Social Sciences Media Studies

Layering climate science, mythologies, nature writing, and personal experiences, Desert Notebooks offers a vital and necessary chronicle of our past and our present - perfect for fans of Robert Macfarlane and Elizabeth Rush - that’s unflinching, urgent, and yet timeless and profound.

The Souls of Black Folk is a classic work by W. E. B. Du Bois. Originally published in 1903, it contains many essays on race and equality, but is also a piece of seminal history, laying the groundwork for the field of sociology. Some of the essays in the book were even previously published by the Atlantic Monthly magazine. When writing, Du Bois drew from his personal experiences as an African-American in America to highlight the issues of prejudice that were still going on into the 20th century.

Die Vereinigten Staaten befinden sich mitten in einem neuen Bürgerkrieg, der mit den Waffen der Mediengesellschaft ausgetragen wird - und erleben in der Weltkrise 2020 eine multiple Katastrophe. Klaus Brinkbäumer und Stephan Lamby berichten von den zahlreichen Fronten. Nach vier Jahren einer fatalen Präsidentschaft sind die USA eine wütende, nur noch im Hass vereinte Nation. Die unterschiedlichen politischen Lager haben ihre diplomatischen Beziehungen abgebrochen und stehen sich auf medialen Schlachtfeldern gegenüber.

The internet was created on the basis that all users are equal, but children and the vulnerable are not. In Born Digital, Robert Wigley distils the mountains of available research on the subject and brings to bear his wealth of institutional experience to present a road map for society to radically and urgently reset its relationship with technology - for the sake of future generations.

To See and Be Seen considers some of the ideological, aesthetic, pragmatic, institutional, cultural, commercial, environmental, and psychological forces that consciously or otherwise shape the production of news images and subsequently influence their reception. T. J. Thomson examines the expectations, experiences, and reactions of those depicted by visual journalists and considers other relevant factors: How do everyday people perceive cameras and those who operate them?

Finding Normal explores how people are using the internet to find community, forge connections, and create identity in ways that challenge a variety of sexual norms. Based on a highly candid interview series conducted for New York magazine's human science column - "What It's Like" - each story in Finding Normal intimately immerses the listener in the world of a person who is grappling with a unique set of circumstances relating to sexuality.

Few people watch sport for its politics. Yet what happens on the field of play often reflects the problems in our society. Such was the case in the '80s, when black footballers emerged from the dressing room to find bananas being hurled from the stands, and racially motivated attacks and police harassment were the norm. Today, things have improved. Crowds are less hostile and stars like Anthony Joshua and Sir Mohamed Farah are among our most revered sporting heroes. But for athletes of colour, success on the field seldom converts to power away from it.

Con humor y espíritu crítico, la periodista Marta García Aller nos sumerge en una búsqueda fascinante de lo que significa ser humano en un mundo incierto dominado por las máquinas. El resultado es un libro imprescindible en el que aparecen todo tipo de testigos de lo inesperado.

Walter Veltroni denuncia la debolezza della politica di fronte al ricatto dell'opinione pubblica, il cedimento dell'etica e del pudore sotto i colpi della società delle immagini e della comunicazione totale, riportandoci con la memoria al giorno in cui il nostro sguardo perse l'innocenza. L'11 giugno del 1981, un grido disperato paralizza l'Italia davanti ai teleschermi. Alfredino Rampi, sei anni, è precipitato in un pozzo e sta chiamando disperatamente sua madre. Gli italiani ascoltano agghiacciati il suo lamento, mentre iniziano i tentativi di salvataggio.

Gorgeous War argues that the Nazis used the swastika as part of a visually sophisticated propaganda program that was not only modernist, but also the forerunner of contemporary brand identity. When the United States military tried to answer Nazi displays of graphic power, it failed. In the end the best graphic response to the Nazis was produced by the Walt Disney Company.

