Shakespeares English

Innumerable stories, from the Homeric epics to the New Testament, and from Oedipus Rex to Hamlet, explore the realization or failure of second chances—outcomes that depend on accident, acts of will, or fate. Such stories let us repeatedly rehearse the experience of loss and recovery: to know the joy that comes with a renewal of love and pleasure and to face the pain that comes with realizing that some damage can never be undone. Through a series of illuminating readings, the authors show how Shakespeare was the supreme virtuoso of the second chance and Freud was its supreme interpreter.

A young man named Antonio borrows money from a merchant of Venice named Shylock, so that he can court a fine lady he wishes to marry. When Antonio is late to repay his debt, Shylock has him arrested and demands that a terrible price must be paid...

Shylock, a Jewish moneylender, agrees to lend Antonio, a Venetian merchant, three thousand ducats so that his friend Bassanio can afford to court his love, Portia. However, Shylock has one condition: Should the loan go unpaid, he will be entitled to a pound of Antonio's own flesh. Meanwhile in Belmont, according to the terms of her father's will, Portia's many suitors must choose correctly from three caskets. Bassanio arrives at Portia's estate and they declare their love for one another before he picks the correct casket.

Felix is at the top of his game as artistic director of the Makeshiweg Theatre Festival. His productions have amazed and confounded. Now he's staging a Tempest like no other: Not only will it boost his reputation, it will heal emotional wounds. Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. And brewing revenge.

Lily Bard is going home for the holidays. More comfortable in baggy sweats than bridesmaid's frills, Lilly isn't thrilled about attending her estranged sister's wedding. She has moved to Shakespeare, Arkansas, to start a new life, cleaning houses for a living, trying to forget the violence that once nearly destroyed her. Now she's heading back to home and hearth - just in time for murder.

Return once more to a galaxy far, far away with this sublime retelling of George Lucas's epic Star Wars in the style of the immortal Bard of Avon. The saga of a wise (Jedi) knight and an evil (Sith) lord, of a beautiful princess held captive and a young hero coming of age, Star Wars abounds with all the valor and villainy of Shakespeare's greatest plays. 'Tis a tale told by fretful droids, full of faithful Wookiees and fearsome Stormtroopers, signifying...pretty much everything.

When Lily stumbles upon the well-built corpse of a local body builder - his neck broken by a barbell - the town's underlying racial tension begins to boil over. The white victim was somehow connected to two unsolved murders of black residents of Shakespeare - and a dogged policeman is determined to stop the killing. But it is Lily herself who may have to decide whether to stay and fight for justice, or run away one more time.

Daughter of an ousted king, descendant of ancient druids, Gruoch (GREW-ock), has grown up believing that she will be crowned queen of Alba and reclaim the lands of her Pictish kin, a prophecy seemingly fulfilled by her betrothal to Duncan, the heir-elect.

It's been almost a year since Logan 'The Bear' Theaker hung up his axe and settled down with his sunshiny bard husband, Pie. But when Pie disappears, Logan is forced back into a world he thought he'd left behind. Logan quickly discovers that Pie has been blackmailed into stealing a powerful artifact capable of creating an undead army. With the help of an old adversary and a ghost from his past, Logan sets out to rescue his husband. But the further the quest takes him, the more secrets Logan uncovers. He'll need all his strength to rescue his husband - but can he save their marriage?

In this fast-paced introduction, Ros King sets out to remind us of the sheer beauty and sophistication that can make Shakespeare’s works a joy for any audience. Exploring his invention and wit, along with his uncanny characterisation, King argues archaic language should be no barrier to the modern reader. This guide summarises the Bard’s life and background, detailing his plays and poetry in such a way that they are made accessible enough for everyone to admire.

In "Appreciating Shakespeare" a master teacher and theatrical dramaturge makes the essentials for deeply appreciating the meaning in Shakespeare's works easily understandable for listeners and playgoers of all ages. Part 1 provides background on Shakespeare's life, language, poetic and dramatic techniques, theatrical context, and historical and cultural background. Part 2 offers short essays on twenty-two plays and one on selected sonnets.

Here is the full-cast production of Shakespeare's classic love story, fully dramatized from the complete text, and starring Michael Sheen as Romeo and Kate Beckinsale as Juliet.

The epic tale of Julius Caesar’s rule over Rome. Brutus and Cassius, friends and supporters of Julius Caesar, brood and worry over his increasing ambitions. Caesar’s pursuit of power leads the two men to worry that Caesar will crown himself Emperor, which would ruin Rome’s Republic of the people. Behind closed doors, Cassius and Brutus begin to concoct a scheme that will irrevocably alter the fate of the Roman empire.

This collection of masterful reinterpretations brilliantly demystifies and breathes new life into Shakespeare's work, demonstrating the continued resonance of a playwright whose popularity remains more than 400 years after his death. Now, the passion, heartbreak, deception, reconciliation, and mortality of Shakespeare’s originals can be understood by all, without the need to cross-reference to an enjoyment-sapping study guide.

Power, tragedy and hubris are played out in this quartet, all of which are set in the febrile political atmosphere of ancient Rome. Performed by an incredible array of the 20th century’s greatest actors, Marlowe alumni including Ian McKellen, Prunella Scales, Patrick Wymark and William Devlin can be heard in these recordings.

In the years leading up to 1606, since the death of Queen Elizabeth and the arrival in England of her successor, King James of Scotland, Shakespeare's great productivity had ebbed, and it may have seemed to some that his prolific genius was a thing of the past. But that year, at age 42, he found his footing again, finishing a play he had begun the previous autumn - King Lear - then writing two other great tragedies, Macbeth and Antony and Cleopatra.

Rosalind Brown's Practice shows us just one day. Annabel, sitting in her small student room, attempts to write an essay about Shakespeare. She follows a meticulous, solitary routine but finds it repeatedly thrown off course as the day progresses: by family and friends who demand her attention and time, by thoughts of her much older boyfriend and his impending visit, by wild sexual fantasies and stories of her own invented characters—and by darker crises, obliquely glimpsed but capable of derailing Annabel's carefully laid plans.

Peter Ducksworth, a Trinidadian widower of English ancestry, retires to Barbados, believing he will find an earthly paradise there. He decides to divide his land among his three daughters while he is alive, his intention not unlike that of King Lear, who hoped "That future strife/May be prevented now". But Lear made the fatal mistake of confusing flattery with love, and so does Ducksworth. Feeling snubbed by his youngest daughter, Ducksworth decides that only after he dies will she receive her portion of the land.

Widge is an orphan with a rare talent for shorthand. His fearsome master has just one demand: steal Shakespeare's play "Hamlet" - or else. Widge has no choice but to follow orders, so he works his way into the heart of the Globe Theatre, where Shakespeare's players perform. As full of twists and turns as a London alleyway, this entertaining novel is rich in period details, colorful characters, villainy, and drama.

For sustained dramatic intrigue and sophistication of plot, William Shakespeare's sonnets are at least the equal of his greatest plays. Throughout the centuries since their first publication in 1609, critics, psychologists and curiosity-seekers alike have pondered the nature of the poet's relationships with the mysterious young man, "Mr. W.H.", and the "ill-coloured" Dark lady.