Short Horror

H. P. Lovecraft is arguably the most important horror writer of the 20th century. Culled from his 1927 essay "Supernatural Horror in Literature”, Lovecraft acknowledges those authors and stories that he feels are the very finest the horror field has to offer, including Washington Irving, Edgar Allan Poe, Henry James, Rudyard Kipling, Bram Stoker, Robert Louis Stevenson, Guy de Maupassant, Ambrose Bierce, and Arthur Conan Doyle. This chilling collection includes 20 works, each prefaced by Lovecraft's own opinions and insights in each author’s work.

The living dead are more alive than ever! Zombies have become more than an iconic monster for the 21st century: They are now a phenomenon constantly revealing as much about ourselves - and our fascination with death, resurrection, and survival - as our love for the supernatural or post-apocalyptic speculation. Our most imaginative literary minds have been devoured by these incredible creatures and produced exciting, insightful, and unflinching new works of zombie fiction.

Paru en 1887 avec d'autres récits, "Le Horla" est incontestablement le plus original et le plus effrayant de tous les contes fantastiques de Maupassant. Pour l'écrire, l'auteur s'est documenté auprès du docteur Charcot, célèbre spécialiste des névroses et des hystéries. Mais surtout, il s'est probablement inspiré des troubles nerveux qui commençaient alors à le détruire et qui allaient bientôt l'empoter.

The tale of a man who unwittingly angers a sorcerer, who is assumed by some Monty scholars to be based on the self-styled 'Great Beast,' occultist Aleister Crowley. Montague Rhodes James was a noted British mediaeval scholar and provost of King's College, Cambridge (1905–1918) and of Eton College (1918–1936). He is best remembered for his ghost stories which are widely regarded as among the finest in English literature.

You have been given access to secret files buried deep within the archives. Disturbing stories never meant for the light of day. Stories of evil grandparents and unsettling homework. A string of deaths, seemingly unrelated. Walls squirm, as if alive. A cursed wish comes true. Ordinary people behave oddly, even family and your closest friends. These stories share a common fate. All the children are met with tragedy. Coincidence? Or could these nightmares be connected by something more sinister than you dare to imagine? A dark and chilling mystery awaits.

The world has two faces. The natural and the supernatural. The faces we see every day. The faces of hose filing past us in an almost zombie-like stupor, numb to the horrors of everyday life or driven to madness by the pain and agony of modern-day existence - and those are the people who aren't zombies or monsters! Cal McDonald is a detective with one foot in the real world, and one in the world of magic.

The Black Goat is a short story that takes on a contemporary approach of the legend of Van Hunks and the devil. Jan van Hunks is down and out, a functioning alcoholic who is battling a divorce from his wife. One wintry night, he decides to escape the clutches of his studio apartment in the heart of Cape Town and venture out to find the darkest bar he can. He meets a mysterious character along the way who advises him against his journey.

Scare Street is proud to present volumes 13 and 14 of Short Horror Stories in a single edition. Six bone-chilling tales of supernatural horror, each one guaranteed to satisfy your addiction to terror. Just be sure you keep your guard up as you listen to them into the night. They say one good story deserves another. And the spirits within these collections have their own tales to tell.

They say you can never get too much of a good thing. But for those who crave fear and horror, how much is too much? And how far are you willing to go to test your limits? Scare Street brings you volumes three and four of Short Horror Stories in a single edition. Six macabre morsels of fear brought together for your listening pleasure. And each tale packs enough spine-tingling chills to last a lifetime.

At first blush, Widdershins is a conventional haunted house story involving an unsuccessful writer who moves into an empty house in hope that isolation will help his failing creativity. His sensitivity and imagination are enhanced by his seclusion, but his art, his only friend, and his sanity are all destroyed in the process. It can be interpreted as narrating the gradual possession of the protagonist by a mysterious, possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the psychotic subject’s view.

Our bodies are fragile and destructible things, and one of the few knowable things in life is that they will fail us, painfully and entirely. With the destruction of our flesh and bones, whether from the inside or out, comes true fear. And therein lies the horror.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

She only wants me for my body. I just wish she hadn't used it that way. I found where the Devil keeps his pets, and now I have one of my own. Every morning I wake up screaming, knowing I'll be killed each day. The wolves were disappearing from the Alaskan wilderness, and I discovered what they were being turned into. Have you met the only demon in heaven?

Join James Ward Kirk for a guided tour through a nightmare exhibition of misanthropy, murder, and mayhem. Dreams for some, nightmares for others, these stories explore an impressive variety of thematic territory and make the perfect accompaniment for your next involuntary commitment.

This audiobook collects Wellman’s John Thunstone and Lee Corbet stories, written between 1943 and 1979. These stories combine the mystical and horrific with traditional Southern folk tales and legends. These stories also reveal a post-World War II modernism that make them much more then pulp romanticism. The paranoia and cynicism of modern weird icons, such as The X-files, may well have had their genesis in the pulp musings of Manly Wade Wellman.

Our story begins in 1785 when a young seafarer, Captain Thornhill, disappears while visiting the shop of a barber in London, a certain Sweeney Todd whose shop in Fleet Street is situated by St. Dunstan's church, just round the corner from the famous and popular meat pie shop run by Mrs. Lovett. Thornhill was carrying a string of pearls as a gift for Johanna Oakley, the sweetheart of his friend Mark Ingestrie who is missing, presumed lost at sea.

Sin’s Doorway and Other Ominous Entrances is the 4th volume of Night Shade Books’ five volume Selected Stories of Manly Wade Wellman....

Poder estudiar de noche en una casa de campo solitaria sin que nadie te moleste, ayuda concentrarte pero... si empiezas a tener visitantes inesperados a lo mejor ya no te puedes concentrar tanto... ¿y si te dieran una segunda oportunidad , aunque para ello tuvieras que pasar por un camino lleno de dolor, lo harías?...

Hans-Åke Lilja, founder of Lilja's Library, has compiled a brand-new anthology of horror stories to celebrate 20 years of running the number-one Stephen King news website on the web! This anthology includes both original stories like a brand-new novella by John Ajvide Lindqvist (Let the Right One In), very rare reprints like "The Blue Air Compressor" by Stephen King, and at least one classic tale that inspired Lilja's love of the macabre at a very young age!

Welcome to the masquerade. Two thousand twenty was a reality horror show. And like most obnoxious entertainment reality shows, this one had its own idiosyncratic rules and penalties. Call it The Big Lockdown. We were forced to go to ground, to hide in our holes. Some went underground and never came back. Uncertainty ruled because the rules kept changing. We couldn’t say for sure, so we ventured out for food, booze and sundries like scavengers in a slow-motion apocalypse, keeping our distance from fellow human beings because you never knew who might be carrying that heavy viral load.