Social Sciences Media Studies

From Benjamin Franklin's newspaper hoax that faked the death of his rival to Abbie Hoffman's attempt to levitate the Pentagon - pranksters, hoaxers, and con artists have caused confusion, disorder, and laughter in Western society for centuries. Profiling the most notorious mischief-makers from the 1600s to the present day, Pranksters explores how "pranks" are part of a long tradition of speaking truth to power and social critique.

Best-selling author John Gibson shows that George W. Bush was the victim of a concentrated effort by Democrats and their allies in the press to discredit and distort virtually everything he did. That effort was amazingly successful. Was George W. Bush really the worst president in American history? Was the Iraq War really the biggest foreign policy blunder of all recorded time? Did Bush really steal the 2000 election, make war on civil rights, torture innocent goatherds, and prove America's racism during Hurricane Katrina?

Was the 2000 presidential campaign merely a contest between Pinocchio and Dumbo? And did Dumbo miraculously turn into Abraham Lincoln after the events of September 11? In fact, Kathleen Hall Jamieson and Paul Waldman argue in The Press Effect, these stereotypes, while containing some elements of the truth, represent the failure of the press and the citizenry to engage the most important part of our political process in a critical fashion.

How did the newspaper, music, and film industries go from raking in big bucks to scooping up digital dimes? Their customers were lured away by the free ride of technology. Now, business journalist Robert Levine shows how they can get back on track. On the Internet, “information wants to be free.” This memorable phrase shaped the online business model, but it is now driving the media companies on whom the digital industry feeds out of business. Today, newspaper stocks have fallen to all-time lows as papers are pressured to give away content, music sales have fallen by more than half....

A Thousand Cuts is a candid exploration of one of America's strangest and most quickly vanishing subcultures. It is about the death of physical film in the digital era and about a paranoid, secretive, eccentric, and sometimes obsessive group of film-mad collectors who made movies and their projection a private religion in the time before DVDs and Blu-rays.

In Sit Down and Cheer, Martin Kelner traces the development of this relationship from its humble origins in the 1960 Olympics, by way of the first-ever Match of the Day in 1964, through to the financial impact of Sky, right up to the high-tech gadgetry of our present-day viewing. Insightful and very funny, this is an entertaining exploration of two major national pastimes and not to be missed.

In The Obama Hate Machine, Bill Press returns to show how the Right has taken rhetoric to slanderous new levels in attacking the nation’s forty-fourth president. But presidents have always been attacked like this, right? Wrong. As the author shows, while presidents and presidential candidates have routinely been subject to personal attacks, the outright disdain Obama’s extremist opponents have for the facts has inspired an insidious brand of character assassination unique in contemporary politics.

Research polls, media interviews, and everyday conversations reveal an unsettling truth: citizens, while well-meaning and even passionate about current affairs, appear to know very little about politics. Hundreds of surveys document vast numbers of citizens answering even basic questions about government incorrectly. Given this unfortunate state of affairs, it is not surprising that more knowledgeable people often deride the public for its ignorance.

The pantheon of big-budget, commercially successful films encompasses a range of genres, including biblical films, war films, romances, comic-book adaptations, animated features, and historical epics. In Epics, Spectacles, and Blockbusters: A Hollywood History authors Sheldon Hall and Steve Neale discuss the characteristics, history, and modes of distribution and exhibition that unite big-budget pictures, from their beginnings in the late nineteenth century to the present.

When Norman Pearlstine - as editor in chief of Time Inc. - agreed to give prosecutor Patrick Fitzgerald a reporter's notes of a conversation with a "confidential source", he was vilified for betraying the freedom of the press. But in this hard-hitting inside story, Pearlstine shows that "Plamegate" was not the clear case it seemed to be, and that confidentiality has become a weapon in the White House's war on the press - a war fought with the unwitting complicity of the press itself.

The Sun and the Moon tells the delightful and surprisingly true story of how a series of articles in the Sun newspaper in 1835 convinced the citizens of New York that the moon was inhabited. Purporting to reveal discoveries of a famous British astronomer, the series described such moon life as unicorns, beavers that walked upright, and four-foot-tall flying man-bats. It quickly became the most widely circulated newspaper story of the era.

