Science Horror

Mated to werewolf Charles Cornick, the son - and enforcer - of the leader of the North American werewolves, Anna Latham now knows how dangerous being a werewolf is, especially when a werewolf opposes Charles and his father is struck down. Charles's reputation makes him the prime suspect, and the penalty for the crime is execution. Now Anna and Charles must combine their talents to hunt down the real killer - or Charles will take the fall.

Lestat speaks. Vampire-hero, enchanter, seducer of mortals - for centuries he has been a courted prince in the dark and flourishing universe of the living dead. Lestat is alone. And suddenly, all his vampire rationale - everything he has come to believe and feel safe with - is called into question. In his overwhelming need to destroy his doubts and his loneliness, Lestat embarks on the most dangerous enterprise he has undertaken in all the danger-haunted years of his long existence.

James Stark is back from Hell, trailing more trouble in his wake. To return to LA, he had to make a deal with the evil power brokers, Wormwood - an arrangement that came with a catch. While he may be home, Stark isn’t quite himself...because he’s only partially alive. There’s a time limit on his reanimated body, and unless Stark can find the people targeting Wormwood, he will die again - and this time there will be no coming back. Stark knows he can’t find Wormwood’s enemies alone. To succeed, he’s got to enlist the help of new friends.

Feed is an electrifying and critically acclaimed novel of a world a half-step from our own that the New York Times calls “Astonishing” a novel of zombies, geeks, politics, social media, and the virus that runs through them all - from New York Times best seller Mira Grant. The year was 2014. We had cured cancer. We had beat the common cold. But in doing so we created something new, something terrible that no one could stop. The infection spread, virus blocks taking over bodies and minds with one, unstoppable command: Feed.

A rogue master vampire hits town, and Anita gets caught in the middle of an undead turf war. Jean-Claude, the Master Vamp of the city, wants her for his own - but his enemies have other plans. And to make matters worse, Anita takes a hit to the heart when she meets a stunningly handsome junior high science teacher named Richard Zeeman. They're two humans caught in the crossfire - or so Anita thinks.

Anne Rice's Vampire Chronicles continue with the return of Marius - true child of the millennia, once mentor to the vampire Lestat, always and forever the conscientious foe of the evil doer - who reveals the secrets of his 2,000-year existence.

After securing a vast government bunker, Collie Jones is heading west to challenge the sinister road clan known as the Leather. And she won’t stop until she’s killed its maniacal leader: the Dog Tongue. Gus Berry is at her side every step of the way, his growing affection for the operator matched only by his dislike of the former prisoner Milo, whom Collie insists on bringing along.

The first ever collection of Iain Banks's short fiction, this volume includes the acclaimed novella, The State of the Art. This is a striking addition to the growing body of Culture lore, and adds definition and scale to the previous works by using the Earth of 1977 as contrast. The other stories in the collection range from science fiction to horror, dark-coated fantasy to morality tale. All bear the indefinable stamp of Iain Banks's staggering talent.

The visionary creator of the Academy Award-winning Pan's Labyrinth and a Hammett Award-winning author bring their imaginations to this bold, epic novel about a horrifying battle between man and vampire that threatens all humanity. It is the first installment in a thrilling trilogy and an extraordinary international publishing event.

As a species, people have tamed the Earth. Individually, in the face of a superior predator, we're all just as helpless as the day we were born. And a superior predator is out there. Humans may be the Apex predator, but there's something even more deadly. It's the Super Apex.

Helen Lambert has lived several lives-a young piano virtuoso in 1890s Paris, an actress in 1930s Hollywood, a rock star in 1970s Los Angeles - only she doesn't know it. Until she meets a strange man who claims he's watched over her for centuries, bound to her from the beginning. At first, Helen doesn't believe him. Her life is as normal as any other modern career woman's. Then she begins having vivid dreams about ill-fated love and lives cut short. Caught in a curse, Helen will be forced to relive the same tragic events that ruined her previous lives.

When Branson, Missouri, is hit with a death wave - four unsolved murders - it doesn't take an expert to realize that all is not well. But luckily for the locals, Anita Blake is an expert in the kinds of preternatural goings-on that have everyone spooked. And she's got an "in" with the creature that can make sense of the slayings - the sexy master vampire known as Jean-Claude.

What really happened to Charlie? It's the question that John can't seem to shake, along with the nightmares of Charlie's seeming apparent and miraculous reappearance. John just wants to forget the whole terrifying saga of Freddy Fazbear's Pizza, but the past isn't so easily buried. Meanwhile, there's a new animatronic pizzeria opening in Hurricane, along with a new rash of kidnappings that feel all too familiar. Bound together by their childhood loss, John reluctantly teams up with Jessica, Marla, and Carlton to solve the case and find the missing children.

A prison doctor injects a condemned serial killer with a formula designed to keep his consciousness awake while his body rots in the grave. But all drugs have unforeseen side-effects. Before he can be buried, the killer wakes up. Hungry. Infected. Contagious. This is the way the world ends. Not with a bang… but a bite.

The Ghost Finders are investigating a haunting at the long-abandoned Haybarn Theater, which is being renovated. But work has been thrown off-schedule by the some peculiar and unnatural activities. And after the potentially world-altering recent events of their previous assignment, the team thinks that a haunted theater (aren't they all?) will be a walk in the park.

Barrie Anne Blythe and her aunt Charlotte have always known that the other residents of their small coastal community find them peculiar - two women living alone on the outskirts of town. It is the price of concealing their strange and dangerous family secret. But two events threaten to upend their lives forever. The first is the arrival of a mysterious abandoned baby with a hint of power like their own. The second is the sudden reappearance of Barrie Anne's long-lost husband - who is not quite the man she thought she married.

In a steel-and-lead-encased bunker 20 feet below the basement level of his house, a soldier waits for his final orders. On the surface, a plague ravages the planet, infecting over 90% of the populace. The bacterium burrows through the brain, destroying all signs of humanity and leaving behind little more than base, prehistoric instincts. The infected turn into hyper-aggressive predators, with an insatiable desire to kill and feed. Someday soon, the soldier will have to open the hatch to his bunker, and step out into this new wasteland, to complete his mission....

When Joe Ledger and Echo Team rescue a group of American college kids held hostage in Iran, the Iranian government then asks them to help find six nuclear bombs planted in the Mideast oil fields. These stolen WMDs will lead Joe and Echo Team into hidden vaults of forbidden knowledge, mass-murder, betrayal, and a brotherhood of genetically-engineered killers with a thirst for blood.

Saturday, 0911 hours — A blast rocks a London hospital and thousands are dead or injured. 1009 hours — Joe Ledger arrives on scene to investigate. The horror is unlike anything he has ever seen. Compelled by grief and rage, Ledger rejoins the Department of Military Sciences, and within hours he's attacked by a hit team of assassins and sent on a suicide mission.

In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war. From Nosferatu to Frankenstein's monster and the Wolf Man, the touchstones of horror can all trace their roots to the bloodshed of the First World War.