Small Horrors

Some places are too good to be true. Under a pink moon, there is a perfect little town not found on any map. In that town, there are quiet streets lined with pretty houses, houses that conceal the strangest things. After a couple years of hard traveling, ex-cop Mona Bright inherits her long-dead mother's home in Wink, New Mexico. And the closer Mona gets to her mother's past, the more she understands that the people of Wink are very, very different....

The final installment in the most lauded trilogy in the history of horror novels picks up four years after Don’t Fear the Reaper as Jade returns to Proofrock, Idaho, to build a life after the years of sacrifice—only to find the Lake Witch is waiting for her in New York Times bestselling author Stephen Graham Jones’s finale.

Back in the summer of 1988, a young Richard Chizmar was catapulted into the center of a living nightmare as the serial killer Joshua Gallagher—dubbed by the media as “The Boogeyman”—stalked his tranquil Maryland town. A lot has changed in the intervening years. These days, Chizmar enjoys a certain level of celebrity and notoriety himself, being the only person that an incarcerated Josh Gallagher will speak to on or off the record.

A seemingly straightforward private case turns out to be much more complicated - and sinister - than Special Agent A. X. L. Pendergast ever could have anticipated. Pendergast, together with his ward, Constance Greene, travels to the quaint seaside village of Exmouth, Massachusetts, to investigate the theft of a priceless wine collection. But inside the wine cellar, they find something considerably more disturbing: a bricked-up niche that once held a crumbling skeleton.

The Lost Country centers on Edgewater, who's recently been discharged from the navy, and a one-armed con man named Roosterfish who takes him under his wing as they both search desperately for a forgotten past and a future that may never come. The Lost Country cements Gay as one of the strongest voices in Southern literature, alongside Cormac McCarthy, Flannery O'Connor, and William Faulkner.

Nightshift clerk and high-functioning insomniac Jack is back to work, trying his best to keep out of trouble. But when his chain-smoking coworker discovers a mysterious radio signal revealing the guarded secrets of their town, Jack will learn that an annoying new dayshift manager is far from the worst of his problems. In this second installment of the Gas Station saga, Jack finds himself entangled in his most harrowing adventure yet.

In a small Arizona town, a man counts his blessings: a loving wife, two teenage daughters, and a job that allows him to work at home. Then "The Store" announces plans to open a local outlet, which will surely finish off the small downtown shops. His concerns grow when "The Store's" builders ignore all the town's zoning laws during its construction. Then dead animals are found on "The Store's" grounds. Inside, customers are hounded by obnoxious sales people, and strange products appear on the shelves.

It’s fall 1985, and Dustin Henderson is starting his freshman year at Hawkins High School. After the tragedy at the Starcourt Mall, he’s ready for life to return to normal, but things feel different. Some friends have moved away. Others are still in town but growing distant. Dustin thinks entering a science competition will make everything like it used to be, but will Lucas and Mike join him? Or will he have to rely on a charismatic metalhead named Eddie? Join Dustin on a road trip filled with inventions, heavy metal, and a new understanding of his place in Hawkins.

A Penguin Classic. First published in 1938, this volume of stories collected with the encouragement of his longtime editor Pascal Covici serves as a wonderful introduction to the work of Nobel Prize winner John Steinbeck. Set in the beautiful Salinas Valley of California, where simple people farm the land and struggle to find a place for themselves in the world, these stories reflect Steinbeck’s characteristic interests: The tensions between town and country, laborers and owners, past and present.

Lucia and her sisters grew up on the edge of Mockbeggar Woods. They knew it well—its danger, but also its beauty. As a lonely teenager, Kate was drawn to these sisters, who were unlike anyone she’d ever met. But when they brought her into the woods, something dark was awakened, and Kate has never been able to escape the terrible truth of what happened there. Now, Kate is returning home for the first time in years—for Sam and Chloe’s wedding. But the woods are stirring again, and Kate must reconnect with Lucia, her first love, to protect Chloe, the village, and herself.

When horror-obsessed Riley Lawrence and his group of college friends arrive in the small town of Carousel for their Centennial Celebration, the few decrepit cars parked in the street don’t scare them. But when they enter a locked building, an animatronic usher hands them each a ticket, and the lights dim, Riley realizes they’ve entered the inescapable patchwork of a horror movie set. And they’ve each been assigned an archetype—Scholar, Athlete, Eye Candy, Final Girl—to play out as the curtains rise.

Lee left Craw Valley at eighteen without a backward glance. She wanted no part of the generations of her family who tapped into the power of the land to heal and help their community. But when she abandons her new life in California and has nowhere else to go, Lee returns to Craw Valley with her children in tow to live with her grandmother, Belva. Lee vows to stay far away from Belva’s world of magic, but when the target of one of her grandmother’s spells is discovered dead, Lee fears that Belva’s magic may have conjured something far more sinister.

Chuck Warren died tragically at the old abandoned mill, but Paz Espino knows it was no accident—there's a monster under the town, and she's determined to kill it before anyone else gets hurt. She'll need the help of her crew—inseparable friends, bound by a childhood pact stronger than diamonds, distance or death—to hunt it down. But she's up against a greater force of evil than she ever could have imagined.

After the tragic death of their father and surviving a life-threatening eating disorder, eighteen-year-old Ellis moves with their mother to the small town of Black Stone, seeking a simpler life and some space to recover. But Black Stone feels off; it's a disquieting place surrounded by towns with some of the highest death rates in the country. It doesn't help that everyone says Ellis's new house is haunted—everyone including Quinn, a local girl who has quickly captured Ellis's attention.

It's 1997. Scarclaw Fell. The body of teenager Tom Jeffries is found at an outward bound centre. Verdict? Misadventure. But not everyone is convinced. And the truth of what happened in the beautiful but eerie fell is locked in the memories of the tight-knit group of friends who took that fateful trip and the flimsy testimony of those living nearby.

A powerful novel examining the nature of evil, informed by the works of T. S. Eliot and Freud, mythology, local lore, and hard-boiled detective fiction, Sanctuary is the dark, at times brutal, story of the kidnapping of Mississippi debutante Temple Drake. She introduces her own form of venality into the Memphis underworld where she is being held.

Marshall is still trying to put the pieces together after the death of her husband. After she is involved in a terrible accident, her editor sends her to the small, backwards town of Raeford to investigate a clearly ridiculous rumor: that a horse has given birth to a healthy, human baby boy. When Marshall arrives in Raeford, she finds an insular town that is kinder to the horses they are famous for breeding than to their own people. But when two horribly mangled bodies are discovered in a field—one a horse, one a human—she realizes that there might be a real story here.

Marshall Miller would’ve remembered her face even if he hadn’t seen it on a MISSING poster. When a young woman disappears in his small town, the investigation hinges on Marshall’s haunted sighting of her, crying in the back seat of a police car driven by a cop named Maddox. There’s only one problem: no local cop named Maddox exists. But the speeding ticket he handed to Marshall certainly does.

None of us ever agreed on the exact beginning. Was it when we started drawing the chalk figures, or when they started to appear on their own? Was it the terrible accident? Or when they found the first body?

Celebrating a new generation of bestselling and acclaimed Black writers, The Black Girl Survives in This One makes space for Black girls in horror. Fifteen chilling and thought-provoking stories place Black girls front and center as heroes and survivors who slay monsters, battle spirits, and face down death. Prepare to be terrified and left breathless by the pieces in this anthology.