Short Horror

Uncover the secret annals of untold history in these eighteen medieval manuscripts. Each tortured scribe will bring you face to face with ancient horrors lurking in cursed castles, wild woodlands, haunted hamlets, and mysterious monasteries. Including a lineup of authors both established and emerging, HOWL Society Press presents the first-ever anthology of historical horror from the medieval period, fittingly introduced by the writer who arguably started it all: Christopher Buehlman, author of the medieval horror epic Between Two Fires.

You can't kill the dead! Like any good monster, the zombie has proven to be ever-evolving, monumentally mutable, and open to seemingly endless imaginative interpretations: the thralls of voodoo sorcerers, George Romero's living dead, societal symbols, dancing thrillers, viral victims, reanimated ramblers, video-gaming targets, post-apocalyptic permutations, shuffling sidekicks, literary mash-ups, the comedic, and, yes, even the romantic.

A young boy, Tineboy, is having trouble with his multiplication tables and the number seven. Bored in class one day, he falls asleep and dreams of a story told by his teacher about the number seven going mad. This leads to a world without the number seven and the confusion that comes from getting rid of a number. The schoolhouse bully and Tineboy’s own pet crow play important roles in his vivid daydream, full of intelligent wit and humor.

Meet a serial killer forever trapped in a Super Max prison. A 15-year-old girl in 1912, forced to choose between a man she does not love and a boy who might just kill for her. A man who discovers, after 40 years, that he has a twin brother...living in his stomach. A cancer-stricken old man who can listen to the dead call up from Hell through his stethoscope.

This audiobook collects Wellman’s John Thunstone and Lee Corbet stories, written between 1943 and 1979. These stories combine the mystical and horrific with traditional Southern folk tales and legends. These stories also reveal a post-World War II modernism that make them much more then pulp romanticism. The paranoia and cynicism of modern weird icons, such as The X-files, may well have had their genesis in the pulp musings of Manly Wade Wellman.

There is a general belief that books give a wider room for imaginations - even wider than the room that watching a movie affords you, and truthfully so. These tales, when listened to in the dark, will leave you with much to imagine - an arm covered in goose bumps and the back of your neck with all the hackles on their ends. The curtains you see might not be curtains. The mirrors, too, might become home to many faces and the old man by the road might not be what you think he is. Welcome to the home of scary and macabre tales.

It was a killer year for horror fiction of the harder kind. Authors, editors, and publishers presented readers with some startling works of horrific imagination, stories graphic in the extreme yet with subtleties suggesting larger meanings, tales that explore humanity by plumbing depths of soulless inhumanity and, in some cases, outright depravity. The stories here represent the best of them, disturbing tales that dig deep and take you into the dark heart of horror itself, unrelenting and unapologetic.

An elderly couple living in Victorian London struggle against despair as their small resources dwindle. When an eccentric and mysterious gentleman answers their advertisement for a lodger, they celebrate. But as women begin dying at the hands of "The Avenger", they start to suspect something too horrific for words.

I wasn't always like this, you know - paranoid, temperamental, vindictive. I mean, sure, I've always been a bit....high strung. But, I never used to stalk my therapist patients. Or yell at them. Or hold them captive in my garage. No, all of that started after the incidents at Lonesome Woods Boarding School. And I'm not talking about the school shooter. This was something far more insidious - something....infectious. Like a cancerous disease that tore through the student body, rotting young hearts one by one.

This statement was true when H. P. Lovecraft first wrote it at the beginning of the twentieth century, and it remains true at the beginning of the twenty-first century. The only thing that has changed is what is unknown. With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this light creates its own shadows. The Best Horror of the Year, edited by Ellen Datlow, chronicles these shifting shadows.

A collection of classic works by Edgar Allan Poe, American author, poet, editor and literary critic. Best known for his tales of mystery and the macabre, Poe was one of the earliest American practitioners of the short story and is considered the inventor of the detective fiction genre. He is further credited with contributing to the emerging genre of science fiction. He was the first well-known American writer to try to earn a living through writing alone, resulting in a financially difficult life and career.

"The Crystal Cup" reveals the struggle a young artist faces when he is taken from his family and forced to work for the king. He is promised freedom in return for his hard work making a perfect crystal vase. But the story takes a tragic twist when he dies immediately following his completion of the vase. The king jeopardizes his reign after displaying the artist's remains alongside the vase during a feast at the castle.

The Cottage on the Hill is a horror story, but it’s a J. Robert Lennon horror story, in which the characters’ loneliness - their disconnectedness, their inability, at times, even to speak or listen to one another - is more chilling than any of the supernatural elements.

This is the tale of a 228 year old man, born in 1690, telling about his interactions with Dr. Samuel Johnson. A large part focuses on their belonging to a literary club and the other men who also participated in the club. It is a simple observance of social interactions, as put forth by a very old man and his dated voice.

We each inhabit many worlds, often at the same time. From worlds on the inside to the world on a cosmic scale. Worlds imposed on us, and worlds of our own making. In time, though, all worlds will end. With Skidding Into Oblivion, his fifth collection, award-winning author Brian Hodge brings together his most concentrated assortment yet. It includes all of the best picks and awards finalists. All stories have one thing in common: It’s the end of the world as we know it, and we don’t feel fine at all.

Laird Barron’s fourth collection gathers a dozen stories set against the backdrops of the Alaskan wilderness, far-future dystopias, and giallo-fueled nightmare vistas. Combining hard-boiled noir, psychological horror, and the occult, Swift to Chase continues three-time Shirley Jackson Award winner Barron’s harrowing inquiry into the darkness of the human heart.

Mark Gatiss ( Sherlock, Doctor Who, Game of Thrones) reads chilling tales by the unsung master of the classic ghost story: E. F. Benson. There's nothing sinister about a London bus. Nothing supernatural could occur on a busy train platform. There's nothing terrifying about a little caterpillar. And a telephone, what could be scary about that? Don't be frightened of the dark corners of your room. Don't be alarmed by a sudden inexplicable chill.

Push past the curtains of your rational, safe world and explore the unnameable horrors living in the darkest corners of our conscience. This is the realm of monsters and shifting shadows, where a single wrong step can plunge you into a terrifying fight for your life

This is the classic Gothic tale of a family identified with their house; an ailing sister and a neurotic brother live in the middle of a desolate wasteland in a house that has been in their family for centuries. Now, they are the last of the line; the sister is dying and the brother feels he cannot survive her. He enlists a friend to come and stay at the House of Usher, and when his sister dies, terrible things ensue.

Theirs was a story of two people from different stations of life - he, poor and she, rich. He worked hard to make a name for himself, and having done so, he returns to her to find out that she had loved him all these years and was waiting for him as well. The poet is so distraught that with it having taken so long for them to be together, it seems even more unfair for them to be separated at the end. Finding out that his love has passed away, he immediately decides to follow after her to the Castle of the King of Death.