Social Science Journalism

The United States federal government spent over $10 billion on medical protective wear and emergency supplies, yet as COVID-19 swept the nation, life-saving equipment such as masks, gloves, and ventilators was nearly impossible to find. In this brilliant nonfiction thriller, called “revelatory” by The Washington Post, award-winning investigative reporter J. David McSwane takes us behind the scenes to reveal how traders, contractors, and healthcare companies used one of the darkest moments in American history to fill their pockets.

With exclusive reporting, eyewitness accounts and analysis from the Pulitzer Prize-winning staff of The New York Times, this edition of THE JANUARY 6 REPORT offers the definitive record of the attack on the U.S. Capitol. Hear the report from the select committee’s investigation into the Jan. 6 attack on the Capitol, with accompanying insights from New York Times reporters who’ve covered the story from the beginning.

Ellen McGarrahan was a young journalist for The Miami Herald in 1990 when she witnessed the botched execution of convicted killer Jesse Tafero: flames and smoke and three jolts of the electric chair. When evidence later emerged casting doubt on Tafero’s guilt, McGarrahan found herself haunted by his fiery death. Had she witnessed the execution of an innocent man? Decades later, McGarrahan, now a successful private investigator, is still gripped by the mystery and infamy of the Tafero case, and decides she must investigate it herself.

In his timely new audiobook, Mikhail Shishkin, argues that Russia is not a 'riddle wrapped in a mystery inside an enigma': we just don't know enough about it. So what is the real story behind Putin's autocratic regime and its invasion of Ukraine? In My Russia: War or Peace? Shishkin traces the roots of Russia's problems, from the 'Kievan Rus' via the Grand Duchy of Moscow, empire, revolution and Cold War, to the now thirty-year-old Russian Federation.

How did the Bushes, America's most powerful political family, become gradually seduced by and entangled with their Saudi counterparts?

Greg Palast has spent the last 30 years getting the goods on corporate con men and political hucksters. Now he and his special guests cut through the TV news babytalk in Armed Madhouse. Armed with more than 50 classified documents and confidential memos, Palast brings you the stories not allowed in The New York Times.

Here are the devastating revelations that triggered a crisis within the Catholic Church. Here is the truth about the scores of abusive priests who preyed upon innocent children and the cabal of senior church officials who covered up their crimes. Here is the trail of "hush money" that the Catholic Church secretly paid to buy victims' silence - deeds that left millions of the faithful in the US and around the world shocked, angry, and confused.

Throughout his 25-year journalistic career, David Carr was noted for his sharp and fearless observations, his uncanny sense of fairness and justice, and his remarkable compassion and wit. His writing was informed both by his own hardships as an addict, and his intense love of the journalist's craft. His range - from media politics to national politics, from rock-n-roll celebrities to the unknown civil servants who make our daily lives function - was broad and often timeless.

Is John McCain "for real?" That's the question David Foster Wallace set out to explore when he first climbed aboard Senator McCain's campaign caravan in February 2000. It was a moment when McCain was increasingly perceived as a harbinger of change, the anticandidate whose goal was "to inspire young Americans to devote themselves to causes greater than their own self-interest".

Janet Malcolm delves into the psychopathology of journalism using a strange and unprecedented lawsuit as her larger-than-life example: the lawsuit of Jeffrey MacDonald, a convicted murderer, against Joe McGinniss, the author of Fatal Vision. Examining the always uneasy, sometimes tragic relationship that exists between journalist and subject, Malcolm finds that neither journalist nor subject can avoid the moral impasse that is built into the journalistic situation.

The one real difference between the American press and the Soviet state newspaper Pravda was that the Russian people knew they were being lied to. To expose the lies our media tell us today, controversial journalist James O'Keefe created Project Veritas, an independent news organization whose reporters go where traditional journalists dare not. Their investigative work - equal parts James Bond, Mike Wallace, and Saul Alinsky - has had a consistent and powerful impact on its targets.

Desde que fueron anunciadas las negociaciones de paz con las Farc, Juan Gabriel Vásquez no ha dejado de comentar ese proceso que tanta esperanza -y tanta polarización- le ha traído al país. Este libro recoge todo lo que ha escrito al respecto: sus columnas de opinión en medios de Colombia y el mundo, pero también conversaciones con Humberto de la Calle, Juan Manuel Santos y Doris Salcedo.

In Losing the News, Pulitzer Prize-winning journalist Alex S. Jones offers a probing look at the epochal changes sweeping the media, changes which are eroding the core news that has been the essential food supply of our democracy. Losing the News depicts an unsettling situation in which the American birthright of fact-based, reported news is in danger. But it is also a call to arms to fight to keep the core of news intact.

At least 12 million people listen to Osgood every day on CBS radio, and millions more watch him on CBS News Sunday Morning. All of them would agree that no one delivers quite the way he does the offbeat stories that make listeners stop and pay attention; the commentaries in which he shares his sense of wonder, dismay, or amusement; the well-spun tales of irony that often burst forth into wordplay or even poetry.

From Pulitzer Prize–winning journalist Will Bunch, the epic untold story of college—the great political and cultural fault line of American life.

Before he became a novelist, Michael Connelly was a crime reporter, covering the detectives who worked the homicide beat in Florida and Los Angeles. In vivid, hard-hitting articles, Connelly leads the reader past the yellow police tape as he follows the investigators, the victims, their families and friends, and, of course, the killers, to tell the real stories of murder and its aftermath.

The government is not a neutral arbiter of truth. It never has been. It never will be. Doubt everything. John Stossel does. A self-described skeptic, he has dismantled society's sacred cows with unerring common sense. Now he debunks the most sacred of them all: our intuition and belief that government can solve our problems. In No, They Can't, the New York Times best-selling author and Fox News commentator insists that we discard that idea of the "perfect" government - left or right - and retrain our brain to look only at the facts, to rethink our lives as independent individuals - and fast.

Why has punditry overtaken news, with so many media outlets pushing partisan agendas instead of information? Comedian Stephen Colbert's catchword "truthiness" has captured something essential about our age: that people are more comfortable with ideas that feel true, even if the evidence for those beliefs is thin.

Beginning with her solitary childhood in London, it took years for Melanie Phillips to understand her parents' emotional frailties and even longer to escape from them. But Phillips inherited her family's strong Jewish values and a passionate commitment to freedom from oppression. It was this moral foundation that ultimately turned her against the warped and tyrannical attitudes of the Left, requiring her to break away not only from her parents - but also from the people she had seen as her wider political family.

McMillan begins with her family, tracking their modest wealth to its roots: American policy that helped whites first. Simultaneously, she details the complexities of their advantage, exploring her mother's death in a nursing home, at forty-four, on Medicaid; her family's implosion; and a small inheritance from a grandfather. In the process, McMillan puts a cash value to whiteness in her life and assesses its worth.