Social Horror

For Rebecca Chin, babysitting has always been fun. But one night, a thunderstorm knocks the power out while she’s watching baby Kyle, and creepy things begin to happen in the house. A locked window opens by itself, mossy handprints streak the wall, and the baby begins acting strange. When she finds out that no one else in town was affected by the storm, Rebecca begins to wonder if something supernatural is going on. Fellow sitters Tanya, Clio, and Maggie help Rebecca unravel the mystery, only to discover something unbelievable.

After her twin sister, Chiara, goes missing at a mom-fluencer weekend, Adrienne Shaw will find her no matter what it takes. They may have been on the outs, but no one comes for her sister and gets away with it. It’s been a year, the authorities have no answers, and her brother-in-law is useless in the matter. It’s time for Adrienne to take the case into her own hands. Following in Chiara’s last footsteps, Adrienne goes undercover, infiltrating the same influencer retreat as the last thing she wants to be: an Instamommy.

This collection of short stories by author Andersen Prunty features "Room 19", a post-apocalyptic nightmare based on Nick Cave and the Bad Seeds' song "From Her to Eternity," appearing for the first time anywhere, and "Market Adjustment", about one man's battle with the wealthy, previously available only in a very limited edition. Also includes: "The Dust Season", "The Man With the Face Like a Bruise," "The Photographer," "The Night the Moon Made a Sound," and "The Funeralgoer."

There is a famous cave located just outside of Spooksville. A lot of stories surround the dark place: scary ones as well as exciting ones. Adam decides to explore the cave with his friends, Watch, Sally, and Cindy. But the moment they go into the cave, the entrance closes behind them. They are trapped. In the dark. They walk deeper into the cave, frantically searching for a way out. The batteries in their flashlights begin to run low. Then they realize something is following them. Something that has been in the cave for a long time. Something big, black…and hungry.

In 1892, investigative journalist Ida B. Wells-Barnett published a pamphlet with unflinching and honest descriptions of the cruelties being enacted against Black Americans in the South by their White neighbors. Wells’ poignant and raw reporting of the horrors of lynching scandalized many of her readers outside the South, yet the practice continued unimpeded for more than half a century after. Today, Southern Horrors: Lynch Law in All Its Phases is a sobering reminder that American racism and inequality did not simply end with emancipation.

Despite the high number of programs and their evident popularity, paranormal reality television has to date received little critical attention. Ghost Channels provides an overview of the paranormal reality television genre, its development, and its place in television history. Conducting in-depth analyses of over thirty paranormal television series, author Amy Lawrence suggests these programs reveal much about Americans' contemporary fears.

At 11 years old, Gabriel Naumann is witness to a horrific crime. Twenty-nine years later his girlfriend is taken. Then the messages begin. 'If you want to find her, then you'll have to find me.' Somebody knows the truth. Somebody knows what he did. And now his girlfriend will pay for it - unless he can find her in time. When you've spent decades running from your past, what do you do when it finally catches up with you?

The Social Code is the much-anticipated sequel to Patrick Hanlon's widely acclaimed book Primal Branding: Create Zealots for Your Brand, Your Company And Your Future. The book illustrates how to design and attract social communities, using underlying principles that have already created great brands, internal cultures, political and social movements, even civic communities. The new mission is to create a fan community that becomes so passionate about your success, they are willing to create it themselves.

Valentine Orphanet had an fairly ordinary life until one grey day, she saw that advert in a news agent's window: "Position of employment offered for a researcher/assistant in the field of occult resolution." It seemed more interesting than basic paperwork and filing, but no where did it say anything about exposure to witches, gnomes, fae, creatures of the night, or vampires that share our world with us without our knowledge.

Lina has come home to the country of her childhood. Sent away from Colombia to England after her mother's death 20 years before, she's searching for the one person who can tell her about their shared past. She's never forgotten Matty - her childhood friend and protector who now runs the Anthill, a day care refuge for the street kids of Medellín. Lina begins volunteering there, but her reunion with Matty is not what she hoped for.

When Luke Manchett's estranged father dies suddenly, he leaves his son a dark inheritance: a collection of eight restless spirits, known as his Host, who want revenge for their long enslavement. Once they figure out that Luke has no clue how to manage them, they become increasingly belligerent, and eventually mutiny. Halloween (the night when ghosts reach the height of their power) is fast approaching, and Luke knows his Host is planning something far more trick than treat.

After three months in the suicide prevention wing of St. George's, Audrey Bales is finally coming home. Enrolled at a new school, she plans to reinvent herself with a new look, new friends, and a second chance to be just like everyone else. But the kids who drove her over the edge aren't through with her yet. And one of her new friends has an agenda all his own.

Estos ocho relatos hacen parte de las leyendas de distintos países iberoamericanos, pero los trasuntos literarios con que los presenta Gonzalo España los hace novedosos para la mayoría de los lectores: su tono de veracidad provoca la inquietante certidumbre de que más vale estar prevenido contra las almas en pena, que vienen a reclamar desde el más allá justicia para los muertos, como en "Un corte pasado de moda" (Colombia); contra los caprichos de Satán y su corte de violentos diablillos, que venden caro el atrevimiento de presuntuosos artistas en "Nom serviam" (México).

The start of a fun middle-grade series, The Ghost Handlers, follows Heather Tildy, an Atlanta teen with a troublesome habit of attracting ghosts. Middle-child Heather has enough to worry about with sisters, boys and school. Now that a trouble-making girl from the 1800's is poking her nose in Heather's business, her life has taken a supernatural turn for the worse! Before her life can get better, she has to figure out how to help the ghost move on.

The stories in this book are based upon actual events. During the course of her research into some of South Carolina's classic tales, Nancy Roberts heard accounts of happenings in the recent past and even the present day. They're all here: from the famous Gray Man of Pawleys Island who warns of coming storms to the ghost of the poor fellow whose small plane went down in the 1950s near Walhalla, leaving him to forever hitchhike Highway 107.

The city of Ludlow is gripped by the hottest July on record. The asphalt is melting, the birds are dying, petty crime is on the rise, and someone in Hannah Wagnor’s peaceful suburban community is killing girls.

Tras la brutalidad de la Revolución, los sobrevivientes necesitaban una esperanza y el nacionalismo se la dio. Pero a un costo altísimo: muerte y mentira.

No one is kind to sixth-grader Brendan Doyle: his foster mother, his teachers, his classmates, and especially the thugs who bully him. He takes refuge in books, drawing, carving, and daydreaming. When Brendan stumbles upon an old man near his tree house in the Virginia woods, he is quick to believe that this is the magical Green Man, guardian spirit of the forest. Brendan's need to immerse himself in his fantasy world becomes more acute, until he meets a girl with secrets of her own who may just keep his feet on the ground.

Whether through a movie, television show, novel, or even myth, horror as a genre has always spoken to our deepest human fears and anxieties: fear of death, of the unknown, of knowing too much. Whether you're looking at classic narratives like Frankenstein, or contemporary films like Get Out, which explores racism and white guilt, horror provides a window into our culture and what makes us human. The same can be said of religion.

If Hamlet thought he had issues, he should have talked to Cooper Warner. His mother's normally sunny demeanor has turned into something homicidal. And whats worse, she has help in her hunt for Cooper: A ravenous monster living at the bottom of the old well in the woods behind their house. She's determined to deliver her 14-year-old son straight into the creatures eager clutches.