Social Horror

Why would anyone want to watch horror movies? Why would Christians, in particular, bother with the genre? In Fear Not!, critic Josh Larsen makes the case that monster movies, creature features, slashers, and other fright films artfully reflect our deep worries in a way that resonates with the Christian experience. Combining critical observation and theological reflection, Larsen devotes each chapter to a different horror subgenre, connecting that subgenre to a commonly shared fear.

Mackie is a Replacement — left in the crib of a human baby sixteen years ago. Now, because of fatal allergies to iron, blood, and consecrated ground, Mackie is slowly dying in the human world. Mackie would give anything to live among us. He just wants to play bass guitar and find out more about an oddly intriguing girl named Tate. But when Tate’s baby sister goes missing, Mackie is drawn irrevocably into the underworld of Gentry, known as Mayhem....

From a colonial manse in New England to a small-town home in Iowa to a Beverly Hills mansion, these residences have taken on a life of their own, gaining everything from local lore and gossip to national - and even global - infamy. Here, writer Steve Lehto recounts the stories behind the houses where Lizzie Borden supposedly gave her stepmother "40 whacks", where the real Amityville Horror was first unleashed by gunfire, and where the demented acts of the Manson Family horrified a nation.

Lili St. Crow staked her place among writers of dark fantasy with the release of Strange Angels, the first book featuring night hunter Dru Anderson. Here teen Dru returns, a little wiser but still beset by supernatural terrors that would have most girls her age running for cover. What else would you expect for someone with nonhuman blood coursing through her veins?

Seth Grahame-Smith delivers the definitive, essential guide to making it through a horror movie in one piece. As hilarious as it is useful (if you’re trapped in a scary flick, that is), How to Survive a Horror Movie covers all the bases. Trapped in a haunted house? Check. Stalked by an evil doll? Check. Wandering aimlessly through the remains of the old world as a plague of zombies sweeps over the planet? Check.

The Horror of It All is a memoir from the front lines of the industry that dissects (and occasionally defends) the hugely popular phenomenon of scary movies. Author Adam Rockoff traces the highs and lows of the horror genre through the lens of his own obsessive fandom, born in the aisles of his local video store and nurtured with a steady diet of cable trash.

It’s time for Joss McMillan to prove himself as a Slayer. He failed to kill the vampire Vladimir Tod, but now he’s getting a second chance to make things right. He is in New York City, sent by the Slayer Society to hunt down a serial-killing vampire. Joss will lead his Slayer team and stop the murderer. But all is not as it appears. When the team discovers that there is more than one suspect on the killing rampage, Joss must use all his skill to save the innocent people of New York City. Joss’s status as a Slayer - and his very life - depend on it.

Much has been written about the storied New Hollywood of the 1970s, but while Martin Scorsese, Steven Spielberg, and Francis Ford Coppola were making their first classic movies, a parallel universe of directors gave birth to the modern horror film - aggressive, raw, and utterly original. Based on unprecedented access to the genre's major players, New York Times critic Jason Zinoman's Shock Value delivers the first definitive account of horror's golden age.

After a soul-crushing Tinder date, a woman returns to her apartment to cook some squid and seethe. Her eye starts to itch; her memory starts to skip, and she starts to spiral. Offense is an auditory explosion and an exploration of the rash of loneliness...and what happens when the voices inside our heads start to warp.

One of the world's most famous intellectual ghost stories, The Turn of the Screw is a haunting tale of suspected supernatural possession. A governess at a country house claims that Miles and Flora, two orphaned children in her care, are being controlled by spirits for some evil purpose. No one else can see the ghosts, and the children themselves are silent. Are they being dominated by spectral forces, or are they hiding something? Is the governess simply paranoid, or is something else going on?

ASBOs may be the pride and joy of New Labour, but they don't cut much ice with Horace Rumpole - he takes the old-fashioned view that if anyone is going to be threatened with a restriction of their liberty then some form of legal proceeding ought to be gone through first. When one of the Timson children is given an ASBO for playing football in the street, Rumpole soon realizes something fishy is going on.

Grave-robbing. What kind of monster would do such a thing? It's true that Leonardo da Vinci did it, Shakespeare wrote about it, and the resurrection men of 19th-century Scotland practically made it an art. But none of this matters to Joey Crouch, a 16-year-old straight-A student living in Chicago with his single mom. For the most part, Joey's life is about playing the trumpet and avoiding the daily humiliations of high school. Everything changes when Joey's mother dies in a tragic accident and he is sent to rural Iowa to live with the father he has never known....

What is it with Olivia and ghosts? No matter where Olivia Kidney goes, they follow. Even when she and her klutzy handyman father start over in a new brownstone in New York City - owned by the mad, bad, and dangerous Ansel Plover - there is no escape from the weirdness that is Olivia's life. Their new living room is entirely submerged underwater, and Olivia needs a boat to navigate past the bobbing furniture and snapping turtles just to get to her bedroom. And then, there are the ghosts. The house holds secrets, lots of them - Olivia can feel it. Why, she wonders, was she invited to live there?

Alex knows what it's like to be invisible. He has gone through his entire life not being noticed by those around him. Even his own college roommate Xavier treats him like he isn't even there. That is until Alex creates an alternate persona on social media, Xander. Suddenly his life is full of likes and friend requests, and even Xavier takes notice. Having no idea Alex is behind the Xander account, Xavier develops an intimate and steamy relationship with a person who is only a fiction.

FEAT DESC

Whether for entertainment, under the guise of medicine, or to propel consumerism, heinous acts are perpetrated daily on women’s bodies. In Body Horror: Capitalism, Fear, Misogyny, Jokes, award-winning journalist Anne Elizabeth Moore catalogs the global toll of capitalism on our physical autonomy. Weaving together unflinching research and surprising humor, these essays range from investigative—probing the Cambodian garment industry, the history of menstrual products, or the gender biases of patent law—to uncomfortably intimate.

Few events have sparked more legends and stories of the supernatural than America's Civil War. The accounts of gallantry and heroism have spread far and wide. Nancy Roberts grew up listening to her father's stories of the War Between the States, and she trekked over many battle sites with him during her childhood. After reading about General Joshua Chamberlain's supernatural experience at the Battle of Gettysburg, Roberts began to collect tales of the blue and gray and write them down.

When Stephen's dad says they're moving, Stephen knows it's pointless to argue. They're broke from paying Mom's hospital bills, and now the only option left is to live with Stephen's grandmother in Spencer, a backward small town that's like something out of The Twilight Zone. Population: 814.

Whether through a movie, television show, novel, or even myth, horror as a genre has always spoken to our deepest human fears and anxieties: fear of death, of the unknown, of knowing too much. Whether you're looking at classic narratives like Frankenstein, or contemporary films like Get Out, which explores racism and white guilt, horror provides a window into our culture and what makes us human. The same can be said of religion.

Written in haunting, lyrical prose, Kit’s Wilderness examines the bonds of family from one generation to the next, and explores how meaning and beauty can be revealed from the depths of darkness.