Social Science Journalism

At least 12 million people listen to Osgood every day on CBS radio, and millions more watch him on CBS News Sunday Morning. All of them would agree that no one delivers quite the way he does the offbeat stories that make listeners stop and pay attention; the commentaries in which he shares his sense of wonder, dismay, or amusement; the well-spun tales of irony that often burst forth into wordplay or even poetry.

In this widely acclaimed memoir ("Riveting, moving...a wonderful book" The New York Times Book Review), Katharine Graham tells her story—one that is extraordinary both for the events it encompasses and for the courage, candor, and dignity of its telling.

“What happened to the America I thought I knew?” Brokaw writes. “Have we simply wandered off course, but only temporarily? Or have we allowed ourselves to be so divided that we’re easy prey for hijackers who could steer us onto a path to a crash landing? ... I do have some thoughts, original and inspired by others, for our journey into the heart of a new century.”

All They Will Call You is the harrowing account of "the worst airplane disaster in California's history", which claimed the lives of 32 passengers, including 28 Mexican citizens - farmworkers who were being deported by the US government. Outraged that media reports omitted only the names of the Mexican passengers, American folk icon Woody Guthrie penned a poem that went on to become one of the most important protest songs of the 20th century.

La capital del país es tan grande que puede albergar infinidad de historias ocultas en cada calle, en cada casa. Por ello, Héctor de Mauleón se ha dado a la tarea de capturar algunas de ellas, las más impactantes y entrañables, a través del poder de la crónica. El escritor y periodista sabe que la ciudad cambia, se transforma y corremos el riesgo de no reconocernos en ella.

Reporting on news-impoverished areas in the US and around the world, America's premier media critic, Margaret Sullivan, charts the contours of the damage but also surveys some new efforts to keep local news alive - from nonprofit digital sites to an effort modeled on the Peace Corps. No nostalgic paean to the roar of rumbling presses, Ghosting the News instead sounds a loud alarm, alerting citizens to the growing crisis in local news that has already done serious damage.

Just after midnight on October 9, 2017, as one of the nation's deadliest firestorms swept over California's Wine Country, hundreds of elderly residents from two posh senior living facilities were caught in its path. The frailest were blind, in wheelchairs, or diagnosed with dementia, and their community quickly transformed from a palatial complex that pledged to care for them to one that threatened to entomb them. The rescue of the final 105 seniors left behind on an inflamed hillside depended not on employees, but strangers whose lives intersected in a riveting tale of terror and heroism.

How did such a major international public service media network become intensely politicized by government allies in such a short time, despite having its editorial independence protected by law? Capturing News, Capturing Democracy puts these events in historical and international context-and develops a new analytical framework for understanding government capture and its connection to broader processes of democratic backsliding.

From the New York Times bestselling author of The History of White People and Old in Art School, a finalist for the NBCC Award, comes a comprehensive new collection of essays spanning art, politics, and the legacy of racism that shapes American history as we know it. These essays resist easy answers in favor of complexity, the inescapable sense of our country’s potential thwarted by its failures. This collection will surely solidify Painter’s place among the finest critics and writers of the last half century.

¿Quién manda en España? ¿Por qué mandan los que ocupan puestos de poder en los ministerios, secretarías de Estado, direcciones generales? ¿Qué redes de intereses les unen entre sí? Más allá de las "puertas giratorias", unos grupos pequeños de altos funcionarios, personas vinculadas al poder real, sobre todo al económico, toman las decisiones y lo hacen sin responder ante los ciudadanos ni escucharles. Porque las élites de poder no se presentan a las elecciones ni defienden un programa electoral.

In this holistic history, Will Mari traces American journalism from the 1920s through the 1960s, a time of great change and controversy in the field; one in which journalism was produced in “news factories”, by workers with dozens of different roles, using the latest technology, and setting the stage for the emergence of the information economy. Told from an empathetic, omnivorous, ground-up point of view, The American Newsroom uses memoirs, trade journals, textbooks, and archival material to show how the newsroom expanded our ideas of what journalism could and should be.

In Democracy Lives in Darkness, Emily Van Duyn discovers and follows a secret political organization of progressive women in a conservative community in rural Texas. Its members met in secret to protect themselves from retaliation by their conservative neighbors, friends, and family. They discussed immigrant rights, women's reproductive rights, racism, and intolerance of those of different racial/ethnic and cultural backgrounds in their community. Democracy Lives in Darkness is about this group: their daily lives, their choices, and ultimately, their incubation.

Local news is essential to democracy. Meaningful participation in civic life is impossible without it. However, local news is in crisis. According to one widely cited study, some 2,500 newspapers have closed over the last generation. And it is often marginalized communities of color who have been left without the day-to-day journalism they need to govern themselves in a democracy.

War, persecution, natural disasters, and climate change continue to drive millions around the world from their homes. In this “tender, intimate, and important book—a carefully reported rebuttal to the xenophobic narratives that define so much of modern American politics” (Sarah Stillman, staff writer, The New Yorker), journalist Susan Hartman follows 3 refugees over 8 years and tells the story of how they built new lives in the old manufacturing town of Utica, New York.

From the best-selling author of Cardinal comes a searing examination of the power imbalance in our legal system—where exposing the truth is never guaranteed and, for victims, justice is often elusive. A masterful and deeply troubling expose, Witness is the culmination of five years' research for award-winning investigative journalist Louise Milligan.

What Can We Learn from the Great Depression? draws on the voices of individual working people to tell the stories left out of standard histories of that era, and helps us imagine how to address our own failed economy, and how to imagine and build movements challenging it that do not themselves replicate racism and patriarchy.

In News for the Rich, White, and Blue, Nikki Usher recasts the challenges facing journalism in terms of place, power, and inequality. Drawing on more than a decade of field research, she illuminates how journalists decide what becomes news and how news organizations strategize about the future. Usher shows how newsrooms remain places of power, largely white institutions growing more elite as journalists confront a shrinking job market.

The Democratic Party left rural America behind. This urgent rallying cry shows how Democrats can win back and empower overlooked communities that have been pushing politics to the right—and why long-term progressive political power depends on it.

Steffens was the towering figure in journalism of the early 20th century. This is a series of articles he wrote uncovering the graft and corruption at the highest levels of municipal governments across the country: the "Boodlers" stealing money from public piggy banks through a wide variety of schemes and plans made in smoke-filled rooms; trading power for profit; selling rights and property that belonged to the public and putting the money in their own pockets. This is the birth of investigative journalism. It made a difference.

In The Inconvenient Journalist, Dusko Doder, writing with his spouse and journalistic partner Louise Branson, describes how one February night crystalized the values and personal risks that shaped his life. The frigid Moscow night in question was in 1984, and Washington Post correspondent Doder reported signs that Soviet leader Yuri Andropov had died.