Social Horror

Written against the backdrop of contemporary Argentina, and with a resounding tenderness toward those in pain, in fear, and in limbo, The Dangers of Smoking in Bed is Mariana Enriquez at her most sophisticated, and most chilling.

Jazz Dent has been shot and left to die in New York City. His girlfriend Connie is in the clutches of Jazz's serial killer father, Billy. And his best friend Howie is bleeding to death on the floor of Jazz's own home in tiny Lobo's Nod. Somehow, these three must rise above the horrors their lives have become and find a way to come together in pursuit of Billy. But then Jazz crosses a line he's never crossed before, and soon the entire country is wondering: "Like father, like son?" Who is the true monster?

Sixteen-year-old Jake Livingston sees dead people everywhere. But he can't decide what's worse: being a medium forced to watch the dead play out their last moments on a loop or being at the mercy of racist teachers as one of the few Black students at St. Clair Prep. Both are a living nightmare he wishes he could wake up from. But things at St. Clair start looking up with the arrival of another Black student - the handsome Allister - and for the first time, romance is on the horizon for Jake. Unfortunately, life as a medium is getting worse.

Last Halloween, Eleanor, Pip, and Otto narrowly escaped the clutches of the evil January Society and their leader. But life in the too-quiet Eden Eld isn’t safe just yet: According to the bargain they made with Mr. January, it’s now his sister’s turn to hunt the three of them. And her methods are a bit more...treacherous. When their friends and neighbors begin disappearing, abducted by strange, mud-drenched monsters, Eleanor and her two best friends must race to uncover their enemy’s secrets. If they fail, their families will be next.

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented.

ASBOs may be the pride and joy of New Labour, but they don't cut much ice with Horace Rumpole - he takes the old-fashioned view that if anyone is going to be threatened with a restriction of their liberty then some form of legal proceeding ought to be gone through first. When one of the Timson children is given an ASBO for playing football in the street, Rumpole soon realizes something fishy is going on.

Sharon Marshall was a brilliant and beautiful student whose future was filled with promise—until her murderous, fugitive father drew her into a lifetime of deception that became one of the most baffling cases in the annals of American true crime.

All of a sudden, the most ordinary things have taken on a sinister edge: a penny on a doormat. An odd man in a brown suit under a streetlamp. The persistent sound of an ax chopping in the middle of the night. He keeps telling himself that this is Seaham, a sleepy seaside town where nothing ever happens. Or at least nothing did, until his dad’s construction company opened up the cliff beneath the old—some say cursed—Langdon place.

Much has been written about the storied New Hollywood of the 1970s, but while Martin Scorsese, Steven Spielberg, and Francis Ford Coppola were making their first classic movies, a parallel universe of directors gave birth to the modern horror film - aggressive, raw, and utterly original. Based on unprecedented access to the genre's major players, New York Times critic Jason Zinoman's Shock Value delivers the first definitive account of horror's golden age.

Brooklyn Stevens sits in a pool of her own blood, tied up and gagged. No one outside of these dank basement walls knows she’s here. No one can hear her scream. A terrifying tale in the tradition of Carrie and The Exorcist.

Alex's second attempt to break out has failed. This time his punishment will be much worse than before. Because in the hidden, bloodstained laboratories beneath the prison, he will be made into a monster. As the warden pumps something evil into his veins - a sinisterly dark nectar - Alex becomes what he most fears: a superpowered minion of Furnace. How can he escape when the darkness is inside him?

What begins with a sense that Michael's deceased grandfather might be inhabiting his body soon escalates to "slipping" into to the river of the dead. When Michael slips, he relives moments of his grandfather's life and tries to help him find peace. But each time he ventures into the river it's harder to come out again. Michael will have to depend on an unlikely group of friends to keep him from slipping... permanently. A penetrating twist on the classic ghost story, full of humor and insight about family relationships.

After a soul-crushing Tinder date, a woman returns to her apartment to cook some squid and seethe. Her eye starts to itch; her memory starts to skip, and she starts to spiral. Offense is an auditory explosion and an exploration of the rash of loneliness...and what happens when the voices inside our heads start to warp.

This series follows spunky inventor Kimmie Tuttle, who lost her allowance after taking her dad's bowling ball apart. She has to come up with creative solutions to not only buy spare parts, but to also save the day as she faces problems with some mythical sources.

Analyzing the way in which horror has been used throughout history to articulate the fears and taboos of the current generation, Darryl Jones considers the continuing evolution of the genre today. As horror is mass marketed to mainstream society in the form of romantic vampires and blockbuster hits, it also continues to maintain its former shadowy presence on the edges of respectability, as banned films and violent internet phenomena push us to question both our own preconceptions and the terrifying capacity of human nature.

Nearly escaping from the evil Mr. Zetes, Kaitlyn Fairchild and her psychic team are dismayed when Gabriel defects to the Institute, and Kaitlyn pretends to betray the group as well in an effort to save her friend.

Horror films promise an experience: fear. But how exactly do filmmakers pull this off? The truth is, there's more to it than just loud noises and creepy images. With the affection of a true horror fan and the critical analysis of a scientist, Nesseth explains how audiences engage horror with both their brains and bodies, and teases apart the elements that make horror films tick. Nightmare Fuel covers everything from jump scares to creature features, serial killers to the undead, and the fears that stick around to those that fade over time.

The Dark Side is a narrative account of the decisions the U.S. made after September 11, decisions that not only violated the Constitution, but also hampered the pursuit of Al Qaeda. In gripping detail, Jane Mayer relates specific cases, shown in real time against the larger tableau of Washington, looking at the intelligence gained and the price paid. In all cases, there were incalculable losses in terms of moral standing, our country's place in the world, and its sense of itself.

Lili St. Crow’s darkly exhilarating Strange Angels novels have won a devoted readership. In the third book of the series, Crow’s unusual heroine, Dru Anderson, has been through the ringer, what with a missing mother, her father turning all undead on her, and forces of evil that just won’t seem to let her be. On the run from a predator with a taste for her blood, Dru can count on help from Graves and Christophe—but they just might do more harm than good as they battle for her affections.

Whether for entertainment, under the guise of medicine, or to propel consumerism, heinous acts are perpetrated daily on women’s bodies. In Body Horror: Capitalism, Fear, Misogyny, Jokes, award-winning journalist Anne Elizabeth Moore catalogs the global toll of capitalism on our physical autonomy. Weaving together unflinching research and surprising humor, these essays range from investigative—probing the Cambodian garment industry, the history of menstrual products, or the gender biases of patent law—to uncomfortably intimate.