In Sensible Politics, William A. Callahan uses his expertise in theory and filmmaking to explore not only what visuals mean, but also how visuals can viscerally move and connect us in "affective communities of sense." The book's rich analysis of visual images (photographs, film, art) and visual artifacts (maps, veils, walls, gardens, cyberspace) shows how critical scholarship needs to push beyond issues of identity and security to appreciate the creative politics of social-ordering and world-ordering.

Este es un audiolibro de investigación al que los autores han dedicado cerca de dos años. El resultado es este trabajo polémico compuesto por las biografías de once hombres y una mujer que controlan el 70 por 100 de la información mundial. Los autores nos cuentan como Silvio Berlusconi paso de vender aspiradoras a construir su imperio televisivo; esta es la primera biografía autorizada de Jesús de Polanco, así como los comienzos de El País, diario que en 1996 celebro sus veinte años de existencia.

Tom Wolfe comandó una generación de escritores dispuestos a dinamitar las convenciones de la sociedad tradicional. Estaban allí para contarnos cosas de nosotros mismos de un modo hasta entonces inaudito. Se convirtieron en nuestros sabios orientadores, nuestros heraldos, incluso en nuestra conciencia moral: eran los nuevos periodistas.

Una serie TV può cambiare la percezione di intere nazioni su tematiche sociali, scientifiche, politiche, relazionali, dando voce a persone che nella nostra società sono ancora invisibili, a cui non viene mai data la parola. Il merito di Marina Pierri è la capacità di mettere insieme mondi che fanno fatica a parlarsi: quello del femminismo intersezionale e quello della psicologia del profondo. In "Eroine", Marina Pierri prende il testimone da una vasta letteratura filosofica, cinematografica e psicologica, e compie un'operazione ancora inedita.

Wir alle fallen auf Fake News herein. Sie kommen oft als gute Geschichten daher, die in unser Weltbild passen. Aber wie gehen wir damit um, dass rechtsextreme Parteien und gewisse Boulevard-Medien das systematisch nutzen, um Desinformation zu verbreiten? Wie verhindern wir, dass Fakten keine Rolle mehr spielen und es keine Konsequenzen hat, wenn man einfach behauptet, was man will? Dieses Hörbuch zeigt, warum Fakten, Wissenschaft und zuverlässige Quellen in der Meinungsbildung an Bedeutung verlieren.

Die Vereinigten Staaten befinden sich mitten in einem neuen Bürgerkrieg, der mit den Waffen der Mediengesellschaft ausgetragen wird - und erleben in der Weltkrise 2020 eine multiple Katastrophe. Klaus Brinkbäumer und Stephan Lamby berichten von den zahlreichen Fronten. Nach vier Jahren einer fatalen Präsidentschaft sind die USA eine wütende, nur noch im Hass vereinte Nation. Die unterschiedlichen politischen Lager haben ihre diplomatischen Beziehungen abgebrochen und stehen sich auf medialen Schlachtfeldern gegenüber.

Female writers, directors, and producers have radically transformed the television industry in recent years. Shonda Rhimes, Lena Dunham, Tina Fey, Amy Schumer, Mindy Kaling: These extraordinary women have shaken up the entertainment landscape, making it look like an equal opportunity dream factory. But things weren't always this rosy. It took decades of determination in the face of preconceived ideas and outright prejudice to reach this new era.

Noir - as a style, movement, or sensibility - has its roots in hardboiled detective fiction by writers like Chandler and Hammett, and films adapted from their novels were among the first called "film noir" by French cineastes. But film isn't the only medium with a taste for a dark story. Hundreds of noir dramas have been produced for television, featuring detectives and femmes fatales, gangsters, and dark deeds, continuing week after week, with a new disruption of the social order. In TV Noir, television historian Allen Glover presents the first complete study of the subject.

Devouring Cultures brings together contributors from a wide range of disciplines including media studies, rhetoric, gender studies, philosophy, anthropology, literary criticism, film criticism, race theory, history, and linguistics to examine the ways food signifies both culture and identity. The essays in Devouring Cultures show how our choices about what we eat, where we eat, and with whom we eat are linked to identity and meaning.