Social Media Study

This book exposes how the media racializes and genderizes news coverage to fit the its far left "progressive" agenda-with bias baked into every aspect of news organizations these days. This work sets the record straight.

Mit "Manufacturing Consent" legten Edward S. Herman und Noam Chomsky im Jahr 1988 ein umfassendes Werk zur Funktionsweise der Massenmedien in kapitalistischen Demokratien vor, das heute als eine der meistgelesenen Studien zum Thema gilt. Fein und detailliert zeigen die Autoren, wie die Medien einen gesellschaftlichen Konsens herstellen, der den herrschenden wirtschaftlichen und politischen Interessen folgt.

The BBC is a central part of British life, shared culture and international standing. But the BBC is in peril as never before in its long history. It faces ever-increasing competition and threats from new technology and consumption trends. It suffers relentless attacks from a range of hostile players motivated by their own political and commercial interests. And it faces deep funding cuts. These pressures may even destroy it within a generation. We must not end up recognising what its value was only when it's gone.

I vaccini? Provocano l'autismo. Le scie degli aerei? Veleno per alterare il clima. Gli attacchi dell'11 settembre? Una messinscena degli americani. La Luna? Non ci siamo mai andati. La Terra? È piatta. Ciò che fino a ieri era considerato da tutti vero e accertato, all'improvviso viene messo in discussione, mentre in molti ambiti della vita i fatti perdono sempre più valore a favore di credenze irrazionali, pregiudizi e cospirazioni.

Noir - as a style, movement, or sensibility - has its roots in hardboiled detective fiction by writers like Chandler and Hammett, and films adapted from their novels were among the first called "film noir" by French cineastes. But film isn't the only medium with a taste for a dark story. Hundreds of noir dramas have been produced for television, featuring detectives and femmes fatales, gangsters, and dark deeds, continuing week after week, with a new disruption of the social order. In TV Noir, television historian Allen Glover presents the first complete study of the subject.

Gorgeous War argues that the Nazis used the swastika as part of a visually sophisticated propaganda program that was not only modernist, but also the forerunner of contemporary brand identity. When the United States military tried to answer Nazi displays of graphic power, it failed. In the end the best graphic response to the Nazis was produced by the Walt Disney Company.

An entertaining and insightful examination of the Emmy-award winning American satirical news show, broadcast on Comedy Central in the US, and (in an edited edition) on More4 in the UK and CNN International around the world.

Devouring Cultures brings together contributors from a wide range of disciplines including media studies, rhetoric, gender studies, philosophy, anthropology, literary criticism, film criticism, race theory, history, and linguistics to examine the ways food signifies both culture and identity. The essays in Devouring Cultures show how our choices about what we eat, where we eat, and with whom we eat are linked to identity and meaning.

In Editor Missing, veteran journalist Ruben Banerjee attempts to provide clarity on the state of Indian media at a time when there is consensus only on the lack of it. The media mirrors society, and Banerjee is best placed to tell its contested story in contemporary India. As a top editor for various publications, he has had a ringside view for years of the decline in its standards, quality and objectivity. His own experiences reflect the time we live in.

World War II was a media war. President Franklin D. Roosevelt used the press to a great extent, of course, but as the war progressed, the media also came to influence commanders' decisions on the battlefield. The Media Offensive offers a new way to understand military-media relations during World War II. The press and public opinion shaped not only how the conflict was seen but also how it was fought. In what could be called "the new history of war reporting," the focus is switched from how the military controlled reporters to how military decisions were shaped by the press.

الكتب كالبشر لها ملامح وحياة وصفات وأسماء، لكن بعض الكتب تختلف كونها تولد ولا تموت..كلما مرت السنوات ازدادت شباباً و تألقاً.

في هذا الكتاب نعيش معاً بين صفحات كتب كانت سطورها مصابيح حضارة وحروفها مفاتيح استنارة.

Imagine losing a loved one in the public eye. A media frenzy ensues and spreads your family name through the news. Reporters ambush you, and across the country, strangers gossip about your personal loss. Welcome to the circus. In Media Circus, Kim Goldman, now a dedicated victims' advocate who works with families across the country, presents the first collective look at these ordinary, grieving victims - forced to manage their very private trauma and despair in a very public way.

Desde una estrella en ascenso en The New Yorker, una crónica profundamente inmersiva de cómo los empresarios optimistas de Silicon Valley se propusieron crear un internet libre y democrático, y cómo los propagandistas cínicos de la alt-right explotaron esa libertad para impulsar el extremo hacia la corriente principal. Durante varios años, Andrew Marantz, un escritor neoyorquino, ha estado incrustado en dos mundos.

Why does writing exist? What does it mean to those who write? Born from the interplay of natural and cultural history, the seemingly magical act of writing has continually expanded our consciousness. Portrayed in mythology as either a gift from heroes or a curse from the gods, it has been used as both an instrument of power and a channel of the divine, a means of social bonding and of individual self-definition.

To some, it is the voice of the nation, yet to others it has never been clearer that the BBC is in the grip of an ideology that prevents it reporting fairly on the world. Robin Aitken, who spent 25 years working for the BBC as a reporter and executive, argues that the Corporation needs to be reminded that what is 'fake' rather depends on where one is standing. This punchy polemic galvanises the debate over how our licence-fee money is spent and asks whether the BBC is a fair arbiter of the news, or whether it is a conduit for institutional liberal left-wing bias.

Con humor y espíritu crítico, la periodista Marta García Aller nos sumerge en una búsqueda fascinante de lo que significa ser humano en un mundo incierto dominado por las máquinas. El resultado es un libro imprescindible en el que aparecen todo tipo de testigos de lo inesperado.

In this fascinating and deeply researched book, Sharon Marcus challenges everything you thought you knew about our obsession with fame. Icons are not merely famous for being famous; the media alone cannot make or break stars; fans are not simply passive dupes. Instead, journalists, the public, and celebrities themselves all compete, passionately and expertly, to shape the stories we tell about celebrities and fans. The result: a high-stakes drama as endless as it is unpredictable.

Our devices and data are woven into our lives. We can't simply reject them. Margaret Morris argues we need to adapt technology creatively to our needs and values. In Left to Our Own Devices, Morris offers examples of individuals applying technologies in unexpected ways - uses that go beyond those intended by developers and designers. Morris examines these kinds of personalized life hacks, chronicling the ways that people have adapted technology to strengthen social connection, enhance well-being, and affirm identity.

Everyone reads the headlines. Millennials aren’t buying diamonds or saving for retirement. Millennials want cushy jobs handed to them by organizations with futuristic nap pods. Millennials are killing the housing market because they eat too many avocados. The truth is, millennials were raised being told they could do anything if they worked hard, and then they worked hard only to be told the world owes them nothing. Here’s a headline people need to read: Millennials were set up. The tide of young adults standing up for themselves is culminating in massive societal change.

In Sit Down and Cheer, Martin Kelner traces the development of this relationship from its humble origins in the 1960 Olympics, by way of the first-ever Match of the Day in 1964, through to the financial impact of Sky, right up to the high-tech gadgetry of our present-day viewing. Insightful and very funny, this is an entertaining exploration of two major national pastimes and not to be missed.