Shakespeares English

This is an abridged production of Shakespeare's Julius Caesar adapted into plain English. The play was first performed around 1600 and tells the story of Julius Caesar managing political opposition. This version is adapted for a younger audience, minimizing exposure to the adult themes in play and telling the story in plain, non-Shakespearean language.

Simon Russell Beale is one of Britain's most recognisable and well-loved actors. He has played many roles on stage, film, television and radio - ranging from Winston Churchill to Stalin, George Smiley to King Arthur. But ever since his appearance at school as a glamorous Desdemona, complete with false eyelashes that rendered him half-blind, he has been captivated by Shakespeare.

For nearly two centuries, the authorship of William Shakespeare's plays has been challenged by writers and artists as diverse as Sigmund Freud, Mark Twain, Henry James, Helen Keller, Orson Welles, Malcolm X, and Sir Derek Jacobi. How could a young man from rural Warwickshire, lacking a university education, write some of the greatest works in the English language?

"150 Most Famous Poems: Emily Dickinson, Robert Frost, William Shakespeare, Edgar Allan Poe, Walt Whitman and Many More" is a timeless anthology that brings together some of the most celebrated and influential poems in the English language.

Shylock, a Jewish moneylender, agrees to lend Antonio, a Venetian merchant, three thousand ducats so that his friend Bassanio can afford to court his love, Portia. However, Shylock has one condition: Should the loan go unpaid, he will be entitled to a pound of Antonio's own flesh. Meanwhile in Belmont, according to the terms of her father's will, Portia's many suitors must choose correctly from three caskets. Bassanio arrives at Portia's estate and they declare their love for one another before he picks the correct casket.

Peter Ducksworth, a Trinidadian widower of English ancestry, retires to Barbados, believing he will find an earthly paradise there. He decides to divide his land among his three daughters while he is alive, his intention not unlike that of King Lear, who hoped "That future strife/May be prevented now". But Lear made the fatal mistake of confusing flattery with love, and so does Ducksworth. Feeling snubbed by his youngest daughter, Ducksworth decides that only after he dies will she receive her portion of the land.

This adaptation of Shakespeare's The Winter's Tale is in plain English, adapted for a younger audience, and designed as an audio play. The Winter's Tale has at times been classified as a comedy, a late romance, and a problem play. It is part of Shakespeare's First Folio and is believed to have been first performed in 1753. The adaptation by Elaina Garcia is in plain English, performed by a full cast including music and sound effects.

This version of Shakespeare's classic comedy The Merry Wives of Windsor is adapted to plain English. This is one of Shakespeare's comedies first published in the early 1600s. This adaptation is simplified in plain English and targeted at a younger audience. The plot tells the story of the romantic aspirations of the greedy and immoral Falstaff as he pursues the attentions of multiple women. Various plots are launched to try and foil his plans.

This entertaining introduction to Shakespeare's work weaves biographical information with excerpts from 33 of his plays. Informative, well-researched commentary, written by two Royal Shakespeare Company actors, provides a glimpse of the man and little-known lore about his work.

The Plantagenets reigned over England longer than any other family - from Henry II to Richard III. Four kings were murdered, two came close to being deposed, and the last - and most notorious, Richard III - was killed in a battle by rebels. Shakespeare wrote plays about six of them, further entrenching them in the national myth. Based on major contemporary sources and recent research, acclaimed historian Desmond Seward provides the first accessible overview of the whole extraordinary dynasty.

Shakespeare professor and prison volunteer Laura Bates thought she had seen it all. That is, until she decided to teach Shakespeare in a place the bard had never been before - supermax solitary confinement. In this unwelcoming place, surrounded by inmates known as the worst of the worst, is Larry Newton.

Trojan Prince Troilus falls in love with Cressida as war rages around them. After vowing to be faithful, Cressida is traded to the Greek camp, where she then agrees to see another man. Troilus witnesses Cressida's unfaithfulness and vows to put more effort into the war. The play ends after further deaths on both sides and with no resolution in sight.

They are icons of the literary world whose soaring works have been discussed and analyzed in countless classrooms, homes, and pubs. Yet for most readers, the living, breathing human beings behind the classics have remained unknown - until now. In this utterly captivating book, Dr. Elliot Engel, a leading authority on the lives of great authors, illuminates the fascinating and flawed members of literature’s elite. In lieu of stuffy biographical sketches, Engel provides fascinating anecdotes.

What was life like for Shakespeare's first audiences? In a time of political and religious unrest and economic expansion, how did Elizabethan play-goers make sense of their changing world? What did the plays mean to the public when they were first performed? In this fascinating series, Neil MacGregor attempts to answer these questions by examining 20 objects from that turbulent period. There are grand objects such as a communion chalice, a Venetian goblet, and Dr Dee's mirror, as well as everyday items.

Shakespeare for Kids adapts the timeless works of Shakespeare into plain English for a younger audience. This story is that of the end of King Richard II's reign during the late 1300s. It is a story of plotting and power, and the first of Shakespeare's four plays about the house of Lancaster. This abridged version is targeted for a younger audience, toning down any violent scenes and presenting the narrative structure in plain English.

This is a plain English production of the Shakespeare's classic play Much Ado About Nothing. Set in Italy, it tells the story of a romance between Claudio and Hero that is interrupted by a devious plot. This is a full-cast production of the work adapted by Charlie Creed to plain English and condensed to a 25 minute theatrical production with music and sound effects. This makes it suitable for a younger audience, though the themes of love, trickery and heartbreak, though softened and made age-appropriate are more suitable for older children aged eight years and over.

The multi-award-winning SmartPass study guide with and without commentary options. Full-cast, unabridged performance with comprehensive commentary and analysis for any student to fully understand and appreciate the play.

"And nothing is, but what is not." Macbeth may be mystified by the Weird Sisters' words but this intense performance with incisive commentary cuts to the heart of Shakespeare's complex psychological tragedy.

Miriam's family should be rich. After all, her grandfather was the co-creator of smash-hit comics series The TomorrowMen. But he sold his rights to the series to his co-creator in the 1960s for practically nothing, and now that's what Miriam has: practically nothing. How can she afford college when her family can barely keep a roof above their heads? As if she didn't have enough to worry about, Miriam's life gets much more complicated when a cute boy shows up in town...and turns out to be the grandson of the man who defrauded Miriam's grandfather.

From William Shakespeare and Jane Austen to Gabriel García Márquez and Toni Morrison, Writers explores more than 100 biographies of the world’s greatest writers. Writers introduces key ideas, themes, and literary techniques of each figure, revealing the imaginations, and personalities behind some of the world's greatest novels, short stories, poems, and plays. A diverse variety of authors are covered, from the Middle Ages to present day, providing a compelling glimpse into the lives of the people behind the page.

The tragedy of King Lear receives an outstanding performance in an all-star cast led by Britain’s senior classical actor, Paul Scofield. He is joined by Alec McCowen as Gloucester, Kenneth Branagh as The Fool, Harriet Walter as Gonerill, Sara Kestelman as Regan and Emilia Fox as Cordelia. This is the ninth recording of Shakespeare plays undertaken by Naxos AudioBooks in conjunction with Cambridge University Press, and is directed by John Tydeman. It was released to mark the 80th birthday of Paul Scofield in January 2002.