Short Storey Memoir

This extraordinary collection of correspondence by Paul Bowles spans eight decades and provides an evolving portrait of an artist renowned for his privacy. From his earliest extant letter, written at the age of four, to his precocious effusions to Aaron Copeland and to Gertrude Stein; from his meditations on mescaline as relayed to Ned Rorem, to his intensely moving letters to Jane Bowles during her illness, In Touch fills in the lacunae left by previous biographers and offers a rare look at the many aspects of Bowles's brilliant career.

This is a compilation of true stories and verses weaved throughout the text. While this work is not a biography, it is inspired by personal events and compelling prose, intending to engage, challenge and connect with the listeners.

This is a heart-warming short story about the death of a loved one and how our loved ones bring us consolation from beyond the grave.

In Look For Me and I’ll Be Gone, his sixth collection of stories, John Edgar Wideman imbues with energy and life the concerns that have consistently infused his fiction and nonfiction. How does it feel to grow up in America, a nation that - despite knowing better, despite its own laws, despite experiencing for hundreds of years the deadly perils and heartbreak of racial division - encourages (sometimes unwittingly, but often on purpose) its citizens to see themselves as colored or white, as inferior or superior.

It is not often that a long-hidden gem of a manuscript is published, bringing a moment in WWII history to vivid life for today’s audiences. Geoffrey Wellum’s First Light was one example. The memoir of Timothy Vigors is another. Born in Hatfield but raised in Ireland and educated at Eton and Cranwell, Vigors found himself in France in 1940 flying Fairey Battle bombers. After the Fall he joined the fighters of 222 Squadron, with whom he saw frantic and distinguished service over Dunkirk and persevered through the dangerous days of the Battle of Britain, when he became an ace.

When Harold Ross founded The New Yorker in 1925, he described it as a “comic weekly.” And although it has become much more than that, it has remained true in its irreverent heart to the founder’s description, publishing the most illustrious literary humorists of the modern era. This anthology gathers together, for the first time, the funniest work of more than seventy New Yorker contributors.

This combination of serious artistic engagement with warmth and clarity of prose revels in the experiences and pleasures of art and the body, identity, and community.

A collection of life experiences, observations, and musings from the mind of singer-songwriter Dan May.

What really took place in Alcatraz prison during the 1940s? Was the "Battle for Alcatraz" an escape attempt or an uprising? The truth is in this book. The first-hand accounts of the inmate's stories in this book have never before been told. These are voices from the grave, finally being heard after 70 years. Every soul has a song. Every person has a story. They were shackled to chains, and their voices dampened. Their whispers went unheard; until now.

The Hong Kong taxi driver has zero interest in taking Anna to another hospital, they’ve already been to two. If he takes her to Kowloon, which requires going through the traffic-ridden Cross Harbour Tunnel, she will likely give birth in the back seat. Neither of them wants this. Granted, many women's birth plans don't resemble their actual experiences but Anna seems to take this to the extreme.

On July 28, 1851, Nathaniel Hawthorne's wife left their house in Western Massachusetts to visit relatives. Hawthorne and his 5-year-old son Julian stayed behind. How father and son got on together for the next three weeks is the subject of Twenty Days with Julian & Little Bunny, by Papa, a tender and funny extract from Hawthorne's notebooks, perhaps one of the earliest accounts in literature of a father caring for a young child.

F. X. Toole knew boxing. Between bouts, he wrote, and two years before his death he published this collection of stories, giving listeners an unprecedented look at the gritty life around the ring. He tells of a cutman with a sweet tooth, young fighters with dreams of celebrity, and a talented boxer who goes to Atlantic City for his biggest bout, only to be humiliated by the prejudices of a callous promoter. In "Million $$$ Baby", the inspiration for the Oscar-winning Clint Eastwood film, an aged trainer takes on a female fighter, guiding her through disappointment, pain, and tragedy.

Scott Pomfret serves as a lector at St. Anthony Shrine in Boston. He also writes gay porn. His boyfriend is a flaming atheist, and his boyfriend’s Protestant grandmother counts Catholicism as a sin worse than sodomy. From Pentecost to Pride, from the books of the Bible to the articles of The Advocate, Pomfret's wry, hysterically funny memoir maps with matchless humor the full spectrum of the gay Catholic experience.

The British and American bomber crews of the Second World War often had to endure the most terrifying conditions. Not for them the glorious, all-or-nothing exhilaration of the Battle of Britain pilots—rather, the slow dwindling of courage as mission followed mission, the long freezing, ear-shattering journey to the target, the bursting flak, the prowling night fighters. Then, if they were lucky, the long haul home, sometimes nursing a battered, barely flyable machine, often perilously short of fuel.

In 1956, Caedmon had the great fortune to record Eudora Welty reading some of her finest stories. In her sweetly vibrant Mississippi drawl, Ms. Welty deftly draws the listener in to the uproariously multilayered "Why I Live at the P.O.", the spontaneous "Powerhouse", and the insightful voice of women's truths in "Petrified Man". Ms. Welty's reading brings immediacy and resonance to these wonderful tales.

The Moron at the End of This Book is an insightful, self-scrutinizing memoir about the highs and woes of a life, perhaps not well-lived, but, well, lived. With a collection of short stories and love letters to the living and the dead, author Andrew Couch calls upon nearly 40 years of impulsive actions, unusual friendships, odd jobs, and a careworn moral compass to deliver a mercifully one of a kind account of a man in search of approval from his child self.

Weiterschreiben im Fremdsein – ein einzigartiger Austausch der Kulturen. Wie weiterschreiben nach der Flucht aus Kriegs- und Krisengebieten? Wie veröffentlichen? Gehört werden? "Weiterschreiben - (W)Ortwechseln" ist die vielfach ausgezeichnete Online-Plattform, die Autor:innen die Möglichkeit gibt, weiter zu schreiben und literarisch anzukommen. Bereits seit 2017 schreiben Autor:innen u. a. aus Syrien, dem Irak, Iran, Jemen und Afghanistan Briefe, Erzählungen und Gedichte u.a. über ihre alte Heimat und über ihre neue, über das Weggehen und Ankommen.

Just when the residents of Crest Hill are getting past a shocking unsolved murder in the nearby groves, their greatest unspoken fear materializes a string of serial killings amongst their own citizens. There is now no mistaking the fact that one member of their small population is not what they seem to be. Detective Anita Heath finds herself perplexed at the crime scenes when the bodies begin turning up. Something about these murders just doesn’t profile right. As her suspicions are soon bent in unusual directions, she discovers she has attracted the attention of the culprit.

A few years ago, Erica Heller realized how universal the longing is for one more moment with a lost loved one. It could be a parent, a sibling, a mentor, or a friend, but who wouldn't love the opportunity to sit down, break bread, and just talk? Who wouldn't jump at the chance to ask those unasked questions, or share those unvoiced feelings?

Shenequa Golding doesn’t aim to speak for all Black women. We’re too vast, too vibrant, and too complicated. As an adult, Golding begins to own her boldness, but growing up, she found herself “kind of in the middle,” fluctuating between not being the fly kid or the overachiever. Her debut collection of essays, A Black Girl in the Middle taps into life’s wins and losses, representing the middle ground for Black girls and women.