Short Storey Theater

Ryan doesn’t remember much about his life before becoming a dungeon core. Only that he had a bit of a disagreement with the church—something to do with a beheading? Now reborn, Ryan begins to arm his darkness dungeon with devious traps, bestial zombies and ill-named skeletal creations, without doing anything too evil. Well, mostly. Some adventurers just deserve a stalactite to the head.

Quantum Hughes doesn't know how long he's been trapped in a cyber noir world known as The Loop. For each day that passes, Quantum adds an item to his inventory list, hoping that he'll one day be free. Has it really been nearly 550 days? Has he gone mad? Will Quantum ever be free?

Run. Hide. Live the good life online. Early retirement looked so easy on paper. Steal eight million euros from a gangster. Hide inside an online game and enjoy the finer things in life as a bard until the danger had passed. Except Daniel messed up. Now, the gangsters are in the game looking for him and he's stuck with an imbalanced character build in a dead-end starter village. Can Daniel find his own place and a life worth living inside the World of Chains?

After Nadya, a 16 year old girl, returns home from seeing a play, she is happily consumed with its plot of unrequited love. To Nadya, unrequited love is the most interesting type of love, as love is boring if everyone is happy. Quickly, Nadya's thoughts turn to her two suitors, Gorny and Guzdev. Although they have both declared their love for her, she, more than anything, wants to believe that they do not love her. Trying to emulate the unrequited love from the play, she writes a letter to Gorny, like the heroine in the play....

Step inside the The Wardrobe Dinner Theater and experience the backstage diva drama as these performers embark on a faith-filled journey to find what matters most in life. The complete series includes Dance over Me, Focus on Love, Sing a New Song, A Picture Perfect Christmas, and Home for Christmas.

Prepare to be entranced by "Paranormal POV presents: Aliens, Witches, & Ghosts, Oh My!"—an enchanting compilation of short stories that will transport you to the captivating crossroads of the supernatural and the unknown. Dive into a realm where the ordinary collides head-on with the extraordinary, and where the unexplained transforms into the thrillingly suspenseful action and adventure.

In den Tiefen der Materie legt Maeterlinck eine erfrischende Leichtigkeit an den Tag, innerhalb derer gesellschaftliche, historische und künstlerische, aber auch allgemeine und spezifische Gegenstände mit prosaischer Eleganz und schmunzelndem Lächeln abgearbeitet werden. Man ist sich nicht immer sicher, ob dieser Art Wechselspiel von Erkenntnis und unmittelbar folgender Relativierung die Absicht zu Grunde liegt, die Realität möglichst vieler Perspektiven zu verdeutlichen: vielleicht ja, vielleicht nein, vielleicht teilweise.

'A Story Goes with It' and 'Dark Dolores' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Experience sci-fi as never before! Hear all new science fiction stories with original music, sound effects, and Sonic Soundscapes! Volume 2 includes Taurus Horn by Ken Nolan and Venus Cursed by Cindy Reed.

Experience sci-fi as never before! Hear all new science fiction stories with original music, sound effects, and Sonic Soundscapes! Volume 1 includes A World for the Taking and Pills for Peace by Sherman Hirsh and Frozen in Time by Gary Gillett with Perry Jacob.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

'Sense of Humor' and 'Dream Street Rose' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

'What No Butler' and 'Neat Strip' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

'That Ever Lovin Wife of Hymies' and 'A Light in France' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.