Influencer – das ist für eine ganze Generation inzwischen ein ernsthafter Berufswunsch, wenn nicht sogar ein Traumberuf. Es klingt auch zu verlockend: Ein bisschen posieren vor der Kamera, ein paar Likes und schon kommen die gut bezahlten Werbekooperationen wie von selbst. Sie filmen sich beim Schminken, reisen an paradiesische Orte, halten sich fit mit Sport und teilen ihre Tipps mit Fans. Doch dahinter steckt ein profitorientiertes Business, das große Begehrlichkeiten und Abhängigkeiten auf der Seite der Nutzer schafft.

Las redes sociales nos han llevado a un nuevo mundo en el que vivimos cercados por las opiniones ajenas. Lo que parecía la conquista total de la libertad de expresión ha hecho que una parte de la ciudadanía se revuelva, incómoda. Grupos de presión organizados en las redes -católicos, feministas, activistas de izquierdas y derechas- han empezado a perseguir lo que consideran «excesos» intolerables mediante el linchamiento digital, las peticiones de boicot y las recogidas de firmas.

Instagram está tan ligado a nuestro día a día que su historia no puede disociarse del impacto que tiene sobre nuestras vidas. Desde su creación en el año 2010 de la mano de Kevin Systrom y Mike Krieger como una aplicación simple e intuitiva, lnstagram se ha convertido en una máquina de hacer famosos como nunca antes se había visto -ya sea en el patio de los colegios, en el mundo cultural o en el de la moda- en busca de un reconocimiento digital que obtiene gracias a likes, comentarios, seguidores y espectaculares acuerdos con distintas empresas.

Bloody Crossroads 2020 takes a deep dive into the role that mass-appeal movies, television, videos, and music played in America's political culture in the year of Donald Trump's failed reelection campaign. The book also explores the impact of entertainment celebrities in communications, fundraising, and campaigning to support the election of Joe Biden.

When the world's biggest and most moving events took place - World War II, the Moon landing, the death of Princess Diana, and many more - Time magazine was there to tell the story with passion and clarity. This book features pieces by Barbara Ehrenreich, Henry Anatole Grunwald, Maureen Dowd, Walter Isaacson, Bono and many other famous writers, and will provide listeners with a uniquely entertaining view of 85 years of Time's history.

The most powerful political tool of the modern presidency is control of the message and the image. In Republic of Spin - a vibrant history covering more than 100 years of politics - presidential historian David Greenberg recounts the rise of the White House spin machine, from Teddy Roosevelt to Barack Obama. His sweeping, startling narrative takes us behind the scenes to see how the tools and techniques of image making and message craft work.

Renyi Hong theorizes the notion of being "passionate about your work" as an affective project that encourages people to endure trying situations like unemployment, job change, repetitive and menial labor, and freelancing. Not simply a subject of aspiration, passion has been deployed as a means to build resilience and mend disappointments with our experiences of work. Tracking the rise of passion in nineteenth-century management to trends like gamification, coworking, and unemployment insurance, Hong argues that the ideal of passionate work sustains a condition of cruel optimism.

Arnold examines God and the Bible from a Rationalist's point of view.

Tyrants on Twitter is the first detailed analysis of how Chinese and Russian agents weaponize Facebook, Instagram, Twitter, and YouTube to subvert the liberal international order. In addition to examining the 2016 US election, David L. Sloss explores Russia's use of foreign influence operations to threaten democracies in Europe, as well as China's use of social media and other digital tools to meddle in Western democracies and buttress autocratic rulers around the world.

In 2010—long before the release of Lemonade—Professor Kevin Allred created the university course "Politicizing Beyonce" to both wide acclaim and controversy. He outlines his pedagogical philosophy in Ain't I a Diva?, exploring the process of teaching Beyonce and what it means to use a superstar to blow up the canon. Allred brings his syllabus to life by pairing music videos and songs with historical and academic texts, and combines analysis with classroom anecdotes.