Social Media Study

Now in its second edition, The Virtues of Captain America is updated to include all the new developments in Captain America's saga. This edition also offers new material on Sam Wilson—formerly Captain America's partner the Falcon who recently became Captain America himself—and how his interpretation of the role compares to Steve Rogers's.

Shadowy groups are increasingly capable of collective action. Using military-grade encryption, rerouting software, and cryptocurrencies, anonymous and pseudonymous actors can now communicate, solve problems, recruit members, and manage resources across multiple public and semipublic spaces. This swirling mix of secrecy and openness enables people to move through cyberspace like nomads with verifiable personas, which makes them impossible to stop.

A sharply personal and expansive essay collection dedicated to the strange and absurd beauty of horror films, exploring the complications of gender, the insidiousness of class ascension, and the latent violence hidden in our own uncanny reflections.

While hardly a new phenomenon, masculinity—which includes elements of toughness, independence, and leadership, among others—roared onto the national political stage in America with the 2016 candidacy, election, and presidency of Donald Trump. Research into masculinity dates back over a century, but little attention has been paid to the specific role of masculinity in politics beyond the conventional wisdom that it, rather than femininity, is the dominant force.

In the midst of widespread mass shootings in America, a common motif stands out: the perpetrators of these attacks often view themselves as vigilante saviors, whose job it is to regulate society in a way that exterminates their enemies. In this critique, Rachel Wagner makes the case that this unfortunate phenomenon is best understood through the idea of the cowboy apocalypse. She shows that across US media, from video games and movies to novels and TV, a story arc has been created that provides a complete myth about the end of the world and the future after that.

Facebook, Google, X (Twitter) & Co., die "Big Tech" genannten IT-Riesen aus dem Silicon Valley, glauben, die Kommunikationsstandards von Milliarden Menschen über ihre Richtlinien und Standards vorschreiben zu können. Diese Anmaßung erfolgt ohne jede demokratische Legitimation. Durch ihre geradezu monopolistische Stellung bestimmen sie die Rahmenbedingungen öffentlicher Kommunikation. Mit dramatischen Konsequenzen: tausendfacher Rechtsbruch, digitale Massenvernichtung freier Rede und drastische Eingriffe in die Meinungsfreiheit sind die Folge.

Wandering through the labyrinth of Greek mythology can be daunting, especially when you're just starting out. But it doesn't have to be. If you want to discover this vast world and its relevance to modern-day life through manageable, bite-size chunks, then you need A Beginner's Guide to Greek Mythology.

Veiled Threats challenges the idea that women in violent terrorist groups lack agency. Too often, these women are assumed to be controlled by men: their fathers, their husbands, or some other male relative. Mia Bloom contests this narrow understanding. Although extremist groups often control different aspects of women's lives, including their religious obligations or dress, jihadi women have asserted themselves in myriad ways. Bloom interrogates the prevailing perceptions about women's involvement in violent extremism exclusively as victims: manipulated, drugged, or coerced.

Women have played a key role in these protests, refusing to wear a hijab and cutting their hair in public to chants of 'Woman, Life, Freedom'. In Farhad Khosrokhavar's account, these protests represent the first truly feminist movement in Iran, and one of the first in the Muslim world, where women have been in the vanguard. There have been many movements in the Muslim world in which women have taken part, but rarely have women—and especially young women—been the driving force.

Award-winning historian Amrita Chakrabarti Myers has recovered the riveting, troubling, and complicated story of Julia Ann Chinn (ca. 1796–1833), the enslaved wife of Richard Mentor Johnson, owner of Blue Spring Farm, veteran of the War of 1812, and US vice president under Martin Van Buren. Johnson never freed Chinn, but during his frequent absences from his estate, he delegated to her the management of his property, including Choctaw Academy, a boarding school for Indigenous men and boys on the grounds of the estate.

Mit "Manufacturing Consent" legten Edward S. Herman und Noam Chomsky im Jahr 1988 ein umfassendes Werk zur Funktionsweise der Massenmedien in kapitalistischen Demokratien vor, das heute als eine der meistgelesenen Studien zum Thema gilt. Fein und detailliert zeigen die Autoren, wie die Medien einen gesellschaftlichen Konsens herstellen, der den herrschenden wirtschaftlichen und politischen Interessen folgt.

Wie YouTube das Weltbild formt: ein exklusiver Investigativ-Bericht. Der Aufstieg der Video-Plattform zur globalen Supermacht. Die Macht des YouTube-Algorithmus über den Alltag seiner Nutzerinnen. YouTube ist weit mehr als eine Video-Plattform: Mit mehr als zwei Milliarden User*innen und 500 Stunden Video-Uploads pro Minute ist die Google-Tochter die mächtigste Bildmaschine aller Zeiten. Der YouTube-Algorithmus entscheidet, wie wir die Welt sehen.

In this incisive new work, Adrian Daub analyzes the global spread of cancel culture discourse as a moral panic, showing that, though its object is fuzzy, talk of cancel culture in global media has become a preoccupation of an embattled liberalism. There are plenty of conservative voices who gin up worries about cancel culture to advance their agendas. But more remarkable perhaps is that it is centrist, even left-leaning, media that have taken up the rallying cry and really defined the outlines of what cancel culture is supposed to be.

How did we end up here, masters of scientific insight, purveyors of ever more powerful technologies, astride the burning planet that created us, and now responsible for cleaning up the mess and determining the future direction of all of life? And what do we do about it? Technology is Dead is a book that attempts to answer both of those questions. It is a book of both challenge and hope, written for those who are able or willing to lead us out of our global predicament.

With provocative discussions from both professional and fan writers, on subjects from Star Trek to The X-Files and Buffy the Vampire Slayer to Harry Potter, Twilight, and beyond, Fic sheds light on the widely misunderstood world(s) of fanfiction - not only how fanfiction is transforming the literary landscape, but how it already has.

There was a time when the news came once a day, in the morning newspaper. Times have changed. Now we’re inundated. We carry the news with us, getting instant alerts about events around the globe. Yet despite this unprecedented abundance of information, it seems increasingly difficult to know what’s true and what’s not. In Bad News, Rob Brotherton delves into the psychology of news, reviewing how the latest research can help navigate this supposedly post-truth world.

Histories of the book often move straight from the codex to the digital screen. Left out of that familiar account is nearly 150 years of audio recordings. Recounting the fascinating history of audio-recorded literature, Matthew Rubery traces the path of innovation from Edison's recitation of "Mary Had a Little Lamb" for his tinfoil phonograph in 1877 to the first novel-length talking books made for blinded World War I veterans to today's billion-dollar audiobook industry.

Bestsellerautor Yuval Noah Harari erklärt, wie Informationsnetzwerke unsere Welt geschaffen haben und sie jetzt zu zerstören drohen. In den letzten 100.000 Jahren hat die Menschheit enorme Macht erlangt. Doch trotz all unserer Entdeckungen, Erfindungen und Eroberungen befinden wir uns heute in einer existenziellen Krise. Die Welt steht am Rande des ökologischen Zusammenbruchs. Zuhauf werden Falschinformationen verbreitet.

Per la prima volta insieme, tutti gli scritti che Umberto Eco ha dedicato alla televisione: al suo linguaggio, alle forme di comunicazione che mette in gioco, alle tecnologie che le sostengono, all'immaginario che produce, ai suoi esiti culturali, estetici, etici, educativi e, soprattutto, politici.

R. Blondin a cherché à présenter des outils pertinents au questionnement actuel des hommes qui se donnent la peine d'envisager, d'accepter, de provoquer des changements profonds d'identité et de comportement.