Social Identity

Identical twins Isabella and Hà were born in Vietnam and raised on opposite sides of the world, each knowing little about the other’s existence, until they were reunited as teenagers, against all odds. Award-winning journalist Erika Hayasaki spent years and hundreds of hours interviewing each of the birth and adoptive family members and tells the girls’ incredible story from their perspectives, challenging conceptions about adoption and what it means to give a child a good life.

The book reveals the universal and cosmic love of the Red Road. The Red Road is the philosophy/worldview/religion of the native Indian tribes/pueblos of North and South America. This worldview promotes integration with Mother Earth and the cosmos to achieve harmony within eternally evolving existence. Using the Chicano as an example, the book explores the human lifetime as a cosmic being with eternal cycles of reincarnation and integration. This cosmic journey is examined from the perspective of the Red Road.

In Real Americans, Jared A. Goldstein boldly challenges the conventional wisdom that a shared devotion to the Constitution is the essence of what it means to be American.

In We Refuse to Forget, award-winning journalist Caleb Gayle tells the extraordinary story of the Creek Nation, a Native tribe that two centuries ago both owned slaves and accepted Black people as full citizens. Thanks to the efforts of Creek leaders like Cow Tom, a Black Creek citizen who rose to become chief, the U.S. government recognized Creek citizenship in 1866 for its Black members. Yet this equality was shredded in the 1970s when tribal leaders revoked the citizenship of Black Creeks, even those who could trace their history back generations—even to Cow Tom himself.

Este libro es una reflexión crítica sobre la cultura mexicana contemporánea. Se han elegido los lugares comunes del carácter del mexicano: se trata de un manojo de estereotipos codificados por la intelectualidad, pero cuyas huellas se reproducen en la sociedad, provocando el espejismo de una cultura popular de masas. Estas imágenes sobre "lo mexicano" no son reflejo de la conciencia popular (suponiendo, cosa que se duda, que dicha conciencia exista como entidad única y homogénea).

What does it mean to be Muslim in India? What does it mean to look like one's religion? Does one's faith determine how one is perceived? Is there a secular ideal one is supposed to live up to? Can people of different faiths have a shared culture, a shared identity? But You Don't Look Like a Muslim is a work that every thinking Indian must hear.

Ersula J. Ore scrutinizes the civic roots of lynching, the relationship between lynching and white constitutionalism, and contemporary manifestations of lynching discourse and logic today. From the 1880s onward, lynchings, she finds, manifested a violent form of symbolic action that called a national public into existence, denoted citizenship, and upheld political community.