Short Stories Humor

Meet the women of American Housewife: They wear lipstick, pearls, and sunscreen, even when it's cloudy. They casserole. They pinwheel. They pump the salad spinner like it's a CPR dummy. And then they kill a party crasher, carefully stepping around the body to pull cookies out of the oven. These 12 irresistible stories take us from a haunted prewar Manhattan apartment building to the set of a rigged reality television show, from the unique initiation ritual of a book club to the getaway car of a pageant princess on the lam.

The British, it is often said, have a stiff upper lip and a dry sense of humour. It's true, we usually do, and in the case of this perfect compendium of short stories we absolutely do. Listen to our Scottish raconteur J. M. Barrie and English wits Jerome K. Jerome and Edward Lear for perfect proof of that. But humour is many things and from many places, so we also feature Mark Twain, our very talented American friend, to complete this rather witty and clever volume of short stories.

With her husband stranded in a war-torn country halfway around the world, a university professor – on whom the burden of managing their small family has suddenly fallen – tries to maintain order at home. Her young daughter seems not to mind, or even really notice, the father’s absence. But as the weeks go on, mounting pressure on the narrator to balance family and work begins to take a toll.

One of Canada's most cherished writers, British-born Stephen Leacock was probably best known and loved for his works of light humor. First published in 1912, Sunshine Sketches of a Little Town is one of his most popular and enduring pieces of fiction. This collection of short stories describes the people that comprise a typical but fictional small town in Ontario - Mariposa. The book's appeal lies in the universality of the characters Leacock describes so eloquently, they live out their 'large' lives in the little town.

Cassandra may have seen the future, but it doesn't mean she's resigned to telling the Trojans everything she knows. In this ebullient collection, virgins escape from being sacrificed, witches refuse to be burned, whores aren't ashamed, and every woman gets a chance to be a radioactive cockroach warrior who snaps back at catcallers.

When Sam’s wife first tells him about Vitek, a twenty-first-century fertility lab, he sees it as the natural next step in trying to help their future child get a “leg up” in a competitive world. But the more Sam considers the lives that his child could lead, the more he begins to question his own relationships and the choices he has made in his life.

From bourgeois facial-hair trends to parental sleep deprivation, Joseph O’Neill closely observes the mores of his characters, whose vacillations and second thoughts expose the mysterious pettiness, underlying violence, and, sometimes, surprising beauty of ordinary life in the early 21st century. A lonely wedding guest talks to a goose; two poets struggle over whether to participate in a “pardon Edward Snowden” verse petition; a cowardly husband lets his wife face a possible intruder in their home; a potential co-op renter in NYC can’t find anyone to give him a character reference.

A stunning new talent in literary fiction, Nafissa Thompson-Spires grapples with black identity and the contemporary middle class in these compelling, boundary-pushing vignettes. Each captivating story plunges headfirst into the lives of new, utterly original characters. Some are darkly humorous while others are devastatingly poignant. Thompson-Spires fearlessly shines a light on the simmering tensions and precariousness of black citizenship.

The time is the early '80s. The characters go to the same schools and eat at the same restaurants. Their voices enfold us as seamlessly as those of DJs heard over a car radio. They have sex with the same boys and girls and buy from the same dealers. In short, they are connected in the only way people can be in that city.

The beloved author of Early Morning Riser (“The funniest novel of the year.”—The Washington Post) brings us twelve glittering stories of love—friendships formed at the airport bar, ex-husbands with benefits, mothers of suspiciously sweet teenagers, ill-advised trysts—in all its forms, both ridiculous and sublime.

In his debut collection of short stories, Robert Sheehan disappears into characters, challenging the complacencies of everyday experience, often from entirely unexpected angles. Informed by the author’s peripatetic life, Disappearing Act reflects on the absurdity of human behaviour. Sheehan delves deep into his characters’ streams of self-talk and self-imposed delusions, exploring the dark impulses that lurk below the shiny surfaces of many outwardly normal lives.

Kevin Wilson’s characters inhabit a world that moves seamlessly between the real and the imagined, the mundane and the fantastic. “Grand Stand-In” is narrated by an employee of the Nuclear Family Supplemental Provider—a company that supplies “stand-ins” for families with deceased, ill, or plain mean grandparents. And in “Blowing Up On the Spot,” a young woman works sorting tiles at a Scrabble factory after her parents have spontaneously combusted. These wonderfully inventive stories explore the relationship between loss and death and the ways we try to cope with both.

Rachel Klein never meant to kiss her creative writing professor, but with his long eyelashes, his silky hair, and the sad, beautiful life he laid bare on Twitter, she does, and the kiss is very nice. Zahid Azzam never planned to become a houseguest in his student's sprawling Connecticut home, but with the sparkling swimming pool, the endless supply of Whole Foods strawberries, and Rachel's beautiful mother, he does, and the home is very nice.

Do not let Etgar Keret deceive you. The Israeli writer who's worked in film, illustration, animation, and radio, is a storyteller in all senses of the word. Like a conman, he'll promise you a simple story and then the next thing you know your emotional reserves have been completely emptied. It's a literary bait and switch, and he'll get you every time.

Children Playing Before a Statue of Hercules is a collection of short stories, some classic, others impending, selected and introduced by David Sedaris.

These 11 stories by Joshua Ferris, many of which were first published in The New Yorker, are at once thrilling, strange, and comic. The modern tribulations of marriage, ambition, and the fear of missing out as the temptations flow like wine and the minutes of life tick down are explored with the characteristic wit and insight that have made Ferris one of our most critically acclaimed novelists.

A vast caravan of RVs roams the United States. A girl grows a unicorn horn, complicating her small-town friendships and big city ambitions. A young lady on a spaceship bonds with her AI warden while trying to avoid an arranged marriage. In Allegra Hyde’s universe nothing is as it seems, yet the challenges encountered in these pages mirror those we face in our modern age.

As the new manager of the Perfect Passion Company, Katie’s mission is to help the lonely hearts of Edinburgh. With the assistance of her amiable and handsome office neighbor, William, she finds herself using a personal touch to find matches for the city’s lovelorn citizens. When an airline pilot comes to her looking for a woman to take care of him, Katie sends him to cooking school. The case of a hotelier with a particularly overbearing mother may require a delicate two-pronged approach.

"If there’s a lesson to be learned, it’s that logic is the sworn enemy of grief," writes Halimah Marcus, co-editor of Electric Literature, in her introduction to “Firewood," a hilarious and devastating story by J. Robert Lennon. "When the narrator’s wife (expectedly) leaves him, too devastated to admit the obvious, he concocts an impossible explanation for her disappearance. All I’ll say is that it involves the woodpile. The invented story is more horrible than the truth, but somehow easier to manage."

Nada Alic's women—the perverts, nobodies, reality TV stars, poetic hopefuls, shameless party girls, and self-help addicts of Los Angeles and its environs—are all wrestling with a shared stark reality: the modern world. To cope, they live in their baddest thoughts: the lush, strange landscape of female make-believe.