Short Storey Memoir

When Harold Ross founded The New Yorker in 1925, he described it as a “comic weekly.” And although it has become much more than that, it has remained true in its irreverent heart to the founder’s description, publishing the most illustrious literary humorists of the modern era. This anthology gathers together, for the first time, the funniest work of more than seventy New Yorker contributors.

While an uninterrupted life, free of misfortune may sound wonderful, it is in the challenge, in the change, that we learn the greatest lessons. This book has been written with 51 years of personal life experiences, and an overlay of close to 30 years of professional subject matter expertise in managing the continuance of business operations across the globe, come rain...or shine. Both aspects have resulted in significant lessons learned...stories of continuity and resilience.

This combination of serious artistic engagement with warmth and clarity of prose revels in the experiences and pleasures of art and the body, identity, and community.

As a woman and mom myself, I get it! Life is busy and fun and fulfilling and stressful and joyful and so very much more. I’m also a therapist, so I get the background behind a lot of the patterns many of us fall into in our everyday lives as well. In the following chapters, I'll share some of my own stories, as well as helpful pointers and tips you can use to help you in your daily life. I’ve also included themes I hear a lot in my private practice therapy sessions, as I feel like these are often very relevant outside of the therapy room too.

Every life journey is filled with personal and unique experiences, and when enough time has passed, each event is worth a story. The angle from which the story is told can be dictated by one’s memory and impressions of the moment. Author Bakilinna Warjri believes her experiences are for telling, and she shares them in this collection, The Fanfare of Life. Whether one experiences loss as a group, as told in “Brownie the Bulldog”, or on one’s own at center stage in “That Sunshine Mountain”, Warjri communicate that no situation is a lost cause.

A senior lovely and helpful couple used to live alone in their farmhouse, as their only daughter used to live far away with her husband. A maid used to take care of them. Suddenly, the couple got killed and the house got looted. Was it a preplanned murder or just a consequence of robbery? This is a true story detailing how the senior couple got killed, how the criminal(s) got detected, and the final punishment. Listen to find out the details.

What Did Not Kill Me, Made Me is the second in a trilogy after the best-selling and award-winning book Girl, Taken: A True Story of Abductions, Captivity and Survival.

It is heard that a doll opens its mouth when it smells money. A doll may open its mouth in front of money, as it has no brain or judgement power. As a human being, we should not open our mouth or jump in a crime for only money. Every crime has two sides. One, the life risk of the criminals. Second, the crime will obviously hurt someone on the other side. This true story shows an unnecessary bank robbery case where the criminals were not bound to do it.

On July 28, 1851, Nathaniel Hawthorne's wife left their house in Western Massachusetts to visit relatives. Hawthorne and his 5-year-old son Julian stayed behind. How father and son got on together for the next three weeks is the subject of Twenty Days with Julian & Little Bunny, by Papa, a tender and funny extract from Hawthorne's notebooks, perhaps one of the earliest accounts in literature of a father caring for a young child.

These poems, stories, and essays are specific times that have lived in my mind for 37 years from photos or actual memories or even stories accounted by family members and friends that I vaguely recall. This poetical account has to be done, so I don’t lose the fractal memories that I still house in my mind. Maybe this will free up mind-space so new memories can move in.

In 1956, Caedmon had the great fortune to record Eudora Welty reading some of her finest stories. In her sweetly vibrant Mississippi drawl, Ms. Welty deftly draws the listener in to the uproariously multilayered "Why I Live at the P.O.", the spontaneous "Powerhouse", and the insightful voice of women's truths in "Petrified Man". Ms. Welty's reading brings immediacy and resonance to these wonderful tales.

This second collection of pastiches of the immortal Sherlock Holmes offers 11 adventures of Solar Pons, who has been called by Vincent Starrett "a clever impersonator, with a twinkle in his eye, which tells us that he knows he is not Sherlock Holmes, and knows that we know it, but that he hopes we will like him anyway for what he symbolizes." Once again in the London of years ago "the game is afoot."

In search of lost glitter is a memoir of love and loss written in many stories, many only 100-words long. It is about how an ordinary and unremarkable life was turned upside down when Sarah lost her husband in 2010.

A few years ago, Erica Heller realized how universal the longing is for one more moment with a lost loved one. It could be a parent, a sibling, a mentor, or a friend, but who wouldn't love the opportunity to sit down, break bread, and just talk? Who wouldn't jump at the chance to ask those unasked questions, or share those unvoiced feelings?

Una donna molto bella che ha avuto una vita difficile e la racconta in tanti piccoli quadri, protagonista la narratrice onnisciente o vari personaggi secondari, diversissimi tra loro: un vecchio indiano americano incontrato in una lavanderia; una ragazza giovanissima che scappa da una clinica messicana di aborti per ricche americane; la suora di una scuola cattolica; un'insegnante gay.

Just when the residents of Crest Hill are getting past a shocking unsolved murder in the nearby groves, their greatest unspoken fear materializes a string of serial killings amongst their own citizens. There is now no mistaking the fact that one member of their small population is not what they seem to be. Detective Anita Heath finds herself perplexed at the crime scenes when the bodies begin turning up. Something about these murders just doesn’t profile right. As her suspicions are soon bent in unusual directions, she discovers she has attracted the attention of the culprit.

Fasting for Ramadan is structured as a chronicle of daily meditations during two cycles of the 30-day rite of daytime abstinence required by Ramadan for purgation and prayer. Estranged in certain ways from his family’s cultural traditions when he was younger, Ali has in recent years re-embraced the Ramadan ritual, and brings to this rediscovery an extraordinary delicacy of reflection, a powerfully inquiring mind, and the linguistic precision and ardor of a superb poet.

Jodi M. Savage was raised in Brooklyn, New York, by her maternal grandmother. Her whip-smart, charismatic mother struggled with addiction and was unable to care for her. Granny was Jodi’s rock, until Alzheimer’s disease turned the tables, and a 28-year-old Jodi stepped into the role of caretaker. It was up to Jodi to get them both through the devastations of a deteriorating mind. After Granny passed away, Jodi spent years trying to reckon with her grief. In this searing, candid collection of essays, Jodi illuminates the roles that identity and memory play in preserving those we love.

When Trisha Low moves West, her journey is motivated by the need to arrive “somewhere better” - someplace utopian, like revolution; or safe, like home; or even clarifying, like identity. Instead, she faces the end of her relationships, a family whose values she has difficulty sharing, and America’s casual racism, sexism, and homophobia. In this book-length essay, the problem of how to account for one’s life comes to the fore - sliding unpredictably between memory, speculation, self-criticism, and art criticism, Low seeks answers that she knows she won’t find.

Shenequa Golding doesn’t aim to speak for all Black women. We’re too vast, too vibrant, and too complicated. As an adult, Golding begins to own her boldness, but growing up, she found herself “kind of in the middle,” fluctuating between not being the fly kid or the overachiever. Her debut collection of essays, A Black Girl in the Middle taps into life’s wins and losses, representing the middle ground for Black girls and women.