Shakespeares English

The Lady knows the stories: how her eyes induce madness in men. The Lady knows she will be wed to the Scottish brute, who does not leave his warrior ways behind when he comes to the marriage bed. The Lady knows his hostile, suspicious court will be a game of strategy, requiring all of her wiles and hidden witchcraft to survive. But the Lady does not know her husband has occult secrets of his own. She does not know that prophecy girds him like armor. She does not know that her magic is greater and more dangerous, and that it will threaten the order of the world.

William Shakespeare understood power: what it is, how it works, how it is gained, and how it is lost. In The Hollow Crown, Eliot A. Cohen reveals how the battling princes of Henry IV and scheming senators of Julius Caesar can teach us to better understand power and politics today. The White House, after all, is a court—with intrigue and conflict rivaling those on the Globe's stage—as is an army, a business, or a university. And each court is full of driven characters, in all their ambition, cruelty, and humanity.

The year is 1587. One of Queen Elizabeth's cousins is found murdered, her flesh marked with profane symbols. A plot to assassinate Sir Francis Drake, England's most famous sea warrior, is discovered. One man is charged with the desperate task of solving both cases: John Shakespeare.

This version of Hamlet is adapted into plain English for a younger audience, though the plot and themes of the play are unchanged. The play is adapted from Shakespeare's original by Laurie Riihimaki and performed by a full cast of voice actors with music and sound effects to amplify the mood of the performance.

Shakespeare's Sonnets, one of the most remarkable collections of poetry, was first published in 1609, 400 years ago by Mr Thomas Thorpe. Naxos AudioBooks marks the occasion with a selection of 80 of the finest, read by leading actors. The selection includes famous ones such as 'Shall I compare thee to a summer's day' as well as lesser well-known sonnets though of equally fine stature.

A work of gripping nonfiction, North by Shakespeare presents the twinning narratives of rogue scholar Dennis McCarthy, called "the Steve Jobs of the Shakespeare community", and Sir Thomas North, an Elizabethan courtier whom McCarthy believes to be the undiscovered source for Shakespeare's plays.

Here is the full-cast production of Shakespeare's classic love story, fully dramatized from the complete text, and starring Michael Sheen as Romeo and Kate Beckinsale as Juliet.

Shylock, a Jewish moneylender, agrees to lend Antonio, a Venetian merchant, three thousand ducats so that his friend Bassanio can afford to court his love, Portia. However, Shylock has one condition: Should the loan go unpaid, he will be entitled to a pound of Antonio's own flesh. Meanwhile in Belmont, according to the terms of her father's will, Portia's many suitors must choose correctly from three caskets. Bassanio arrives at Portia's estate and they declare their love for one another before he picks the correct casket.

In "Appreciating Shakespeare" a master teacher and theatrical dramaturge makes the essentials for deeply appreciating the meaning in Shakespeare's works easily understandable for listeners and playgoers of all ages. Part 1 provides background on Shakespeare's life, language, poetic and dramatic techniques, theatrical context, and historical and cultural background. Part 2 offers short essays on twenty-two plays and one on selected sonnets.

William Shakespeare found dozens of different ways to kill off his characters, and audiences today still enjoy the same reactions - shock, sadness, fear - that they did more than 400 years ago when these plays were first performed. But how realistic are these deaths, and did Shakespeare have the knowledge to back them up? Kathryn Harkup turns her discerning scientific eye to the Bard and the varied and creative ways his characters die.

For many in an older generation, the Bible and the Collected Shakespeare were the two indispensable books, and thus their sense of life and history was shaped by the best and best-told stories. And they were the wiser for it. This book by theologian Peter Leithart is written for high school students and includes analyses of six of Shakespeare's plays (Henry V, Julius Caesar, Macbeth, Hamlet, The Taming of the Shrew, and Much Ado About Nothing), as well as numerous review and discussion questions for anyone who wishes to incorporate them into their high school curriculum.

Embark on a magical journey into the heart of Denmark with "Hamlet," adapted from the legendary William Shakespeare's masterpiece by Jeanette Vigon. This book breathes new life into the classic tale, making it accessible and captivating for young listeners. Dive into a world where castles hold whispered secrets, jesters offer riddles that spark the imagination, and young Prince Hamlet confronts mysteries that will test his courage and reveal the essence of true friendship.

This enchanting tale simplifies the complex original, making it accessible and relatable for young listeners. Dive into a world where magical elements, profound themes of power struggles, redemption, and forgiveness come to life through simplified language and reimagined scenes.

Step into the heart of Venice and the windswept shores of Cyprus with "Othello," a captivating adaptation of Shakespeare's timeless tale of love, jealousy, and betrayal, thoughtfully reimagined for children by Jeanette Vigon. This version preserves the core of Shakespeare's story while transforming it into an accessible narrative that young listeners will find both engaging and educational.

The plays of William Shakespeare are rare common ground in the United States. For well over two centuries, Americans of all stripes—presidents and activists, soldiers and writers, conservatives and liberals alike—have turned to Shakespeare’s works to explore the nation’s fault lines. In a narrative arching from Revolutionary times to the present day, leading scholar James Shapiro traces the unparalleled role of Shakespeare’s four-hundred-year-old tragedies and comedies in illuminating the many concerns on which American identity has turned.

The multi-award-winning SmartPass study guide with and without commentary options. Full-cast, unabridged performance with comprehensive commentary and analysis for any student to fully understand and appreciate the play.

"And nothing is, but what is not." Macbeth may be mystified by the Weird Sisters' words but this intense performance with incisive commentary cuts to the heart of Shakespeare's complex psychological tragedy.

Embark on an unforgettable journey through the timeless streets of Verona in "Romeo and Juliet - William Shakespeare for Kids." Crafted with the young and the young at heart in mind, Jeanette Vigon offers a mesmerizing retelling of Shakespeare’s classic tragedy, making it accessible and engaging for a new generation of listeners.

By the time Shakespeare came to write Macbeth - almost certainly in 1605/1606 - he had already completed three of the great tragedies with which modern audiences are so familiar: Hamlet (1601), Othello (1603), and King Lear (1605). Each of those plays gives us an eponymous hero who is in some significant way flawed, but for whom we also inevitably feel deep sympathy, whatever his errors or crimes. But in MacBeth, Shakespeare has chosen for his tragic hero a man guilty of the most terrible crime imaginable to a Jacobean audience, that of regicide - the murder of a king.

Have you ever seen a Shakespeare play and come away without fully understanding it? Or wished you had known the basis of the plot before seeing a play by Shakespeare? Are you studying Shakespeare? Would you like to increase your knowledge of the plays without reading the originals? Then these are the recordings for you!

Now is the fall of his discontent, as Jason Fitger, newly appointed chair of the English Department of Payne University, takes arms against a sea of troubles, personal and institutional. His ex-wife is sleeping with the dean who must approve whatever modest initiatives he undertakes. The fearsome department secretary Fran clearly runs the show (when not taking in rescue parrots and dogs) and holds plenty of secrets she's not sharing. The lavishly funded Econ Department keeps siphoning off English's meager resources and has taken aim at its remaining office space.