Social Horror

It’s winter break at St. Vladimir’s, but Rose is feeling anything but festive. A massive Strigoi attack has put the school on high alert, and now the Academy’s crawling with Guardians - including Rose’s hard-hitting mother, Janine Hathaway. And if hand-to- hand combat with her mom wasn’t bad enough, Rose’s tutor Dimitri has his eye on someone else, her friend Mason’s got a huge crush on her, and Rose keeps getting stuck in Lissa’s head while she’s making out with her boyfriend, Christian.

In Captive in Iran, Maryam and Marziyeh recount their 259 days in Evin. It’s an amazing story of unyielding faith - when denying God would have meant freedom. Of incredible support from strangers around the world who fought for the women’s release. And of bringing God’s light into one of the world’s darkest places - giving hope to those who had lost everything, and showing love to those in despair.

After a soul-crushing Tinder date, a woman returns to her apartment to cook some squid and seethe. Her eye starts to itch; her memory starts to skip, and she starts to spiral. Offense is an auditory explosion and an exploration of the rash of loneliness...and what happens when the voices inside our heads start to warp.

Analyzing the way in which horror has been used throughout history to articulate the fears and taboos of the current generation, Darryl Jones considers the continuing evolution of the genre today. As horror is mass marketed to mainstream society in the form of romantic vampires and blockbuster hits, it also continues to maintain its former shadowy presence on the edges of respectability, as banned films and violent internet phenomena push us to question both our own preconceptions and the terrifying capacity of human nature.

The recent Strigoi attack at St. Vladimir’s Academy was the deadliest ever in the school’s history, claiming the lives of Moroi students, teachers, and guardians alike. Even worse, the Strigoi took some of their victims with them . . . including Dimitri.

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented.

Nearly escaping from the evil Mr. Zetes, Kaitlyn Fairchild and her psychic team are dismayed when Gabriel defects to the Institute, and Kaitlyn pretends to betray the group as well in an effort to save her friend.

Last Halloween, Eleanor, Pip, and Otto narrowly escaped the clutches of the evil January Society and their leader. But life in the too-quiet Eden Eld isn’t safe just yet: According to the bargain they made with Mr. January, it’s now his sister’s turn to hunt the three of them. And her methods are a bit more...treacherous. When their friends and neighbors begin disappearing, abducted by strange, mud-drenched monsters, Eleanor and her two best friends must race to uncover their enemy’s secrets. If they fail, their families will be next.

More than a decade ago, Mira fled her small, segregated hometown in the south to forget. With every mile she traveled, she distanced herself from her past: from her best friend Celine, mocked by their town as the only white girl with black friends; from her old neighborhood; from the eerie Woodsman plantation rumored to be haunted by the spirits of slaves; from the terrifying memory of a ghost she saw that terrible day when a dare-gone-wrong almost got Jesse—the boy she secretly loved—arrested for murder. But now Mira is back to attend Celine's wedding at the plantation.

Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart—the eccentric'—the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play.

Much has been written about the storied New Hollywood of the 1970s, but while Martin Scorsese, Steven Spielberg, and Francis Ford Coppola were making their first classic movies, a parallel universe of directors gave birth to the modern horror film - aggressive, raw, and utterly original. Based on unprecedented access to the genre's major players, New York Times critic Jason Zinoman's Shock Value delivers the first definitive account of horror's golden age.

The American empire emerged from the shadows of World War II. As the nation's influence swept the globe with near impunity, a host of evil forces followed—from racism, exploitation, and military invasion to killer clowns, flying saucers, and monsters borne of a fear of the other. By viewing American imperial history through the prism of the horror genre, Dark Carnivals lays bare how the genre shaped us, distracted us, and gave form to a violence as American as apple pie.

Machen's novella The Great God Pan is often cited as one of Lovecraft's most notable influences. In it, Dr. Raymond's ultimate goal is to devise a way to open the mind of man so that he may experience all the world has to offer. He calls this "seeing the great god Pan". After much study of the human mind, he devises an experiment that involves minor brain surgery. He performs this experiment on a young woman named Mary, but when she awakens she is terrified and mentally crippled.

Brooklyn Stevens sits in a pool of her own blood, tied up and gagged. No one outside of these dank basement walls knows she’s here. No one can hear her scream. A terrifying tale in the tradition of Carrie and The Exorcist.

The Dark Side is a narrative account of the decisions the U.S. made after September 11, decisions that not only violated the Constitution, but also hampered the pursuit of Al Qaeda. In gripping detail, Jane Mayer relates specific cases, shown in real time against the larger tableau of Washington, looking at the intelligence gained and the price paid. In all cases, there were incalculable losses in terms of moral standing, our country's place in the world, and its sense of itself.

Seventeen-year-old Farrah Turner is one of two Black girls in her country club community, and the only one with Black parents. Her best friend, Cherish Whitman, adopted by a white, wealthy family, is something Farrah likes to call WGS—White Girl Spoiled. With Brianne and Jerry Whitman as parents, Cherish is given the kind of adoration and coddling that even upper-class Black parents can’t seem to afford—and it creates a dissonance in her best friend that Farrah can exploit.

When Stephen's dad says they're moving, Stephen knows it's pointless to argue. They're broke from paying Mom's hospital bills, and now the only option left is to live with Stephen's grandmother in Spencer, a backward small town that's like something out of The Twilight Zone. Population: 814.

Mackie is a Replacement — left in the crib of a human baby sixteen years ago. Now, because of fatal allergies to iron, blood, and consecrated ground, Mackie is slowly dying in the human world. Mackie would give anything to live among us. He just wants to play bass guitar and find out more about an oddly intriguing girl named Tate. But when Tate’s baby sister goes missing, Mackie is drawn irrevocably into the underworld of Gentry, known as Mayhem....

Lili St. Crow’s darkly exhilarating Strange Angels novels have won a devoted readership. In the third book of the series, Crow’s unusual heroine, Dru Anderson, has been through the ringer, what with a missing mother, her father turning all undead on her, and forces of evil that just won’t seem to let her be. On the run from a predator with a taste for her blood, Dru can count on help from Graves and Christophe—but they just might do more harm than good as they battle for her affections.

In 1892, investigative journalist Ida B. Wells-Barnett published a pamphlet with unflinching and honest descriptions of the cruelties being enacted against Black Americans in the South by their White neighbors. Wells’ poignant and raw reporting of the horrors of lynching scandalized many of her readers outside the South, yet the practice continued unimpeded for more than half a century after. Today, Southern Horrors: Lynch Law in All Its Phases is a sobering reminder that American racism and inequality did not simply end with emancipation.