Shakespeare Histories

Politics, power and the tragedy of war are played out in these sweeping histories that continue to surprise and entertain. Performed by an incredible array of the 20th century’s greatest actors, Marlowe alumni including Ian McKellen, Derek Jacobi, Prunella Scales, William Squire and Timothy West can be heard in these recordings.

The theory that Shakespeare may not have written the works that bear his name is the most horrible, unspeakable subject in the history of English literature. Scholars admit that the Bard’s biography is a “black hole,” yet to publicly question the identity of the god of English literature is unacceptable, even (some say) “immoral.” In Shakespeare Was a Woman and Other Heresies, journalist and literary critic Elizabeth Winkler sets out to probe the origins of this literary taboo.

Award-winning author Stephen Greenblatt is one of the most influential literary thinkers in the world. An acclaimed interpreter of Shakespeare's works, his ideas have changed the way countless people approach the classics. Now Greenblatt's uniquely brilliant voice delivers a magnificent biography of the Bard himself.

The Age of Reason Begins brings together a fascinating network of stories in the discussion of the bumpy road toward the Enlightenment. This is the age of great monarchs and greater artists - on the one hand, Elizabeth I of England, Philip II of Spain, and Henry IV of France; on the other, Shakespeare, Cervantes, Montaigne, and Rembrandt. It also encompasses the heyday of Francis Bacon, Galileo, Giordano Bruno, and Descartes, the fathers of modern science and philosophy.

The Plantagenets reigned over England longer than any other family - from Henry II to Richard III. Four kings were murdered, two came close to being deposed, and the last - and most notorious, Richard III - was killed in a battle by rebels. Shakespeare wrote plays about six of them, further entrenching them in the national myth. Based on major contemporary sources and recent research, acclaimed historian Desmond Seward provides the first accessible overview of the whole extraordinary dynasty.

Actor William Shaksper of Stratford had little education, never left England, and apparently owned no books. How could he have written the great plays and poetry attributed to him? Journalist Mark Anderson's biography offers tantalizing proof that Edward de Vere, 17th Earl of Oxford, courtier, spendthrift, scholar, traveler, soldier, scoundrel, and writer, was the real "Shakespeare".

1599 was an epochal year for Shakespeare and England. During that year, Shakespeare wrote four of his most famous plays: Henry the Fifth, Julius Caesar, As You Like It, and, most remarkably, Hamlet; Elizabethans sent off an army to crush an Irish rebellion, weathered an Armada threat from Spain, gambled on a fledgling East India Company, and waited to see who would succeed their aging and childless queen.

Have you ever seen a Shakespeare play and come away without fully understanding it? Or wished you had known the basis of the plot before seeing a play by Shakespeare? Are you studying Shakespeare? Would you like to increase your knowledge of the plays without reading the originals? Then these are the recordings for you!

One book above all others has transfixed connoisseurs for four centuries—a book sold for shillings in the streets of London, whisked to Manhattan for millions, and stored deep within the vaults of Tokyo. The book: William Shakespeare’s First Folio of 1623. Paul Collins, lover of odd books and author of the national bestseller Sixpence House, takes up the strange quest for this white whale of precious books.

However, a historical transformation of similar magnitude also took place in northern Europe at the same time. This "Other Renaissance" was initially centered on the city of Bruges in Flanders (modern Belgium), but its influence was soon being felt in France, the German states, London, and even in Italy itself.

Millions of words of scholarship have been expended on the world's most famous author and his work. And yet a critical part of the puzzle, Shakespeare's library, is a mystery. For four centuries people have searched for it: in mansions, palaces, and libraries; in riverbeds, sheep pens, and partridge coops; and in the corridors of the mind. Yet no trace of the Bard's manuscripts, books, or letters has ever been found.

William Shakespeare may have been the greatest playwright in the English language, but how does he measure up as a historian? In this brilliant comparison between the events and characters in Shakespeare's history plays and the actual events that inspired them, acclaimed historian John Julius Norwich examines the nine works that together amount to an epic masterpiece on England's most fascinating period.

What was life like for Shakespeare's first audiences? In a time of political and religious unrest and economic expansion, how did Elizabethan play-goers make sense of their changing world? What did the plays mean to the public when they were first performed? In this fascinating series, Neil MacGregor attempts to answer these questions by examining 20 objects from that turbulent period. There are grand objects such as a communion chalice, a Venetian goblet, and Dr Dee's mirror, as well as everyday items.

William Shakespeare understood power: what it is, how it works, how it is gained, and how it is lost. In The Hollow Crown, Eliot A. Cohen reveals how the battling princes of Henry IV and scheming senators of Julius Caesar can teach us to better understand power and politics today. The White House, after all, is a court—with intrigue and conflict rivaling those on the Globe's stage—as is an army, a business, or a university. And each court is full of driven characters, in all their ambition, cruelty, and humanity.

Explore the witty and thought-provoking world of Mark Twain with "Is Shakespeare Dead?" In this audiobook, Twain embarks on a delightful literary investigation, challenging the authenticity of Shakespeare's authorship. With his trademark humor and incisive wit, Twain raises questions about the identity of the Bard and presents a humorous yet compelling case against the traditional attribution of Shakespeare's works.

William Shakespeare found dozens of different ways to kill off his characters, and audiences today still enjoy the same reactions - shock, sadness, fear - that they did more than 400 years ago when these plays were first performed. But how realistic are these deaths, and did Shakespeare have the knowledge to back them up? Kathryn Harkup turns her discerning scientific eye to the Bard and the varied and creative ways his characters die.

If you want to discover the captivating history of the Renaissance, then pay attention.

Si quiere descubrir la cautivadora historia del Renacimiento, siga leyendo..."Renaissance" en francés significa "renacimiento", y es el nombre que se le da en Europa al período comprendido entre los siglos XIV y XVII, cuando hubo un marcado resurgimiento en el arte clásico, la educación, la filosofía, la arquitectura y las ciencias naturales. Una vez más, los antiguos territorios romanos adoptaron los escritos de los antiguos griegos y romanos, y la idea del humanismo. El renacimiento marca el final de la Edad Media y el comienzo de la larga marcha hacia la modernidad.

Widge is an orphan with a rare talent for shorthand. His fearsome master has just one demand: steal Shakespeare's play "Hamlet" - or else. Widge has no choice but to follow orders, so he works his way into the heart of the Globe Theatre, where Shakespeare's players perform. As full of twists and turns as a London alleyway, this entertaining novel is rich in period details, colorful characters, villainy, and drama.

The plays of William Shakespeare are rare common ground in the United States. For well over two centuries, Americans of all stripes—presidents and activists, soldiers and writers, conservatives and liberals alike—have turned to Shakespeare’s works to explore the nation’s fault lines. In a narrative arching from Revolutionary times to the present day, leading scholar James Shapiro traces the unparalleled role of Shakespeare’s four-hundred-year-old tragedies and comedies in illuminating the many concerns on which American identity has turned.