Shakespeares English

The theory that Shakespeare may not have written the works that bear his name is the most horrible, unspeakable subject in the history of English literature. Scholars admit that the Bard’s biography is a “black hole,” yet to publicly question the identity of the god of English literature is unacceptable, even (some say) “immoral.” In Shakespeare Was a Woman and Other Heresies, journalist and literary critic Elizabeth Winkler sets out to probe the origins of this literary taboo.

How can we look afresh at Shakespeare as a writer of sonnets? What new light might they shed on his career, personality, and sexuality? Shakespeare wrote sonnets for at least 30 years, not only for himself, for professional reasons, and for those he loved, but also in his plays, as prologues, as epilogues, and as part of their poetic texture.

The Lady knows the stories: how her eyes induce madness in men. The Lady knows she will be wed to the Scottish brute, who does not leave his warrior ways behind when he comes to the marriage bed. The Lady knows his hostile, suspicious court will be a game of strategy, requiring all of her wiles and hidden witchcraft to survive. But the Lady does not know her husband has occult secrets of his own. She does not know that prophecy girds him like armor. She does not know that her magic is greater and more dangerous, and that it will threaten the order of the world.

By the time Shakespeare came to write Macbeth - almost certainly in 1605/1606 - he had already completed three of the great tragedies with which modern audiences are so familiar: Hamlet (1601), Othello (1603), and King Lear (1605). Each of those plays gives us an eponymous hero who is in some significant way flawed, but for whom we also inevitably feel deep sympathy, whatever his errors or crimes. But in MacBeth, Shakespeare has chosen for his tragic hero a man guilty of the most terrible crime imaginable to a Jacobean audience, that of regicide - the murder of a king.

Actor William Shaksper of Stratford had little education, never left England, and apparently owned no books. How could he have written the great plays and poetry attributed to him? Journalist Mark Anderson's biography offers tantalizing proof that Edward de Vere, 17th Earl of Oxford, courtier, spendthrift, scholar, traveler, soldier, scoundrel, and writer, was the real "Shakespeare".

From his breakout role in Die Hard to his outstanding, multifaceted performances in the Harry Potter films, Galaxy Quest, Robin Hood: Prince of Thieves, and more, Alan Rickman cemented his legacy as a world-class actor. His air of dignity, his sonorous voice, and the knowing wit he brought to each role continue to captivate audiences today. But Rickman’s ability to breathe life into projects wasn't confined to just his performances.

Four hundred years after Shakespeare's death, Keenan's smart and passionate memoir brings new life to his work. With 14 of his plays as a springboard, she explores the many facets of love and sexuality - from desire and communication to fetish and fantasy. In A Midsummer Night's Dream, Keenan unmasks Helena as a sexual masochist - like Jillian herself. In Macbeth, she examines criminalized sexual identities and the dark side of "privacy".

However, a historical transformation of similar magnitude also took place in northern Europe at the same time. This "Other Renaissance" was initially centered on the city of Bruges in Flanders (modern Belgium), but its influence was soon being felt in France, the German states, London, and even in Italy itself.

The tragic story of two star-crossed lovers from different worlds. Romeo, from the Montague family, and Juliet, of the Capulet clan, fall deeply in love at first sight. Fearful of punishment from their respective factions, the two teens keep their love hidden from everyone. However, when their commitment to each other is exposed, it adds more fuel to the heated family feud between the Capulets and Montagues and puts their love and their lives at risk.

Lily discovers lifelong Shakespeare resident Deedra Dean murdered inside a car parked in a woodsy area out town. Determined not to get involved, Lily wants to leave the police work to Sheriff Marta Schuster and her team of deputies, and concentrate on cleaning, high kicks, and her boyfriend Jack's impending visit. But when Deedra's notoriously promiscuous lifestyle provides an extensive list of suspects but very few clues, Lily has no choice but to resume the role of amateur detective and join the investigation.

In the years leading up to 1606, since the death of Queen Elizabeth and the arrival in England of her successor, King James of Scotland, Shakespeare's great productivity had ebbed, and it may have seemed to some that his prolific genius was a thing of the past. But that year, at age 42, he found his footing again, finishing a play he had begun the previous autumn - King Lear - then writing two other great tragedies, Macbeth and Antony and Cleopatra.

Power, excess and betrayal are played out in these tragedies that continue to hold modern resonance. Performed by an incredible array of the 20th century’s greatest actors, Marlowe alumni including Ian McKellen, Diana Rigg, Derek Jacobi and Prunella Scales can be heard in these recordings.

Dame Harriet Walter, renowned for her wonderful portrayals in Succession and Killing Eve, among others, is one of Britain's most esteemed Shakespearean actors. Now, having played most of Shakespeare's female characters, audaciously, she lets them speak their minds. With new parts for thirty Shakespearean women, written in 'Shakespearean' verse and prose, Harriet Walter goes between the lines of the plays to let us hear what she imagines - sometimes playfully and sometimes searchingly - these women were really thinking.

In all of literature, few antagonists have displayed the ruthless cunning and unscrupulous deceit of Iago, the antagonist to Othello. Often described as Machiavellian, Iago is a fascinating psychological specimen: at once a shrewd expert of the human mind and yet, himself a deeply troubled man.

Don’t be intimidated by Shakespeare. These audiobook editions make the Bard’s plays accessible and enjoyable.

Innumerable stories, from the Homeric epics to the New Testament, and from Oedipus Rex to Hamlet, explore the realization or failure of second chances—outcomes that depend on accident, acts of will, or fate. Such stories let us repeatedly rehearse the experience of loss and recovery: to know the joy that comes with a renewal of love and pleasure and to face the pain that comes with realizing that some damage can never be undone. Through a series of illuminating readings, the authors show how Shakespeare was the supreme virtuoso of the second chance and Freud was its supreme interpreter.

Lily Bard is going home for the holidays. More comfortable in baggy sweats than bridesmaid's frills, Lilly isn't thrilled about attending her estranged sister's wedding. She has moved to Shakespeare, Arkansas, to start a new life, cleaning houses for a living, trying to forget the violence that once nearly destroyed her. Now she's heading back to home and hearth - just in time for murder.

The Life and Death of King John was probably written in the 1590s but not published until the First Folio in 1623. Of Shakespeare's 11 history plays, King John is the one which deals with the story of a monarch most removed from Shakespeare's time. The historical remoteness of this ruler, and also the fact that he had no genealogical links with the Tudor dynasty, enabled Shakespeare to present him in a warts and allà fashion.

Simon Russell Beale is one of Britain's most recognisable and well-loved actors. He has played many roles on stage, film, television and radio - ranging from Winston Churchill to Stalin, George Smiley to King Arthur. But ever since his appearance at school as a glamorous Desdemona, complete with false eyelashes that rendered him half-blind, he has been captivated by Shakespeare.

After an insult from the French Dauphin, King Henry V of England invades France to claim the throne he believes should be his. Henry stops an assassination plot, gives powerful speeches and wins battles against the odds. In the end, he woos and marries the princess of France, linking the two nations....