praised Hood’s “bold vulnerability,” and Vogue named it a Best Book of 2020. In Trauma Plot, Hood draws on disparate literary forms to tell the story that lurked in good girl’s margins—of three decades marred by sexual violence and the wreckage left behind.

Galileo Galilei was the foremost scientist of his day. Though he never left Italy, his inventions and discoveries were heralded around the world. His telescopes allowed him to reveal the heavens and enforce the astounding argument that the earth moves around the sun. For this belief, he was brought before the Holy Office of the Inquisition, accused of heresy, and forced to spend his last years under house arrest.

In 1972, New York Representative Shirley Chisholm broke the ice in American politics when she became the first Black woman to run for president of the United States. Chisholm left behind a coalition-building model personified by a once-in-an-era Hollywood party hosted by legendary actress and singer Diahann Carroll, and attended by the likes of Huey P. Newton, Barbara Lee, Berry Gordy, David Frost, Flip Wilson, Goldie Hawn and others. In A More Perfect Party, MSNBC political analyst Juanita Tolliver presents a path to people-centered politics through the lens of this soiree.

In Programmed Inequality, Marie Hicks explores the story of labor feminization and gendered technocracy that undercut British efforts to computerize. Women were a hidden engine of growth in high technology from World War II to the 1960s. As computing experienced a gender flip, labor problems grew into structural ones, and gender discrimination caused the nation's largest computer user to make decisions that were disastrous for the British computer industry and the nation as a whole.

Slut. Shrew. Sinful. Scold. The 19th- and early 20th-century American women profiled in this collection were called all these names and worse when they were alive. And that’s just fine. These glorious dames earned those monikers, and one hundred years later they can wear them proudly! With irresistible charm and laugh-out-loud impertinence, New York Times bestselling author Therese Oneill chronicles the lives of eighteen unbecoming ladies whose audacity, courage, and sheer disdain for lady-like expectations left them out of so many history books.

Examines how Black women elders have managed stress, emphasizing how self-care practices have been present since at least the mid-19th century, with roots in African traditions. How have Black women elders managed stress? In Black Women's Yoga History, Stephanie Y. Evans uses primary sources to answer that question and to show how meditation and yoga from eras of enslavement, segregation, and migration to the Civil Rights, Black Power, and New Age movements have been in existence all along.

In 2005, when Lawrence Summers, then president of Harvard, asked why so few women, even today, achieve tenured positions in the hard sciences, Eileen Pollack set out to find the answer. A successful fiction writer, Pollack had grown up in the 1960s and '70s dreaming of a career as a theoretical astrophysicist. Denied the chance to take advanced courses in science and math, she nonetheless made her way to Yale.

Celebrate the impact women have made in our culture: This feminist book is a beacon of brilliance. It is the perfect gift for artists, intellectuals, and anyone who seeks to be inspired by words and profound lives. Most of all, it is a celebration of the journeys and accomplishments of women who have worked to have their voices heard in black and white letters across the world.

Amazons - fierce warrior women dwelling on the fringes of the known world - were the mythic archenemies of the ancient Greeks. Heracles and Achilles displayed their valor in duels with Amazon queens, and the Athenians reveled in their victory over a powerful Amazon army. In historical times, Cyrus of Persia, Alexander the Great, and the Roman general Pompey tangled with Amazons.

From the beautiful apsaras of Hindu myth to the swan maidens of European fairy tales, stories of flying women - some carried by wings, others by clouds, rainbows, floating scarves, and flying horses - reveal the perennial fascination with and ambivalence about female power and sexuality. In Women Who Fly, Serinity Young examines the motif of the flying woman as it appears in a wide variety of cultures and historical periods, in legends, myths, rituals, sacred narratives, and artistic productions.