Social Poetry

Unlike many of his contemporaries, the English poet Francis Thompson (1859-1907) was a true mystic. While more celebrated poets, like Wordsworth, Tennyson, and Arnold, were content to express their religious leanings in traditional devotional formulae, Thompson strove to portray the divine directly, in all its terrifying majesty. In this way he is more akin to earlier masters, like Henry Vaughan and George Herbert, than to the poets of his own day.

From Vanessa Brantley-Newton, the author of Grandma's Purse, comes a collection of poetry filled with engaging mini-stories about girls of all kinds: girls who feel happy, sad, scared, powerful; girls who love their bodies and girls who don't; country girls, city girls; girls who love their mother and girls who wish they had a father. This book invites listeners to find themselves and each other within.

Clint Smith’s vibrant and compelling new collection traverses the vast emotional terrain of fatherhood, and explores how becoming a parent has recalibrated his sense of the world. There are poems that interrogate the ways our lives are shaped by both personal lineages and historical institutions. There are poems that revel in the wonder of discovering the world anew through the eyes of your children, as they discover it for the first time. There are poems that meditate on what it means to raise a family in a world filled with constant social and political tumult.

From brave and bold to creative and clever, Emily Winfield Martin's rhythmic rhyme expresses all the loving things that parents think of when they look at their children.

Taut free verse tells the little-known story of the first contraband camp of the Civil War - seen by some historians as the "beginning of the end of slavery in America". One night in 1861, three escaped slaves made their way from the Confederate line to a Union-held fort. The runaways were declared "contraband of war" and granted protection. As word spread, thousands of runaway slaves poured into the fort, seeking their freedom. These "contrabands" made a home for themselves, building the first African American community in the country.

In Birmingham, Alabama, on September 15, 1963, it is one little girl's 10th birthday. Excited about Youth Day at the 16th Street Baptist Church, she puts on her patent leather shoes and practices her choir solo. But her birthday will include no cake and no candles this year. A group of men have tucked a bundle of dynamite under the church's steps, and when it goes off, four girls are dead: AddieMae Collins, Carole Robertson, Cynthia Wesley, and Denise McNair.

Teenage girls have a lot to say, and poet Betsy Franco shares some of it in this unique work. In both poetry and prose, the young voices here share their thoughts on topics all teens are familiar with—from self-confidence to body image, from sexuality to loneliness, and everything in between.

Reha feels torn between two worlds: school, where she’s the only Indian American student, and home, with her family’s traditions and holidays. But Reha’s parents don’t understand why she’s conflicted - they only notice when Reha doesn’t meet their strict expectations. Reha feels disconnected from her mother, or Amma, although their names are linked - Reha means “star” and Punam means “moon” - but they are a universe apart. Then Reha finds out that her Amma is sick.

Luna has always loved the night sky. She's an eleven-year-old who knows everything there is to know about space, and dreams of one day becoming an astronaut. The first step in her plan to get there is to ace the space unit in her science class and secure a spot in NASA's summer space camp. But when Luna's teacher is unexpectedly replaced with a substitute, Ms. Manitowabi, who is looking to shake up science class by bringing in art, Luna's carefully laid plans are crushed. And that's not all that's shifting in Luna's life — changes at home and in her friendships have her feeling topsy-turvy.

National Book Award winner Jesmyn Ward takes James Baldwin's 1963 examination of race in America, The Fire Next Time, as a jumping-off point for this groundbreaking collection of essays and poems about race from the most important voices of her generation and our time.

The Kids Under the Stairs: BenBee and the Teacher Griefer is a funny, clever novel-in-verse about Ben Bennet - who failed the language arts section of the Florida State test - and three classmates who get stuck in a summer-school class. But these kids aren't dumb - they're divergent thinkers, as Ms. J tells them: They simply approach things in a different way than traditional school demands.

When Crab finds a new shell, he doesn’t want to share it with anyone - especially not a blobby purple anemone and a tickly bristleworm. But life in the rock pool proves tougher than Crab thinks and he soon finds he needs his new housemates. Sharing a Shell is a charming underwater tale of friendship and fun from the stellar picture book partnership of Julia Donaldson and Lydia Monks, creators of What the Ladybird Heard. With brilliant rhythmic verse, charmingly read by Julian Clary, this is a firm favourite with children and parents alike.

Night Monkey and Day Monkey's worlds are as different as … night and day! What one fears, the other loves, what one understands only confuses the other. But in learning about each other's opposite worlds, they also learn to be the best of friends. Boisterous and rhythmic fun from Julia Donaldson, the creator of The Gruffalo. Read by Imelda Staunton.

Una historia irresistible y un mensaje al puro estilo de Roald Dahl: no crezcas nunca, aunque te hagas mayor.

This award-winning anthology of poetry and prose takes a new look at being a woman - particularly an aging woman - in a society that prizes and glorifies youth. The works are by both younger writers looking forward in time and writers who have experienced the joys and challenges of growing older. This international best seller was put together by editor Sandra Martz who selected the collection's pieces from thousands of submitted manuscripts.

Run run run. That's what twelve-year-old Annie loves to do. When she's barefoot and running, she can hear her heart beating...Thump-THUMP, thump-THUMP. It's a rhythm that makes sense in a year when everything's shifting: Her mother is pregnant, her grandfather is forgetful, and her best friend, Max, is always moody. Everything is changing, just like the apple Annie's been assigned to draw a hundred times.

But while some days can feel more sad than happy, there's always a bright spot on the horizon. Anna Dewdney and Judy Schachner perfectly blend rhyme, humor, and comfort to show readers the way out of a tough spot--no matter if it's big or small.

As we open up to life and love and each other, as we awaken from our dream of separation, we encounter not just the bliss of existence, but its pain, too; not only life's ecstasy, but also its agony. Healing doesn't always feel good or comfortable or even "spiritual", for we are inevitably forced to confront our shadows, fears, and deepest longings - those secret parts of ourselves that we have denied, repressed, or deemed "negative" and unworthy of our love.

The Nature of Things was written in the 1st century BC by Roman polymath Lucretius. It is written as a didactic poem, and explains Epicurean physics.

Henry has been deaf from an early age. He's intelligent and aware of language, but by age six, he has decided it's not safe to speak to strangers. When the time comes for him to start school, he is labeled "unteachable." Because his family has very little money, his parents and older sister, Molly, feel powerless to help him. Henry's sent to Riverview, a bleak institution where he is misunderstood, underestimated, and harshly treated. Victor, a conscientious objector to World War II, is part of a Civilian Public Service program and arrives at Riverview to serve as an attendant in 1942.