Shakespeares English

Lily Bard is going home for the holidays. More comfortable in baggy sweats than bridesmaid's frills, Lilly isn't thrilled about attending her estranged sister's wedding. She has moved to Shakespeare, Arkansas, to start a new life, cleaning houses for a living, trying to forget the violence that once nearly destroyed her. Now she's heading back to home and hearth - just in time for murder.

Shylock, a Jewish moneylender, agrees to lend Antonio, a Venetian merchant, three thousand ducats so that his friend Bassanio can afford to court his love, Portia. However, Shylock has one condition: Should the loan go unpaid, he will be entitled to a pound of Antonio's own flesh. Meanwhile in Belmont, according to the terms of her father's will, Portia's many suitors must choose correctly from three caskets. Bassanio arrives at Portia's estate and they declare their love for one another before he picks the correct casket.

A young man named Antonio borrows money from a merchant of Venice named Shylock, so that he can court a fine lady he wishes to marry. When Antonio is late to repay his debt, Shylock has him arrested and demands that a terrible price must be paid...

When Lily stumbles upon the well-built corpse of a local body builder - his neck broken by a barbell - the town's underlying racial tension begins to boil over. The white victim was somehow connected to two unsolved murders of black residents of Shakespeare - and a dogged policeman is determined to stop the killing. But it is Lily herself who may have to decide whether to stay and fight for justice, or run away one more time.

Every year, thousands in the kingdom of Talin flock to its capital twin cities, San-Er, where the palace hosts a set of games. For those confident enough in their ability to jump between bodies, competitors across San-Er fight to the death to win unimaginable riches. Princess Calla Tuoleimi lurks in hiding. Five years ago, a massacre killed her parents and left the palace of Er empty…and she was the one who did it. Before King Kasa’s forces in San can catch her, she plans to finish the job and bring down the monarchy.

Strange things are happening. A man comes into Pages & Co looking for a book...then suddenly can’t remember it. Tilly and her family feel like the world is changing – but can’t quite put their finger on why. Meanwhile, the Underwoods are expanding their control over bookwandering – and they still have their sights set on Tilly. Leaving the safety of the bookshop, Tilly heads to America to find the legendary Archivists and save bookwandering....or at least, that’s the plan.

Return once more to a galaxy far, far away with this sublime retelling of George Lucas's epic Star Wars in the style of the immortal Bard of Avon. The saga of a wise (Jedi) knight and an evil (Sith) lord, of a beautiful princess held captive and a young hero coming of age, Star Wars abounds with all the valor and villainy of Shakespeare's greatest plays. 'Tis a tale told by fretful droids, full of faithful Wookiees and fearsome Stormtroopers, signifying...pretty much everything.

Daughter of an ousted king, descendant of ancient druids, Gruoch (GREW-ock), has grown up believing that she will be crowned queen of Alba and reclaim the lands of her Pictish kin, a prophecy seemingly fulfilled by her betrothal to Duncan, the heir-elect.

Felix is at the top of his game as artistic director of the Makeshiweg Theatre Festival. His productions have amazed and confounded. Now he's staging a Tempest like no other: Not only will it boost his reputation, it will heal emotional wounds. Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. And brewing revenge.

In this fast-paced introduction, Ros King sets out to remind us of the sheer beauty and sophistication that can make Shakespeare’s works a joy for any audience. Exploring his invention and wit, along with his uncanny characterisation, King argues archaic language should be no barrier to the modern reader. This guide summarises the Bard’s life and background, detailing his plays and poetry in such a way that they are made accessible enough for everyone to admire.

It's been almost a year since Logan 'The Bear' Theaker hung up his axe and settled down with his sunshiny bard husband, Pie. But when Pie disappears, Logan is forced back into a world he thought he'd left behind. Logan quickly discovers that Pie has been blackmailed into stealing a powerful artifact capable of creating an undead army. With the help of an old adversary and a ghost from his past, Logan sets out to rescue his husband. But the further the quest takes him, the more secrets Logan uncovers. He'll need all his strength to rescue his husband - but can he save their marriage?

In "Appreciating Shakespeare" a master teacher and theatrical dramaturge makes the essentials for deeply appreciating the meaning in Shakespeare's works easily understandable for listeners and playgoers of all ages. Part 1 provides background on Shakespeare's life, language, poetic and dramatic techniques, theatrical context, and historical and cultural background. Part 2 offers short essays on twenty-two plays and one on selected sonnets.

Here is the full-cast production of Shakespeare's classic love story, fully dramatized from the complete text, and starring Michael Sheen as Romeo and Kate Beckinsale as Juliet.

This collection of masterful reinterpretations brilliantly demystifies and breathes new life into Shakespeare's work, demonstrating the continued resonance of a playwright whose popularity remains more than 400 years after his death. Now, the passion, heartbreak, deception, reconciliation, and mortality of Shakespeare’s originals can be understood by all, without the need to cross-reference to an enjoyment-sapping study guide.

Power, tragedy and hubris are played out in this quartet, all of which are set in the febrile political atmosphere of ancient Rome. Performed by an incredible array of the 20th century’s greatest actors, Marlowe alumni including Ian McKellen, Prunella Scales, Patrick Wymark and William Devlin can be heard in these recordings.

In the years leading up to 1606, since the death of Queen Elizabeth and the arrival in England of her successor, King James of Scotland, Shakespeare's great productivity had ebbed, and it may have seemed to some that his prolific genius was a thing of the past. But that year, at age 42, he found his footing again, finishing a play he had begun the previous autumn - King Lear - then writing two other great tragedies, Macbeth and Antony and Cleopatra.

Katerina Wilmot and Christopher Petruchio shared backyards as kids, but as adults they won’t even share the same hemisphere. That is, until Kate makes a rare visit home, and their fiery animosity rekindles into a raging inferno. Despite their friends’ and families' pleas for peace, Christopher is unconvinced Kate would willingly douse the flames of their enmity. But when a drunken Kate confesses she’s only been hostile because she thought he hated her, Christopher vows to make peace with Kate once and for all.

Peter Ducksworth, a Trinidadian widower of English ancestry, retires to Barbados, believing he will find an earthly paradise there. He decides to divide his land among his three daughters while he is alive, his intention not unlike that of King Lear, who hoped "That future strife/May be prevented now". But Lear made the fatal mistake of confusing flattery with love, and so does Ducksworth. Feeling snubbed by his youngest daughter, Ducksworth decides that only after he dies will she receive her portion of the land.

Lily discovers lifelong Shakespeare resident Deedra Dean murdered inside a car parked in a woodsy area out town. Determined not to get involved, Lily wants to leave the police work to Sheriff Marta Schuster and her team of deputies, and concentrate on cleaning, high kicks, and her boyfriend Jack's impending visit. But when Deedra's notoriously promiscuous lifestyle provides an extensive list of suspects but very few clues, Lily has no choice but to resume the role of amateur detective and join the investigation.

Rosalind Brown's Practice shows us just one day. Annabel, sitting in her small student room, attempts to write an essay about Shakespeare. She follows a meticulous, solitary routine but finds it repeatedly thrown off course as the day progresses: by family and friends who demand her attention and time, by thoughts of her much older boyfriend and his impending visit, by wild sexual fantasies and stories of her own invented characters—and by darker crises, obliquely glimpsed but capable of derailing Annabel's carefully laid plans.