Scottish World

Elvira Carr believes in rules. She also strongly believes in crisp schedules, clear guidelines, and taking people at face value. Not that the 27-year-old sees many people. After several unfortunate incidents, her overbearing mother keeps her at home. But when her mother has a stroke, Elvira is suddenly on her own. To help her navigate a world that is often puzzling, she draws up seven ironclad rules. Armed with these, a notebook full of questions, and guidance from a helpful neighbor, she takes charge of herself.

The Old Wives' Tale is broken up into four parts, and the lives of two sisters are laid bare: one timid and unassuming, the other romantic and adventurous. From working as children in their family's drapery shop to their later years, Constance and Sophia's journey through life could not be more different. While one travels the world and defies male expectations, the other becomes a dutiful wife and mother.

Set in regency-era Scotland along the beautiful shore of Loch Lomond, Prince of Foxes is based on the Scots tale of Gold Tree and Silver Tree, with Lord of Horses moving down to the dark streets of London and based on the tale of The Kelpie’s Bride. King of Forever, the final story in the trilogy, is set in the faerie realm itself and is based on the tale of Tam Lin and the myth of Hades and Persephone. Fall in love with the series listeners have described as delightful, compelling, and enchanting.

Seven Little Australians is the story of the mischievous seven children of the Woolcot family - Meg, Pip, Judy, Bunty, Nell, Baby, and the General, whose father little understands them and whose young stepmother is hardly an adult herself. The Australian bush sets an iconic backdrop for the misadventures of this energetic mob.

The Lifted Veil is a novella by George Eliot, first published in 1859. Quite unlike the realistic fiction for which Eliot is best known, The Lifted Veil explores themes of extrasensory perception, the essence of physical life, possible life after death, and the power of fate. This book has been carefully adapted into modern English to allow for easy listening. Enjoy!

Leo Vincey is haunted by a goddess. In a nighttime vision, she appears to him, revealing her location deep in the mountains of Central Asia. Determined to discover his lost love, he searches for 16 years, finally discovering a lost civilization, ruled by an ambitious queen of unearthly beauty. Could this be his Ayesha reborn? And if so, will the secret of immortality bind them together for eternity?

L'amour et l'indépendance de la jeune fille, les préséances sociales et les revanches sur le passé, l'attirance pour les idéaux généreux, les messages de la passion triomphant du temps et de l'espace, les flammes de la folie, tels sont quelques-uns des thèmes qui se détachent sur un fond d'observation à la Dickens et qui sont emportés par un grand souffle romanesque.

This is the story of Katherine Plantagenet, self-proclaimed “daughter, sister, and aunt of kings,” who endures extraordinarily traumatic reversals of fortune, as her life swings through wealth and adversity. A glittering future as an English princess is swept away by the untimely death of her father, Edward IV, and the usurpation of her brother Edward V's throne. Surrounded by murderous intrigue, conspiracy and ambition, Katherine and her sisters fear what lies in store.

The Canterbury Tales is a collection of stories, written in the Middle English vernacular, supposedly told among a group of pilgrims traveling from London to Canterbury. Chaucer uses the form, possibly based on knowledge of Boccaccio’s Decameron gained on a visit to Italy in 1373, to provide a highly varied portrait of his society, both secular and religious. The journey of the pilgrims, unlike that of, say, Homer’s Odysseus or of Dante in the Divine Comedy, is relatively unimportant compared to the tales themselves, where Chaucer’s true interest lies.

Перед вами знаменитый цикл рассказов Джека Лондона о Смоке Беллью, которого жажда приключений толкнула на полный смертельных опасностей путь отчаянных золотоискателей, покорителей Клондайка.

A new re-interpretation of the classic mystical poetic work by the English poet and printmaker William Blake, The Marriage of Heaven and Hell is a must-listen for any serious literati or poet - as featured in the movie Dead Man by Jim Jarmusch, starring Johnny Depp.

Andy Bellows is in a right state. Plagued with insomnia, anxiety and neckache, he’s convinced there’s something seriously wrong with him. And the worst thing is that his doctor agrees. The diagnosis: Andy is in the grip of a self-destructive addiction to technology - he just cannot put that bloody mobile phone down. Texting, tweeting, gaming and online dating - technology rules Andy’s life. His phone even monitors his bowel movements. So how will he cope when he’s forced to follow doctor’s orders and step away from all of his beloved screens?

Zuleika Dobson, internationally famous prestidigitator visits her grandfather, the Warden of Judas College, Oxford. But Zuleika, "though not strictly beautiful" is a devastatingly attractive young woman, and proves utterly irresistible among the all-male undergraduate body - including the snobbish and trend-setting young Duke of Dorset. Thus begins a chain of events that culminates in a very watery end to the Eights Week boat races...

When Cara stumbles across a stash of old postcards in the attic, their contents make her question everything she thought she knew. The story she pieces together is confusing and unsettling, and appears to have been patched over with lies. But who can tell her the truth? With her father sinking into Alzheimer’s and her brother reluctant to help, it seems Cara will never find the answers to her questions. One thing is clear, though: someone knows more than they’re letting on.

Jenny Diski was a fearless writer, for whom no subject was too difficult, even her own cancer diagnosis. Her columns in the London Review of Books - selected here by her editor and friend Mary-Kay Wilmers, on subjects as various as death, motherhood, sexual politics and the joys of solitude - have been described as ‘virtuoso performances’ and ‘small masterpieces'. Why Didn’t You Just Do What You Were Told? is a collective interrogation of the universal experience from a very particular psyche.

It tells the tale of Frank Gresham and Mary Thorne, a couple intent on marriage despite their conflicting social backgrounds. Frank is engaged in a fierce battle with his family as his mother vehemently opposes the marriage and pushes him to marry a wealthy heiress; however, Frank shuns her attempts and is determined to accept Mary on her own terms.

When a modern-day archaeologist lands in medieval Scotland, she leaves behind the one thing that might truly help: her memory. But Jema McShane doesn’t make the trip alone. Her twin brother Gavin falls through time with her. Separated immediately, Gavin must fend for himself. But Jema lands in the powerful arms of the only Viking member of the McDonnel clan, Tormod.

Alcatraz is classic Western from one of the masters of the genre. It's the story of a wild horse many said could not be caught or broken and the man who set out to prove them wrong. Added to the mix, there's danger, betrayal, heroes and villains, and romance.

Oscar Wilde's first play confronts the hypocrisy of public "morality" compared with genuine, private kindness. The reasons for its continued popularity are not difficult to identify: the play's witty dialogue contains many of Wilde's most quoted aphorisms, its stylish setting provides opportunities for elegant presentation, and its cast of memorable characters play out a story which is genuinely moving. This new audio production brings together a full cast worthy of Wilde's creative genius.

Best-selling and Booker Prize-winning author Salman Rushdie offers incisive, often humorous takes on literature, culture, and world events in this New York Times Notable Book. In these stimulating pieces, Rushdie addresses a variety of subjects, including the death of the novel, India, soccer, and the Rolling Stones.