Science Research

Dr. Tim Groseclose, a professor of political science and economics at UCLA, has spent years constructing precise quantitative measures of the slant of media outlets. He does this by measuring the political content of news, as a way to measure the PQ, or political quotient, of voters and politicians.

Las señales estaban a la vista, no solo en las calles sino en todos y cada uno de los informes de organismos internacionales. No verlas era un acto voluntarioso de ocultamiento de la realidad. Son más que simples dolores de crecimiento asociados a la modernización de Chile, tan exitosa en algunos aspectos, como el combate a la pobreza o la liberalización de la vida social.

Les fake news no són un fenomen nou: els governs, els partits polítics, els mitjans de comunicació i les grans corporacions --o els monopolis d'informació equivalents en cada època-- sempre n'han fet ús interessat. No és sospitós, doncs, que les polítiques i les reformes normatives que s'estan proposant per combatre-les criminalitzin les noves tecnologies i, en canvi, no facin el mateix amb els que s'han dedicat a produir notícies falses des de sempre?

Las fake news no son un fenómeno nuevo: los gobiernos, los partidos políticos, los medios de comunicación y las grandes corporaciones - o los monopolios de información equivalentes en cada época - han hecho siempre un uso de ellas. FakeYou expone investigaciones que desmontan los mitos en los que se respalda la ola de legislaciones liberticidas que sufrimos en la actualidad. Este libro se plantea como una herramienta de defensa contra los recortes de las libertades fundamentales y un arma contra las nuevas formas de manipulación, mentira, y falsificación.

Recounts the story of America’s last great newspaper war between the New York Daily News and the New York Post, as both papers’ long rivalry turned existential amid the rise of digital news. The story is told through the eyes of the reporters, or “runners”, and photographers who fought the war on the ground in cities across America.

Jessica McCann has woven together a collection of personal essays and writing tips that offer a unique glimpse into her writing journey and process. She is an award-winning historical novelist and has worked as a professional freelance writer and editor for magazines, universities, corporations, and nonprofits for more than 30 years. In Words, McCann shares her passion for books as well as research that shows how reading improves our lives. With a philosophy that is equally pragmatic and optimistic, Words will appeal to readers and writers alike.

Recounts the story of America’s last great newspaper war between the New York Daily News and the New York Post, as both papers’ long rivalry turned existential amid the rise of digital news. The story is told through the eyes of the reporters, or “runners,” and photographers who fought the war on the ground in cities across America.

Un relato periodístico contra el olvido en el país de la desmemoria. La memoria histórica de nuestro país desde un enfoque periodístico. Prólogo de Baltasar Garzón. En la investigación que titulaEl país de la desmemoria, Juan Miguel Baquero utiliza nuevos testimonios, incontables datos y sincera pasión para denunciar la estrategia de terror desencadenada por Franco desde que dio el golpe de Estado contra la República hasta su muerte.

In March of 1827 the nation's first black newspaper appeared in New York City - to counter attacks on blacks by the city's other papers. From this signal event, The African American Newspaper traces the evolution of the black newspaper - and its ultimate decline - for more than 160 years until the end of the 20th century.

I believe that people have much to gain from making sure that authors, artists, publishers and promoters are compensated, while using and getting works like songs, books, audiobooks and so on. I wish to convey how it feels being an author nowadays, how people are becoming aware of their impact on the creative ecosystem, and how we are all interdependent, connected and part of the same society.

Vividly capturing the heady times in the waning months of World War II, Ronald Weber follows the exploits of Allied reporters as they flooded into liberated Paris after four dark years of Nazi occupation. He traces the remarkable adventures of the men and women who lived, worked, and played in the legendary Hôtel Scribe, set in a highly fashionable part of the largely undamaged city. Press jeeps and trailers packed the street outside, while inside the hotel was completely booked with hundreds of correspondents.

Science fiction is all about exploration. We want to know more about the known world, but especially the unknown. It is in that idea of unlimited potential that the sci-fi genre was born. Whether you are a novice or writing professional, the prompts contained in this book are designed to give you more food for thought when crafting your creative works. The book is also segmented in order to give you the most common science fiction themes and concepts.

Best-selling author David Shields analyzed over a decade’s worth of front-page war photographs from The New York Times and came to a shocking conclusion: The photo-editing process of the “paper of record”, by way of pretty, heroic, and lavishly aesthetic image selection, pulls the wool over the eyes of its readers; Shields forces us to face not only the the media's complicity in dubious and catastrophic military campaigns but our own as well.

In an era when numerous modern media outlets rail about the guilt of their political enemies for speaking untruths, Postgate proves that the media can often credibly be viewed as the party actually guilty of deception. Americans today mistrust the major media more than ever. Postgate will prove that this distrust is richly deserved.

Beginning with America’s first newspaper, investigative reporting has provided journalism with its most significant achievements and challenging controversies. In The Evolution of American Investigative Journalism, James L. Aucoin provides listeners with the first comprehensive history of investigative journalism.

In No Longer Newsworthy, Martin covers this shift in focus, the loss of political voice for the working class, and the emergence of a more conservative media in the form of Christian television, talk radio, Fox News, and conservative websites...Martin offers the mainstream media recommendations for how to push back against right-wing media and once again embrace the working class as critical to its audience and its democratic function.

Justice in Plain Sight is the story of a hometown newspaper in Riverside, California, that set out to do its job: tell readers about shocking crimes in their own backyard. But when judges slammed the courtroom door on the public, including the press, it became impossible to tell the whole story. Pinning its hopes on business lawyer Jim Ward, whom Press-Enterprise editor Tim Hays had come to know and trust, the newspaper took two cases to the US Supreme Court in the 1980s. Hays was convinced that the public - including the press - needed to bear witness to justice....

A Day Like Today charts John’s journey from the poverty of his post-war childhood in Cardiff, leaving school at 15, to the summits of broadcasting. Humphrys was the BBC’s youngest foreign correspondent, the first reporter at the catastrophe of Aberfan, an experience that marked him for ever; he was in the White House when Richard Nixon became the first American president to resign, in South Africa during the dying years of apartheid, and in war zones around the globe throughout his career. John was also the first journalist to present the Nine O’Clock News on television.

One in six women is the victim of sexual assault. Using her own hard-won wisdom, author Jen Cross shows how to heal through journaling and personal writing. Writing Ourselves Whole is a collection of essays and creative writing encouragements for sexual trauma survivors who want to risk writing a different story. Each short chapter offers encouragement, experience, and exercises.

Ist die Kritik an die etablierten Medien berechtigt oder Paranoia á la "Lügenpresse"? Die etablierten Medien stecken in einer massiven Glaubwürdigkeitskrise. Teile des Publikums proben den Aufstand, öffentliche und veröffentlichte Meinung driften auseinander. Nicht nur hierzulande, auch in vielen Ländern geraten die angeblichen Leitmedien unter Beschuss. Stein des Anstoßes sind die Inhalte - Stichwort "Lügenpresse". Doch sind Lügen wirklich das Problem?