Science History Women

A vivid biography of former first lady Barbara Bush, one of the most influential and underappreciated women in American political history.

When you think of serial killers throughout history, the names that come to mind are ones like Jack the Ripper, John Wayne Gacy, and Ted Bundy. But what about Tillie Klimek, Moulay Hassan, Kate Bender? The narrative we’re comfortable with is the one where women are the victims of violent crime, not the perpetrators. In fact, serial killers are thought to be so universally, overwhelmingly male that in 1998, FBI profiler Roy Hazelwood infamously declared in a homicide conference, “There are no female serial killers.”

For decades, feminist artists have confronted the problem of how to tell the truth about their experiences as bodies. Queer bodies, sick bodies, racialised bodies, female bodies, what is their language, what are the materials we need to transcribe it? Exploring the ways in which feminist artists have taken up this challenge, Art Monsters is a landmark intervention in how we think about art and the body, calling attention to a radical heritage of feminist work that not only reacts against patriarchy but redefines its own aesthetic aims.

Esmeralda Santiago era una niña en el seno de una familia numerosa en una zona rural de Puerto Rico. En aquel entonces, la vida estaba en orden. Pero cuando su hermano menor sufre un accidente y los padres se separan, la madre se lleva a Esmeralda, de trece años, y sus seis hermanos menores a Estados Unidos. Se van en busca de un tratamiento médico para el chico accidentado y de una mejor vida.

In the 18th century, Bridgetown, Barbados, was heavily populated by both enslaved and free women. Marisa J. Fuentes creates a portrait of urban Caribbean slavery in this colonial town from the perspective of these women whose stories appear only briefly in historical records. Combining fragmentary sources with interdisciplinary methodologies that include black feminist theory and critical studies of history and slavery, Dispossessed Lives demonstrates how the construction of the archive marked enslaved women's bodies, in life and in death.

In 2014, northeastern Syria might have been the last place you would expect to find a revolution centered on women's rights. But that year, an all-female militia faced off against ISIS in a little town few had ever heard of: Kobani. By then, the Islamic State had swept across vast swaths of the country, taking town after town and spreading terror as the civil war burned all around it. From that unlikely showdown in Kobani emerged a fighting force that would wage war against ISIS across northern Syria alongside the United States.

Highly acclaimed author Ursula K. Le Guin lends a resonant voice to a pivotal yet often overlooked character of Vergil's The Aeneid. Born into peace and freedom, Lavinia is stunned to learn that she will be the cause of a great war - or so the prophecies and omens claim. Her fate is sealed, however, when she meets a man from Troy.

What's wrong with preferring domestic assistants with feminine personalities? We like our assistants to conform to gender stereotypes - so what? For one thing, Strengers and Kennedy remind us, the design of gendered devices reinscribes outdated and unfounded stereotypes. Strengers and Kennedy offer a Smart Wife "manifesta", proposing a rebooted Smart Wife that would promote a revaluing of femininity in society in all her glorious diversity.

In 1941 a 31-year-old Frenchwoman, a young mother born to privilege and known for her beauty and glamour, became the leader of a vast intelligence organization - the only woman to serve as a chef de résistance during the war. Strong-willed, independent, and a lifelong rebel against her country’s conservative, patriarchal society, Marie-Madeleine Fourcade was temperamentally made for the job. No other French spy network lasted as long or supplied as much crucial intelligence. Fourcade was captured twice by the Nazis - and both times she managed to escape.

Brienna desires only two things: to master her passion and to be chosen by a patron. Growing up in Valenia at the renowned Magnalia House should have prepared her. While some are born with a talent for one of the five passions - art, music, dramatics, wit, and knowledge - Brienna struggled to find hers until she chose knowledge. However, Brienna's greatest fear comes true - she is left without a patron. But months later, her life takes an unexpected turn when a disgraced lord offers her patronage.

One night in Lagos, two former friends reunite. Obinna is a dutiful and unsophisticated stay-at-home husband and father married to a powerful businesswoman. Eze is single, a cautious rebel from his university days whose arrival soon upsets the balance in Obinna’s life. In a world where men are constantly under surveillance and subject to the whims of powerful women, more than Obinna’s ordered and accustomed routine might be on the line.

Forty years ago in China, marriage was universal, compulsory, and a woman's only means to a livelihood. Enter the one-child policy, which despite its horrors, resulted in China's first generations of urban only-daughters - girls who were raised without brothers and pushed to study, achieve, and succeed as if they were sons. Fast forward to the present, where in an urbanized economic powerhouse, enough of these women have decided to postpone marriage - or not marry at all - to spawn a label: "leftovers". Unprecedentedly well-educated and goal-oriented, they struggle to find partners.

A story of fighting to belong in a world that wasn't built for all of us and of one woman's activism - from the streets of Brooklyn and San Francisco to inside the halls of Washington - Being Heumann recounts Judy Heumann's lifelong battle to achieve respect, acceptance, and inclusion in society. From fighting to attend grade school after being described as a "fire hazard" to later winning a lawsuit against the New York City school system for denying her a teacher's license because of her paralysis, Judy's actions set a precedent that improved rights for disabled people.

Deftly blending such genres as mystery, science fiction, and classic literature, Jasper Fforde’s gleefully irreverent New York Times best-selling Thursday Next novels defy categorization. In this sixth installment, the threat of all-out Genre war looms over BookWorld. But with the real Thursday Next retired in the real world, the Council of Genres has no other choice than to tap the fictional Thursday to save the day. Her mission as emissary is to prevent the brewing war—but her task is made more difficult by a hidden foe manipulating events.

We all get dressed. But how often do we pause to think about the place of clothes in our world? What unconscious thoughts do we express when we dress every day? Can a philosophy of living be wrapped up in a winter coat? Can we see a handbag not just as an object, but as an idea? Dressed is the thinking person’s book about clothes. Ranging freely from suits to shoes, from Marx’s coat to Madame X’s gown, philosopher Shahidha Bari unveils the hidden power of what we wear, addressing the deepest questions of who we are and how we choose to face the world.

Recruited by the US Army and Navy from small towns and elite colleges, more than 10,000 women served as codebreakers during World War II. While their brothers and boyfriends took up arms, these women moved to Washington and learned the meticulous work of codebreaking. Their efforts shortened the war, saved countless lives, and gave them access to careers previously denied to them.

The Latin term for the female genitalia, pudendum, means “parts for which you should be ashamed”. Until 1651, ovaries were called female testicles. The fallopian tubes are named for a man. Named, claimed, and shamed: Welcome to the story of the female body, as penned by men. Today, a new generation of (mostly) women scientists is finally redrawing the map. With modern tools and fresh perspectives, they’re looking at the organs traditionally bound up in reproduction—the uterus, ovaries, vagina—and seeing within them a new biology of change and resilience.

Sixteenth-century Europe was a hostile world dominated by court politics and patriarchal structures–and yet against all odds, two women rose to power: Elizabeth I and Catherine de Medici. Much has been written about these shrewd and strategic sovereigns, but though their l legacies have been heavily scrutinized, nothing has been said of their complicated relationship—thirty years of camaraderie, competition, and conflict that forever changed the face of Europe.

In her lively social history of American women and aging, acclaimed New York Times columnist Gail Collins illustrates the ways in which age is an arbitrary concept that has swung back and forth over the centuries. From Plymouth Rock (when a woman was considered marriageable if "civil and under fifty years of age"), to a few generations later, when they were quietly retired to elderdom once they had passed the optimum age for reproduction, to recent decades, American attitudes towards age have been a moving target.

In the year 2018, it seems as if women’s anger has suddenly erupted into the public conversation. But long before this, women’s anger was not only politically catalytic - but politically problematic. With eloquence and fervor, Rebecca tracks the history of female anger as political fuel - from suffragettes chaining themselves to the White House to office workers vacating their buildings after Clarence Thomas was confirmed to the Supreme Court. She deconstructs society’s (and the media’s) condemnation of female emotion (notably, rage) and the impact of resulting repercussions.